#ryan oneal

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what’s up doc? 1972 dir. Peter Bogdanovich

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Arthur Hiller and Herbert Ross are two of the six directors tied for first place among directors of the 70s with three films among the top 100 blockbusters of the decade.  Arthur’s blockbusters were Love Story (1971-#1 hit of the year), The Hospital (1972-9) and Silver Streak (1977-7),  Arthur is pictured with Ryan O’Neal and Ali McGraw on the set of Love Story.

Herbert’s blockbusters were The Owl and The Pussycat (1971-5), The Goodbye Girl (1978-6) and California Suite (1979-9).  Arthur is pictured with Barbra Streisand on the set of The Owl and The Pussycat, and with Jane Fonda filming California Suite in an original publicity still.

Art’s entry among my best 1,001 movies is The Out-Of-Towners (1970), a third film by Hiller written by Neil Simon.  Herb has an honorable mention to my best 1,001 movies - Play It Again Sam, written by and starring Woody Allen.

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Love Story (1970)

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Remembering Farrah 🌹

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William Holden and Ryan O’Neal in Wild Rovers (1971)

[flixwise]

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On today’s show, we have the 59th movie on the Sight and Sound International Critics’ Poll: Barry Lyndon. Speaking of Sight and Sound, today’s guest is a freelance critic for that esteemed film journal, as well as the social media maven for Film4, Michael Leader. Michael joins host Lady P and Flixwise regular @salesonfilm to discuss Stanley Kubrick’s overlooked masterpiece. Barry Lyndon has historically been dogged by a kind of middle child syndrome. It has neither the technical marvel of 2001: A Space Odyssey (’68), nor the crowd-pleasing sexuality and violence ofA Clockwork Orange (’71)  or The Shining (’80). Nevertheless, our panelists believe Barry Lyndon to be among Kubrick’s shining achievements. They talk about why the film is such a success, and why it’s taken so long for it to be properly recognized as one of the greats. Plus, they talk about Ryan O’Neal, his eventual fall from grace (Warning – don’t click this link if ever hope to take Mr. O’Neal seriously again), and, of course, they touch on the film’s notoriously arduous production process.

Then for our second topic, we discuss Michael’s latest film distribution venture, @miscfilms. Michael and Misc Films’ co-founder, Rowan Woods, have joined forces to get some of their favorite little-seen indies a proper screening in London. Michael talks about what it takes to organize a screening in a major metropolitan area and how you go about getting the rights to these works. Eventually the panelists just geek out about the various rep houses in their respective areas, and they talk about how to drive people back to the theatre.