A thing I started doing as I moved deeper and deeper into the Clone Saga is that I realized you really have to take all of this at surface value... like we are told here that Scrier and Kain apparently go way back, and we see that Scrier has some kind of magic power or something but the thing is, literally in the next book, all this could change... or we will be told it was all a trick or a hallcination or a clone did it or etc etc...
THIS right here is the Spider-Man guidebook that I’ve not only owned since Elementary School, but it is also where I had first heard of the infamous Spider-Man: Clone Saga. The way this guidebook described the saga really piqued my curiosity about the event due to how interesting it sounded here, and ironically, my curiosity and desire to check out the Saga for myself was piqued even further years later when I was in high school & college and learned about just how infamous and controversial the entire event was. That made me want to judge The Clone Saga for myself and see if I could find any diamonds in the rough!
And since having read that entire era of Spider-Man comics, The Clone Saga has easily become my personal biggest guilty pleasure! While I freely acknowledge that The Clone Saga has A LOT of problems (i.e. it went on for WWWAAAYYY too long, suffered heavily from marketing and editorial interference, and contained some awful storylines like Smoke & Mirrors & Maximum Clonage), but there are several story arcs from it that I legitimately love such as The Lost Years miniseries & The Exile Returns arc to name a few, and I’m a diehard fan of both Ben Reilly & Kaine as characters!
Spider-Man vol 1 59 (1995) . Clone Saga . Crossfire part 2 . The Future Is Now . Written by Howard Mackie Penciled by Tom Lyle Inked by Sam de la Rosa Colors by Kevin Tinsley and Salvador Mancha Lettered by Richard Starkings and Comicraft Edited by Danny Fingeroth . Judas Traveller forced Spider-Man (dressed as Scarlet Spider) to choose to keep on fighting for his family or for his city. This caused an unforeseen consequence on Traveller, which almost destroyed the city... . #spiderman #judastraveller #scrier #avengers #90s #tomlyle #scarletspider #crossfire #clonesaga #boone #misternacht #medea #chakra (på/i New York, New York) https://www.instagram.com/p/CeTqjyKswYB/?igshid=NGJjMDIxMWI=
In the ten years he had been a vigilante, Peter Parker had become very good at sneaking into places he shouldn't have been.
Air vents were useless. The vast majority of them were far too narrow for anybody to slip through without becoming amorphous, and even when the ducts were large enough it was impossible to move inside one without making enough noise to alert the entire block. The subceiling--the space above the ceiling tiles, but below the actual architectural structure--was a far better bet, but that was similarly cramped--and besides, only some buildings had gaps in the walls to allow for movement like that.
Using a disguise to sneak in was better all around, but it required a lot of skill and care. You couldn't disguise yourself as a scientist unless you were genuinely an expert in the field you were pretending to study. Nor, in this particular case, could you just dress up as any old agent--they had security levels. Executives were out, reporters were only viable if the people you were trying to fool had reason to believe a reporter was going to be there, and the less said about solicitors the better. The key was to attract as little scrutiny as possible, to not raise any questions you'd have trouble answering; because the second someone grew suspicious of you, your cover was all but blown.
Janitors, then, were perfect.
Nobody pays attention to a janitor. It's practically one of the perks of the job. Beneath notice means beneath scrutiny, and people only give custodians the slightest thought when a place needs cleaned. Even then it's just an assertion that a custodian needs to be there. Nobody questions what a janitor is doing in a room, even in the dead of night. Nobody questions why a janitor is wearing gloves, or where they got their ring of keys. There's no better disguise for going somewhere that people generally can't go.
Peter had been pretending to be a janitor in the main headquarters of the Cape Code Authority for several days now. He had listened intently as he'd mopped the floors, mapped out the layout in his head, figured out where the labs were and who had access to what while keeping his head down. He'd owned this coverall for years now, for infiltrations exactly like this, and now with the security cameras disabled he hooked his cart on the handle of his mop and dragged it towards the door the three agents had just left.
The door had locked automatically. Of course it had, all laboratory doors locked automatically around here, and even the custodians needed special permissions to get them unlocked. But as the door had swung closed, Peter had pressed the trigger in his palm under the guise of adjusting his grip on his mop, and now the door's latch was glued down beneath a small splatter of webbing. Pulling on a latex glove, Peter tugged the door open a crack and slipped into the lab.
He adjusted his hat as he glanced around the lab, the hat that had blond curls sewn to the inside to disguise his brown hair, and scratched at his false nose. The hologram table sat in the center of the room, still softly glowing even after its deactivation--an enormous waste of energy, but apparently nobody cared. Ignoring it entirely, Peter headed straight for the computer monitors against the far wall, grabbing a chair without breaking stride and only stopping to climb on top of it and crouch on the seat like a gargoyle on a rooftop.
Like everything Reed Richards ever touched, the computers were encrypted. But Peter had dated Johnny Storm for five months once, and he didn't spend so much time nearby his fellow supergenius without taking some time to figure out how to bypass their usual security. It took him just over five minutes to get through the firewalls, and then he stuck a translucent plastic sticky note to the screen and began to browse.
The sticky note was, of course, a data drive. Peter had learned about these only recently, but he was fast growing to like them; they were easy to conceal on his person and, unlike a USB stick, didn't require a specific size of port. As he opened up the computer's files, the drive pinged off of the computer's software and integrated itself into the system without leaving a trace. Cracking his knuckles, Peter typed a few cursory searches into the file browser and tapped Enter.
Perpetual Holographic Avatar/Nano-Tech Offensive Monsters had been a thorn in his side for over two years now. They didn't move like humans; their range of motion didn't have the limits that their skeletal shape implied; their systems adapted and learned and coordinated in ways that he'd never seen before in artificial intelligence. Even Octavius, permanently on the cutting edge of AI and biorobotics development, wasn't sure what the hell was going on with them. Last year, in the middle of beating the multi-armed megalomaniac's face in, Spider-Man had asked for Otto's thoughts on the Phantoms; the technology, both of them suspected, wasn't exactly beyond Otto's work so much as to the side of it. The systems were hyperspecialized: they had no connection to neural networks of old, and were practically useless for advancing them in the future. They were, in a word, alien.
Peter suspected Chitauri tech. The War of the Worlds had left countless remnants of the Chitauri on Earth; some of them still remained, like the Leviathan rotting in Maine, but far too many of them had seemed to simply vanish. Anyone who gave it more than ten seconds of thought could realize that governments of the world had squirreled the stuff away to study and reverse-engineer. Now, as Peter's eyes darted back and forth across the screen, he skimmed through the blueprints and models that he found in the folder and tried to see if any of it matched the distinctive look of the Chitauri.
Some of it did, he found as he kept searching, but not a huge amount. Reed had done some work with Chitauri tech in the past; traces of its influence were obvious in the composition of the Phantoms' gun barrels, and in the way their hard-light armor projected itself over the skeleton. Kid stuff, nothing that explained the problems he'd had with them. Peter's brow furrowed as he copied the files he found to his data drive and peered over his shoulder at the hologram table behind him.
What had Reed been saying to Flint in here only a few minutes ago? Peter had a spiderlike hypersensitivity to vibration; he could feel footsteps on the other side of the building rumbling through the floor, and the variations in air pressure caused by the fly drifting around the ceiling. But it didn't work like hearing did, nor was it interpreted by the same part of the brain. Though he had felt Reed talking in here, it just felt like a continuous drone of vibration against his skin--he hadn't heard him, and so couldn't interpret the words. And, like an idiot, he hadn't thought to bug the room beforehand.
He pushed his tongue against his upper lip in thought. Had it had something to do with why Flint had registered with the CCA in the first place?
Kicking a foot against the bottom of the desk, Peter rolled his chair over to the hologram table and set to work getting past the security there too. This took even less time than it had with the computer, now that Peter knew how Reed had updated his security measures over the last few years. Within three minutes of typing so fast an observer would have seen his fingers as blurs he was browsing through the most recently accessed files.
The image lifted out of the table and filled the room with its soft light, and Peter frowned at the image of the Phantom he saw. How on earth was this related to Flint's desire to Be A Real Boy? He typed a few commands into the table and watched the Phantom's white shell disappear to reveal the mechanical skeleton beneath. A few notes by Reed appeared to highlight key points, and Peter read through each with steadily rising concern.
Very little of the Sandman's mass was actually Flint Marko. When he had been disintegrated all those years ago, most of his body had become just plain old sand--only his nervous system had become anything different. Over the years, he had gained entire truckloads worth of sand and lost enough to fill beaches, but the gallon or so of milky white silica that had once been his brain and nerve cells had remained, scattered evenly through every shape and sculpture he made himself into. They assimilated granules of a similar composition through static cling, arranging them with an intricate electric charge that neither Flint nor Peter had ever fully understood, and now it looked like Reed wanted to apply that same static charge to the Phantom project.
Looking through the notes, Peter could already see that Reed wasn't putting much effort into following through on his promise. The conjectures and theories put forth in them were ludicrous--ideas that Peter had discarded years ago in his various scrambles to stop one of Marko's rampages. But he read between the lines, read ideas that Reed had intended for his own eyes only, and his blood grew steadily colder in his veins.
It wouldn't take much modification to turn a Phantom into a suitable chassis for Flint's nerve granules, so went Reed's idea. The skeleton already contained organic elements, and they already received commands from a biological source rather than a computer. This flew in the face of Peter's assumptions about the Phantoms.
They were only partially robots. They were like Octobots; their processing units were very much alive.
Peter waved a shaky hand over the table. The hologram deactivated, which wasn't his intent at all, but he was too taken aback to care.
Deep in the bowels of the building, ignored by Peter until now but always scratching at the back of his mind, the vibrations of mechanical footsteps rumbled through the walls and floor. The central hub of manufacturing and deploying Phantoms was located fifty feet under the foundation--a fact he'd known all along, but which he had to investigate now. Now, when he knew that within those robotic skeletons were living and thinking beings. Now, when he knew that the drills whirring and 3D printing that he felt even from here were working tirelessly to imprison and enslave something. Jumping off the chair, he retrieved his data drive from the computer and took barely a minute to wipe all evidence of his presence from the room. Then, readjusting his disguise and checking for the presence of witnesses, he slipped out of the room and finally allowed the door to lock.
The route to the underground hub was a circuitous one. As the operations were almost entirely automated, not even the janitors were given clearance to enter that level; maybe four people had access, and Peter wasn't one of them. No matter. There were more ways to sneak around than just throwing on a coverall and mopping a floor. If Peter's disguise only took him this far and no farther, it was time to drop it. Some places you could only reach as the wall-crawler.
Had the security cameras not mysteriously lost power earlier that afternoon, they would've seen a janitor shedding his hat, kicking off his shoes, and beginning to unbutton his coverall. Without breaking stride, he snatched a small bag from where he'd hidden it in his cart before and pulled on a mask; whatever features, real or fake, a witness might have noticed, they were now hidden by dark red fabric and two gleaming grey bug eyes. In short order the coverall and hat were gone--wrapped up into a web-knapsack that he slung onto his back even as he swapped his shoes out for red spandex boots. Pulling on his gloves right as he reached the elevator, Spider-Man stopped to politely tap the call button beside the sliding metal doors.
With a ding, the elevator doors slid open, and Spider-Man immediately smashed straight through the emergency hatch at the top of the lift.
Elevator shafts were always a bit more complicated than one expected. Even Peter, who could feel the constant motion of the metal boxes through the building and their cables sliding against pullies, always needed a moment to figure out how to squeeze through the systems that controlled its rise and fall. He paused as he examined the mechanism of this particular elevator before he sucked in his stomach and crawled around the box with a few inches to spare. Then, once he was beneath it, he released his grip on the elevator shaft and let himself fall.
He caught himself fifty feet later, his fingertips sticking instantly to the concrete as he touched it. Just across the shaft from him was a set of elevator doors, which he hopped onto and began to pry apart. It was slow going. Like everything in the CCA headquarters, these doors were made with superhumans in mind, and they had a magnetic lock that Spider-Man found himself straining to overpower. He pulled on them for a few seconds, changed his mind, and crawled two feet to the left to begin messing with the wiring that controlled the lock. There was a moment of silence, a low, hollow ding, and the doors slid open.
With one hand still stuck to the wall Spider-Man lowered himself into the unlit chamber, dropping to the floor and landing there in a crouch. What little light had made it down with him reflected off his mask's glaring eyes. For a moment he was still, one hand pressed to the metal beneath him and his attention fully on the vibrations of the environment. Then, mentally sorting through the sea of threats that his spider-sense whispered and squirmed at, he rose to his feet and nonchalantly slapped the lightswitch on the wall behind him. Sparse florescent lights flickered on above him, and he blinked and furrowed his brow as he adjusted.
Now that he was down here the vibrations were sharper, like a the world coming into focus as you come up from underwater. They travelled through the air, through the concrete, and through a metal catwalk that served as a floor, branching into pathways and situated above buzzing, whirring machinery. No wonder it had been so difficult to discern what was going on up above, Spider-Man reflected as he glanced over the guardrail and watched robotic limbs carry a Phantom chassis through a gap in the wall and to another room. He turned his attention ahead of him, where similar chasses were held in racks upon racks that spanned nearly wall to wall across the room, black robotic skeletons awaiting deployment.
But there was a difference between these Phantoms and the ones he so often encountered on the battlefield. Frowning under the mask, Spider-Man stepped forward, leaned over the catwalk's railing, and set a finger against the nearest collection of servos and solid-light projectors. Yes. There it was, the constant, ambient tremor of air in motion; the chasses were hollow like the frame of a bicycle. Whenever he'd fought them, they hadn't displayed any such emptiness.
Right. Mechanical systems supported by biological processing. He took his attention away from the chasses, looking instead at that hole in the wall that one of them had vanished into as he'd come in here. He could feel the Phantom in the next room over being hooked up to--to something, metal vibrating on contact with metal and stabilizing with a little pop. His eyes narrowed. His fingers twitching nervously, his breath held, he began to pace down the catwalk towards the door to that room.
A window on one side greeted him as he stepped through, displaying the Phantom under maintenance. Screens embedded into the window offered diagnostics and schematics, all of which Spider-Man ignored. He turned instead to the far wall, where what looked like a large cabinet was anchored in place and had a hundred or so pipes no wider than test tubes leading into and out of it. A quick ripping of metal, and he tossed a mangled padlock over his shoulder as he threw the cabinet doors open. The interior was poorly organized, and called to mind a prototype rather than anything intended for widespread implementation: a screen with a series of codes flashing across it, a mess of piping and tubing, and in carefully arranged racks hundreds upon hundreds of test tubes, most full of some amorphous fluid.
Spider-Man's brow furrowed as he selected a vial at random. Working carefully, he unscrewed the valve that connected it to the mess of piping and slid it out of the vial's stopper--without it, the test tube's lid sealed airtight again. He held it above eye level and turned to see the light filter through from overhead. The fluid inside surrounded what looked almost like a pipe cleaner, thousands of copper wires branching out from a central silicon rod. As he tilted it one way, an air bubble slid up the glass wall, and out of the corner of his eye he thought he saw--
--a tendril, as black as the rest of the liquid, squirming in that air pocket in a bid for freedom.
Spider-Man's eyes widened behind the mask. Oh my god.
Dead Leviathans and alien technology hadn't been the only things the Chitauri had brought to Earth. It had taken the terrestrial armies, and the remnants of SHIELD that Spider-Man had fought alongside, far too long to realize that the shape-shifting battlesuits that their enemies had used were themselves a separate species. Earth hadn't been the only planet to face invasion under the Chitauri; centuries ago, those invaders had conquered and enslaved a species called Klyntar. Amorphous, shapeshifting, symbiotic creatures, the Klyntar had the distinction of being able to use every single cell as musculature, digestive system, armoring, and neurons. Nobody was sure how long the Chitauri had been selectively breeding and brainwashing their symbiote slaves into battle armor, and until now Spider-Man had assumed that practice had stopped with the aliens' defeat.
The little vial of Klyntar sample in his hand was far from his first experience with the species. He had, for six months during and after the war, worn a stolen symbiote as a battlesuit of his own, and even after he and Vee had separated he'd been up close and personal with the species many, many times. But he had believed that Vee's defection from the Chitauri had been a fluke; that they had been the only Klyntar to be recovered from the Chitarui alive.
But now Spider-Man stood in the basement of the Cape Code Authority, holding a vial that contained another member of that species, and right next to him were over a hundred identical vials. All at once, the control systems of the Phantoms became obvious to him.
Without hesitation he turned back to the cabinet and began yanking the tubes out of their holders. The brush-like machinery in each vial, he figured as he worked, must have been some kind of brainwashing system; the copper wires made contact with as many of the Klyntar's neurons as possible, with controlled electric shocks frying out whatever thoughts the aliens tried to form and replacing them with--with whatever programming was necessary to get the Phantoms working. As he pulled each tube out, he killed the electrical charge, but for now he didn't release the Klyntar within from their cells. Where would they go down here? Did they even remember what they were? At best they'd die, at worst the CCA would collect them again and make it even harder to get to them again. No, for now he stuck the vials together with webbing, bundling them together in a padded sack of sorts--he could keep them safe until he knew what else to do, but for now--
--for now, he could feel footsteps vibrating through the concrete fifty feet above. Could feel the elevator starting to move, and the frantic tingling in his head suddenly concentrated all its alarm on the man upstairs. He paused, but only for the smallest fraction of a second; then he worked even faster, his hands becoming blurs again. Grab, break, thwip, grab, break, thwip. The bundle of vials and webbing in his arms was becoming untenably large. He kept at it anyway, always careful not to smash the vials, always careful to separate them from their neighbors with a carefully padded layer of webbing. Even as he webbed up the last one, he wove backpack straps onto the sack and pulled them onto his shoulders. Then he turned on his heel and darted out the door, ready to make an escape.
But as the elevator began its slow descent towards him, he paced around the room and realized that there was no escape to be found. No windows or doors, because he was in a basement, and the air ducts were of course far too small to crawl through. If he didn't have the Klyntar vials, he would've been able to crawl past the elevator, but with that bundle on his back there was no room. If he wanted to save these Klyntar, he was trapped down here with them.
Well, decided Spider-Man as his pacing came to a stop directly in front of the elevator. If he was about to be discovered down here, he certainly wasn't going to let whoever was about to discover him get a dramatic moment about it. There would be no voice booming out from behind him as he frantically looked for a hiding place, there would be no cat and mouse as the person looked for him in this increasingly exposed room. He folded his arms and leaned against the guardrail right in front of the elevator, glaring at the doors. Waiting.
When the doors dinged open, Scrier momentarily hesitated, not having expected to see Spider-Man so out in the open. He blinked behind those blank white eyes, far more awkward than a supervillain wanted to be, before he lamely managed, "I thought that was you, Spider-Man."