This is an excerpt from a fic I started writing after reading Silverview by John le Carré and then realised I’d never finish, because it was too unwieldy to plot, but since it’s @ted-lasso-au-gust and Day 10′s prompt is Espionage, I thought I might as well leave it on here. It’s a spy AU in a Notting Hill AU. How the hell is that supposed to work? you ask. Me too, friend. Me too.
Cover Story
“You wouldn’t happen to have the latest John le Carré, would you?”
Trent has to climb a little ways down the ladder to see the man speaking to him. It’s one of the American tourists who wandered in after lunch. There are always Americans underfoot these days, trawling the aisles of the bookshop as if in hope of a meet-cute out of Notting Hill. Trent, as a rule, finds Americans tedious and does his level best to avoid them in all his lines of work; he achieves this in the bookshop by hiding in the stacks and leaving them to the tender mercies of his assistant. Unfortunately, this appears to be a particularly persistent specimen. Trent descends a few more rungs and braces himself.
“Is that the one with Brexit?”
“The one with the bookshop.” The American has a very distracting moustache. He looks almost exactly like a slide Trent once saw in Disguises 101: How Not To Overdo It. He is also wearing multiple layers beneath his puffer jacket, like some sort of Midwestern matryoshka, even though the shop’s heating is working perfectly well. Trent is automatically suspicious of customers with many layers, lest they are shoplifters. But a shoplifter would not go to such lengths to gain his attention.
“If you mean the posthumously published one, it’s not yet in stock. Shipping delays, I’m afraid.”
“Ain’t that a pity,” says the American. “I was sold on the premise. A bookshop that’s secretly a base for spy shenanigans? Tell me you don’t want to see how that turns out.”
Trent removes his glasses, keeping his expression bland. “You could put in an order, but if you’re not in town for long then I daresay there isn’t much point.”
“Oh, we’ll be here for a while. Long vacation. Thought we’d take it easy, like the Eagles would say. Though this ain’t Winslow, Arizona.”
“You can place an order with Miss Bowen at the counter,” says Trent, after he has cast about for a response to that string of gibberish and come up empty.
“You bet I will. If I could just - ” The American reaches out, and Trent almost breaks his wrist on instinct, but he simply brushes past Trent’s sleeve and pulls a secondhand copy of Call For The Dead off the shelf. “Maybe we ain’t see the last of le Carré, but at least it’s a first.”
“Ah, ha,” says Trent, to mask his surprise that they even have a copy of Call For The Dead in stock. It’s probably languished in here for years, unsold. “Good eye.”
“Well, I thank you for the consultation, Mr…”
“Crimm. Trent Crimm, The Independent.”
“Well, Trent, I appreciate you. Keep fighting the good fight.”
Trent blinks. “Against…?”
“Amazon,” says the American brightly. “Which, as an American, I apologise for.”
“Er, quite,” says Trent. “Sorry about Brexit, and all that.”
The American’s name on the order form is Ted Lasso, which makes him sound like a fictional character. He collects his bearded friend from the philosophy section and they depart, engaged in a discussion so animated that Lasso walks into the shop door, rebounds with no perceptible damage and continues his argument without missing a beat. Trent and Miss Bowen watch them go, mildly perplexed.
“Is he a subscriber? I don’t recognise either of them.”
“Just an ordinary customer, from the looks of it. He wanted to talk about books.”
“I suppose it must happen from time to time, in a bookshop,” says Miss Bowen dryly.
Trent crosses to her side of the counter, which is built in such a way that a customer, standing in line, would not be able to see what her hands might be doing. He leans down casually to check the automatic shotgun mounted under the countertop.
“He was talking about the new le Carré. It’s about spies in a bookshop, apparently.”
“Oh,” says Miss Bowen, eyebrow raised. “Is it now?”
“Yes,” says Trent. “We ought to get hold of it quite quickly, I think. In case there’s been a breach.”
“Come now.” She turns to him sharply. “Le Carré couldn’t have written a novel about us. I mean, he’d never been in the shop. We’d know, wouldn’t we?”
“I daresay we would, Miss Bowen. But put in the order anyway.”
“Certainly, Mr Crimm. And did you want new grenades on top of that?”
“I did, yes, thank you for reminding me.”
“Of course.” A pause. “We are quite sure that man wasn’t a subscriber, are we?”
Trent scoffs. “What, that guy? Come on.”
~
Trent’s childhood dream was to own a bookshop. He thought of bookshops as places where you could read all day and avoid people, which seemed like paradise. However, his family being who they were, his skills being what they were, the job market for English degree-holders being what it was – he spent a year at odd ends, haphazardly weighing the pursuit of postgraduate studies against attempting to break into the publishing industry, until finally he gave up and took the path he knew had always been there, lying in wait for him. He became a spy.
It was another fifteen years before he revisited the idea of the bookshop, in the wake of his abrupt and unceremonious retirement from the Circus. Cleis was one and a half years old by then, and he knew he must find something, for her sake – he had promised, he had promised – even though he could not stomach the thought of going out in the cold again. He was mulling over his various options – heaven forbid he wind up in something horrible, like insurance – when his mother dropped by for tea and said peremptorily: “Mae is retiring, don’t you know?”
Mae – the only name anyone ever knew her by – was a veritable battleaxe who ran the Crown and Anchor, a pub that doubled up as the London station for agents of every stripe working in or passing through the city. The stations, by the unspoken rules that governed their universe, were neutral ground; they served every agency and freelancer without question and in turn brooked no conflict within their confines. To move against a station was to move against the combined powers of the rest of the agencies. Nobody had tried it in Trent’s lifetime.
“Oh?” said Trent. He was only partially listening to his mother; most of his attention was focused on trying to get Cleis to keep her yoghurt in her mouth. “Who’s taking over, then?”
His mother fixed him with the glare she had honed on some of the finest intelligencers this side of the Atlantic, as well as his teenage self. “I rather thought you might throw your hat in the ring, dear.”
Cleis mawed at her in surprise and dribbled watery yoghurt down her bib. Trent sighed. “I’ll talk to Mae.”
Mae thought it was a ridiculous notion to run a station as a bookshop. “You wouldn’t catch half that lot dead in a bookshop,” was her take on it. “Who has time for reading these days? And you’ll have to get in books! Actual books!”
“That’s rather the idea, yes,” said Trent. “It can’t be harder than maintaining a liquor licence.”
“Well, it’s not like I was going to hand the tender over to anyone else,” admits Mae. “What will you call it, love?”
Trent considered. “The Independent. Because that’s what it is.”
Even Mae had to admit, a few years in, that it was working out quite well. He’d even managed to sell some books.
~
“How’s the le Carré?” Miss Bowen asks, amid her reshelving. “Are we in trouble?”
“I don’t think so.” Trent is perusing Silverview at the counter, book in one hand, the other on the rifle. “The bookshop’s in East Anglia, and the protagonist hasn’t the first idea how to run it.”
“Oh, well then,” says Miss Bowen. “It will put nobody in mind of us at all. Is it any good? I’m always wary of these late discovery manuscripts. I don’t think I ever got over the disappointment of Go Set A Watchman.”
“It’s unevenly weighted. Makes you miss him at his best.” Trent turns a page. “Still, I’m glad he didn’t go gentle into that good night.”
He tenses as the shop bell rings, then sees that it is Keeley Jones, resplendent in a fluffy yellow coat. “What can we do for you, Miss Jones?”
“Trading in,” sings Keeley. “On Jamie’s behalf.”
Trent takes off his glasses and gives her a forbidding look. “What, has he gone and lost the lot again?”
Keeley winces. “Only some of it.”
Trent sighs. “Let’s get it processed in the back.”
Jamie Tartt is one of the stars of the agency known as the Dogtrack. He’s also aggravatingly cocky and spectacularly laissez-faire with his equipment; Keeley’s always in here, making apologies for him having thrown his Glock into a volcano, or something. Trent has no patience for the likes of Jamie Tartt. One already has so many people trying to kill one in this line of work, but there he is, giving even more people reasons to want him dead.
The back room is behind a reinforced steel door that can only be opened using either Trent’s or Miss Bowen’s fingerprints and a passcode that changes every day. The passcode is in fact a rolling alphanumerical series that progresses through the entirety of Hamlet, and if anyone ever cracks it, Trent will be very impressed by their grasp of Shakespeare. In the back room, Trent lays out the remnants of Jamie Tartt’s mission kit and purses his lips.
“To lose one dart gun, Miss Jones, may be regarded as a misfortune. To lose both looks like carelessness.”
“Oh, you needn’t have a go at me, I’m proper mad at him myself. You know what he did last week? Tried to murder Roy Kent. Roy Kent!”
“What, for work?”
“Not even that! Some kind of fucking…pissing contest.” Keeley makes a noise of exasperation. “Some days it’s like we gave a bunch of five-year-olds guns and let them loose on a jungle gym. You know what I mean?”
“I’ll just put it on his tab,” says Trent. “Which is astronomical, by the way.”
“I’ll chivvy the folks at the Dogtrack to send you a cover. Only they’re rushed off their feet this week – you must have heard.”
Trent has heard, but it always serves one in intelligence gathering to pretend to know less than one really does. “What’s happening over there?”
“The Mannions are going to war,” says Keeley, her voice lush with the juice of gossip - another reason why Trent likes having her in the shop. “The whole Dogtrack’s splitting up. Christ, but it’s a mess down there.”
“Who’s Jamie backing?”
“Hasn’t decided. Rupert’s putting it about that the whole agency’s going with him, but word on the street is that Rebecca Welton’s brought in someone from abroad to take him out. They’re saying it’s an American.” She sucks in an excited breath.
“Why would you bring in an American for that?” demands Trent.
“Beats me. It’s going to keep us all on our toes for a bit, to be sure. I reckon it’s some Tom Cruise type, all Mission Impossible Jack Reacher like. But nobody knows for certain.”
“Surely not,” says Trent. “You at least must have some idea, Miss Jones.”
Keeley flutters her eyelashes at him. “Who, me? I’m just a humble secretary.”
“Of course you are,” says Trent. “And I’m just a poor bookseller.”
Keeley slants a sly look at him. “You haven’t seen any Americans around, have you?”
“We get Americans in the store all the time. Just this morning we had a Mrs Glenda Johnson from South Carolina complaining that we don’t have a café in the store.”
“Yeah,” says Keeley, “fairly sure it’s not Mrs Glenda Johnson. Isn’t there a Costa two doors down?”
“Precisely,” says Trent. “Americans.”
They return to the front of the store, the afternoon light streaming across the polished wood floors and touching the book covers. “It really is awful pretty, when the light’s good,” says Keeley, running a hand across a row of Sally Rooneys. “You know what you ought to do? You should do #BookTok.”
“That,” says Trent, “is the single worst suggestion I’ve ever heard.”
Keeley laughs. “Give me a pot of money and some Madeline Miller and I’ll do it for you. I’ll make you so famous, you’ll be beating influencers off with a stick.”
“Just tell the Dogtrack to pay for your boyfriend’s damage.”
Keeley sticks her tongue out as she swings out of the shop. “If you see the American, you’ll tell me first. Won’t you?”
~
“Tell me a story,” says Cleis. They’re curled up in her bed, her tiny frame pillowed against his side.
“You’ve had two already.”
“But I want another.” Cleis looks up at him, her eyes clear and green as the sea. “Tell me about Maman.”
Trent stares up at the glow-in-the-dark stars that speckle her bedroom ceiling. Tell me about a complicated woman, he hears Coralie say in his head. She sounds slightly amused. This is an anachronism, of course. Coralie never lived to see the Emily Wilson translation of The Odyssey. She would have loved it.
“Where do I start with your mother?”
“Was she very beautiful?”
“Yes. She knew exactly how beautiful she was and what to do with it.”
“Do I look like her?”
“The spitting image.” Even at four, Cleis looks so much like her mother that Trent will sometimes look over at her, in the middle of something mundane like making dinner or brushing her hair, and the resemblance will strike him like a punch to the gut.
Cleis is pleased by this. “What else?”
“Well. She loved old poems, and she was a lot stronger than she looked, and she wasn’t scared of a thing. Never listened to anyone either.”
“Not even you?”
“I like to think she listened to me a bit more than most other people,” allows Trent, “but even that wasn’t very much.”
Cleis kneads her quilt between her small hands. “Why didn’t she come back?”
Trent swallows. “She couldn’t. She had to save everyone.” Including me, he doesn’t add. Instead he says: “She loved you more than anything in the world.”
“How do you know?”
“She told me so. It was the last thing she said, before – ” Trent stops. Cleis is silent.
“Go to sleep now, chouette.”
It’s another hour before she drifts off to sleep proper. He sits in the dark, her hand tucked in his, until she does.
Silverview comprises a kind of trilogy with the last two novels that were published while le Carré was still alive. All three books follow internal affairs investigations within the Circus, concentrating on the internal machinations of the intelligence bureaucracy rather than the external adventures of the spies in its employ. The short novel A Legacy of Spies revisits the double-agent operation from The Spy Who Came In From The Cold, casting the plot that made le Carré famous in a considerably less charitable light; Agent Running in the Field, meanwhile, follows a pair of British spies who both betray their country for separate but noble goals.
The tone of these novels is somewhere between rueful and accusatory: If George Smiley praised intelligence work because it gave him “the opportunity to pay” his country back, the characters in le Carré’s final novels are downright hostile toward Britain, excoriating its “minority Tory cabinet of tenth-raters” and its “pig-ignorant foreign secretary,” now the prime minister. It’s only a matter of time before the intelligence “deep state” begins to follow the dictates of the idiots running the daylight government, and what’s a spy with integrity supposed to do then? Thus the act of unsanctioned disclosure, which in the Smiley novels figures as the ultimate betrayal, figures in these novels as a natural function of conscience for those imprisoned in the secret world. The final trilogy wheels back around on the figure of the double agent, reframing the act of defection not as a tragic betrayal of political ideals but as an essential structural feature of a duplicitous society.
John le Carré’s Genius for Surveillance (The New Republic)
Le Carré’s final complete novel was published in October, in the week of what would have been his 90th birthday. Having made his fortune, Julian Lawndsley has left the City to run a bookshop in East Anglia, where a meeting with an eccentric Polish émigré and former spy draws him into a web of intrigue. The cast of characters, including several husband-and-wife spy pairings, are compromised by secrets, loyalties and allegiances both professional and familial, and no one, least of all the Service itself, is innocent. Valedictory, with a final turn of events that ends surprisingly but pleasingly in a cock-up, this is a satisfying coda to the career of the finest thriller writer of the 20th century.
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“And when all that was done and dusted, he would ask him frankly, man to man: who are you, Edward – you who have been so many people and pretended to be still others? Who do we find when we’ve pulled away the layers of disguise? Or were you ever only the sum of your disguises?“
oh my GOD so for Reasons i am only just getting around to watching the xmas edition of saturday kitchen with james acaster and ed gamble that aired on 6th december
and at 24 minutes in, this happens:
James: Are you gonna massicate them?
Ed: What? No!
James: ...Andi said it earlier.
Presenter: Macerate? No, cos you macerate sweet things.
Ed: Also, masticate's chewing stuff up, so I hope he's not gonna do that.
@silverview is this merely a wonderful coincidence or did you take inspiration from another of my classic smartarse/idiot blorbo pairings in writing the one of them that's in the delightful fic you gifted me for xmas???
either way you should have seen the grin on my face when we witnessed this moment :D talk about an easter egg XD <333
