Soundstreams presents 'Tag des Jahrs' (2002) by Kaija Saariaho
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Soundstreams presents 'Tag des Jahrs' (2002) by Kaija Saariaho
I am up since 330 this morning and YOU have been on my mind. There are moments when the awareness of YOU is intense. In overwhelm mode, NO. In awe mode, ABSOLUTELY. YOU are the singular and individual YOU. YOU are the plural and multiple YOU. YOU are the AFRICAN, the ASIAN, the EUROPEAN, the NORTH and SOUTH AMERICAN and the AUSTRALIAN. YOU are the RUSSIAN, the CANADIAN, the BRIT, the NORWEGIAN, the THAI, the FILIPINO, the SOUTH AFRICAN, the AUSSIE, the AMERICAN, the BRAZILIAN, and so many more. The privilege to know YOU as an individual is to taste the soul ESSENCE of us all. It is our shared gift from the all that is that is in us all. The privilege to know YOU as the many gives even high purpose to love. We can share so much more when we share the awareness that we are all one expressing ourselves in endless forms, sounds, tastes, feelings and visuals. When I tell YOU I LOVE YOU, it means I LOVE YOU the one. When I tell YOU I LOVE YOU the many, it means I LOVE YOU, the one. I am up since 330 this morning and YOU have been on my mind. #soundstreams #soundscapes #visualsoflife #visualstyle #tastes #tastesogood #feelingsogood #feelingspecial #plural #pluralisme ##individuality #individuals #knowing #innerknowing #forms #transformer #essencefestival #soulpurpose #soultrain #russianwomen #africannature #australianart #norwegiangirl #brazilians #brits #filipinos #dutchie #thailook #canadiangirls (at Mesa, Arizona) https://www.instagram.com/p/B3HjpwhFe5T/?igshid=2pp8whd736pr
Really looking forward to this @soundstreams concert “Seven Deadly Sins” this week (April 9-11, @thegreathall). Music by @saintberenice @elizabethshepherdmusic @chloecharles @avivachernick @cjsmayo @johnkameel and Analia Lludgar. Also makes my branch tumbling and breaking debut, I think. • • • #myofficethisweek #soundstreams #percussion #newmusic #sevendeadlysins #copperpipes #plantmaterial #youbringitillplayit https://www.instagram.com/p/Bv-A61lA1Io/?utm_source=ig_tumblr_share&igshid=1ipvnkisq4y7q
Tonight @richardburrows and I were the guests at @soundstreams Salon 21, where we talked with moderator/host Emma about @torqpercussion's upcoming Ear Candy concert, and the music of Philip Glass, and why it's difficult to play the same 5 notes for 25 minutes in a row. Then we played a two-person version of Glass's 1+1 (even though it's written as a solo, 'cause that's how we roll). Thanks to @bendietschi, Lawrence and the whole Soundstreams crew for having us! (Additional shout-out to @icareifyoulisten for the sweet sweet t-shirt.) • • • #musicinfifths #soundstreams #philipglass #torqpercussion #earcandy #minimalism #repetitivestructures #fourorgans #stevereich #salon21 #contemporarymusic (at Gardiner Museum)
Sound Stories is a blog written by Soundstreams staff members to bring you behind the scenes of Soundstreams concerts, travels and events.
An interview with Soundstreams for their Emerging Composer Workshop in Toronto. The final workshop concert: 22. 5. 15. 21C After Hours #2 22:00, Conservatory Theatre, 273 Bloor Street West, Toronto. work: For or from (workshop version) Performers: Carla Huhtanen, Leslie Newman $21
For violin, cello, and piano. Hui uses traditional gestures idiomatic to the piano trio to translate and transform the original theme. Her piece contains virtuosic lines for all instruments, each of which exists alone, and within, a densely contrapuntal texture. (“They served crumpets,” Hui offers, as a waggish addendum to her contribution’s title). This work was premiered on April 22, 2004 at the 'Freddy's Tune' concert presented by Soundstreams in Toronto (Canada).
In this acclaimed and ground-breaking work, the first oratorio ever to be written in the Cree language, Weesageechak and Misigoo bemoan the departure of the living to the land of the dead. They travel to the magic island where the Spirits of the Dead dance by the light of the moon, held up by Atheegis the Frog. Weesageechak kills the Frog and swallows the moon. The Spirits can no longer dance; Weesageechak captures them in a basket and sets out to return to the land of the living. But the Spirits are restless, and on the long journey back they escape, one by one, from the basket. Weesageechak is the Cree incarnation of the Trickster, the central figure of Native North American mythology. His role is to teach us the pivotal lesson that we exist not to suffer, not to wallow in guilt, but to take pleasure in the simple act of living. Libretto by Tomson Highway Instrumentation: For soprano, tenor, actor, chorus, and chamber ensemble (flute, oboe, percussion, violin, viola, cello, contrabass) This work was premiered on February 11, 2008 at the Jane Mallet Theatre in Toronto (Canada) and performed by: Xin Wang (soprano), Bud Roach (tenor), Elmer Iseler Singers, Lydia Adams (conductor). Learn more about Melissa Hui and the Soundstreams commissions catalogue on our SoundMakers website: http://www.soundmakers.ca/composers/melissa-hui
Another blog I wrote for the TorQ website. Check it out, won't you?