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All I want from S3 really

I can't believe I've drawn elevator fanart, I don't know what to do with myself.

Tumblr made me squish it, better quality here (bluesky)

#good omens #good omens fanart #the elevator #good omens 2 #good omens 3 #good omens the finale #a hug would fix me #ineffable husbands #good omens animation #procreate #quietpond post

That feeling you have in the Good Omens Fandom when, instead of being upset, your brain is deliciously speculating on more theories and possibilities... ✨

#whose shadow is this anyway??#1... 2... elevator!#good omens #good omens finale #good omens theories #oh the possibilities #the elevator #wistfulnightingale

I thought that was really beautiful. Both characters are… It's very funny how Tony and Ziva always surprise me because the moment you feel Ziva's going to go someplace, Tony's right there, sort of emotionally going through it. And the moment you think Tony's going to go through it, Ziva's going through it. So, sort of like they're doing the feeling for each other. You know, in a way, they sort of complete each other. And that's kind of the beauty of it. I think it's the reason why it works and the reason why the fans were always sort of invested. I think Tony's really able to see past all of that kind of strong defense mechanism that she has, which is the shutdown defense mechanism, the "you're not going to see anything, I'm not going to give you anything" kind of thing. And he gets to see through that. And I think it's the same thing for her. She gets to see past all of that kind of "I'm really funny and I'm going to deflect" defense mechanism [that Tony has]. And yeah, I mean, they see the wounds in each other. And in spite of that, they love each other.

Cote de Pablo x on the Paris reunion scene

#tiva #cote de pablo #interviews #sobs #this though #and it was always true on the mothership as well #thinking of when he's upset about Jeanne “that's because you're a good person”#and truth or consequences of course #the elevator

OH THE FAINT SHADOWS BEHIND THE MAIN SHADOW. WHAT IF THEY’RE FOLDED WINGS?

#again it may just be lighting #Good omens #good omens 3 #the elevator

Sooo this is my first edit. I’ve been needing to express my creativity for a while now and I figured since Stranger things is my current hyperfixation I might try and make something out of it. I hope you enjoy <3

#st5 spoilers #i really hope you like it #my edits #byler st5 #byler edit #edits #my video #the elevator #lizzy mcalpine #will x mike #mike and will #stranger things #mike wheeler #will byers #tv shows #st edit

Look, did I delude myself into thinking it was going to be a peak into 1941, part 3? Yes, you can bet your last penny I did. I was almost daydreaming, a picture so clear in my mind it was as if I had already seen it. Crowley in that dashing costume that is half the fandom's favourite, Aziraphale right by his side, both at te same distance of the camera, protectively reaching to each other, talking at the same time, or maybe neither one is speaking, while looking behind the camera with expressions we would have So Much Fun analysing to Heaven and back (pun fully intended, sue me). Did the Nazi Zombies and Furfur come back to exact personal revenge? Was it another demon, coming after Crowley when he thought himself safe? Archangels, alerted by Aziraphale's miracle at the church? Is any of them holdind the proverbial checkov's gun that was mentioned in s2e4? And so on and so forth. You get the gist.

So yeah, I had very high standards relating how juicy the image was going to be. That said, am I disappointed? Not in the slightest. Because this is so fucking on brand with the show' s humour and writing style I'm face-palming over the screen. It contains multitudes and allows for so much speculating room that whatever pattern you might have seen in stills 1 & 2 could very well hold true. Think about it: the image we have been given is so deceptively minimalistic it could fit EVERYWHERE. In the Job minisode we see Aziraphale going to heaven in that same lift, so it can still be a flashback, just in line with the scenes for 1 & 2.

Also, for the people saying that because in 1 Crowley was closer to the camera while in 2 Aziraphale was, they'd both be at the same distance; it's still possible, just not side by side in front of the lens. It's still entirely plausible that this image belongs to a scene where both are present: Aziraphale as the shadow we see over the door, therefore behind the camera, and Crowley behind the doors, technically in front of the camera, albeit out of view.

And and AND for the those who got their hopes up that it was going to be their infamous "we've come to a decision" declaration (because, you know, in 1 it is Crowley "speaking" through the "holy water" note and in 2 Aziraphale is straight-up speaking, declaring loudly, in fact; so 3 HAD to be both of them talking at the same time and it HAD to be something big) well, to that crowd, I'm rising this: what if they are talking to each other from each side of the closed lift doors? What if they are pulling some ridiculous loophole in such a way that Crowley is TeCHniCaLly not on Heaven's turf? After all, everybody and their mother know about their "partnership" by now, so what gives? What about the possibility of Crowley having sneaked into Heaven to rescue Aziraphale in the past? There are so many possibilities to play with, just by assuming they followed the "rules" set in the former stills, just not the way we thought they would...

And as I was writing all of this I had to pause and chuckle because I was imagining this: empty Heaven hall, the lift sign pings yet the door isn't opening. Silence. From the other side, a rapping of knuckles over metal can be heard. It sounds suspiciouslly similar to the bass line at the beginning of Another one bites the dust. Tun tun tun tun-t-tun-t-tun. The camera pans in to the elevator door, a shadow approaching it until we the get The Shot TM. The rapping repeats. Before it can start a third time, the figure this side of the door speaks up, voice tense "I'm afraid we are quite closed". A few seconds tick by before another voice emerges from behind the door "Angel, you need to come downstairs. Things are getting...you need to see for yourself. What are you doing up here that's taking so long?". The first voice now sounds more rushed, but also softer, worried "What are you doing up here? I think I made quite clear you were not to come for me this time, no matter what happened." "Well, not in Heaven, am I now? Listen, you coming or not?". The being the shadow belongs to sighs deeply, weary, another second of silence passing before a snap can be heard. The lift doors finally open, the light pouring from inside blinding the camera *queue opening credits with the music*

My dolphins point is, it's going to be hilarious if (when) this still we are bemoaning so much turns out be part of an iconic a/or highly plot relevant scene, and if that is not exactly the kind of shenanigans this show has been pulling since day one, I don't know what is it.

#good omens #crowley #aziraphale #ineffable husbands #ineffable idiots #meta #theory #s3 speculation #fandom history #the lift #the elevator

There is so much revolutionary girl utena in the second lace fight its crazy

#silksong #silksong spoilers #the platform #the elevator #that even looks like the rgu birdcage elevator #the fact you're ascending to fight her #the roses #the fact that lace is sleeping when u come up to her #THE SWORDFIGHT LESBIANS #ntm lace wearing wedding attire???

#the elevator

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