Queer horror abound in this lot of reviews, for better or worse.
41) The Bear and the Nightingale by Katherine Arden (DNF)
This is not a bad book, and I cannot stress that enough. I actually enjoyed the bits I read, but for some reason I just couldn’t stick with it. I started reading this book months earlier, then put it down and read several other books, then picked it up and read a couple of chapters, then put it down and read several other books.
I will say that it was very slow, and I don’t think that’s just because I was taking month long breaks in between chapters. I was about 30% into this book when I stopped reading and I’m pretty sure the main plot had only just started to play out. I liked the writing style and the story seemed interesting, it just wasn’t for me.
42) Wranglestone by Darren Charlton (3.5⭐)
Excuse me, I’m a horror reader, how dare you give me adorable tenderness.
I actually really loved this. Sure, I would have liked a bit more gore from my zombies but hey, it’s YA so let’s not traumatise the kids. The story follows Peter, who has spent his entire life living in a tiny isolated community in the middle of a lake, in the midst of a zombie apocalypse. As you do.
The horror kind of takes a backseat in this one, it’s more of a coming of age story about Peter facing pressure from his peers to “become a man”, dealing with his crush (yes, it’s gay), and discovering that not everything he’s been brought up to believe is necessarily true. I really loved it, and honestly I didn’t even realise it was YA until I went hunting for the sequel. Yes, I kind of knew how the plot was gonna pan out, but the journey was fun and there were still some genuinely tense moments. If you’re looking for tenderness and also gross zombies, check this one out.
43) Piñata by Leopoldo Gout (4⭐)
This is your classic “for the love of God leave that ancient religious site alone, you’re gonna get haunted!” horror story. Set partly in Mexico and partly in New York, the story follows Carmen, a single mother of two daughters who moves back to her hometown in Mexico to oversee a restoration project, transforming an old abbey with a very bloody history into a hotel, because of course. Naturally, things quickly go awry, and Carmen is forced to step down from the project and return back home, only to find that whatever they uncovered in Mexico has followed her and her daughters.
What I really loved about this book was how much history and Mexican folklore was weaved into the story. Even though the foundation is a classic horror trope, it felt incredibly original. The pacing felt slow at times, and after the initial impact of the prologue it seemed to take a while to really get going again, but overall a great read.
44) Everything the Darkness Eats by Eric LaRocca (1⭐)
Jesus fucking Christ, dude. Unless you get off on reading graphic descriptions of rape with absolutely no bearing on any plot, and which subsequently get retconned anyway, don’t bother with this. If this book was on fire I wouldn’t piss on it.
45) Bury Your Gays by Chuck Tingle (5⭐)
Chuck Tingle you beautiful genius. This man has the ability to take the most bonkers concepts and somehow make them feel real (if you haven’t read Camp Damascus, you should).
This book follows Misha, a Hollywood script writer who is haunted by his past both physically and metaphorically. Heading into the next season of his most successful show, his producers give him an ultimatum: either cut the scripted gay kiss between his two protagonists, or kill one of them. Misha refuses, and quickly finds himself being stalked and threatened by characters from his previous scripts.
If you think you know where this story is going, you don’t. I had no idea what was going to happen from one chapter to the next, but, somehow, it works. It’s funny, it’s heartbreaking, it’s relatable, it’s terrifying. Was it better than Camp Damascus? No. But they both got five stars.
46) The Ghost Woods by C.J Cooke (4.5⭐)
If I had a nickel for every time I read a queer book about fungus, I would have three nickels, which isn’t a lot but it’s weird that it happened three times.
This is my second C.J Cooke book. I read the Lighthouse Witches last year and loved it, but I loved this one even more. The story follows the timelines of two women staying at a mother and baby home until they give birth. The owners of the house are strange and distant, the workers seem to be keeping secrets, and there’s something weird going on with the woods behind the house.
It’s creepy and gothic and yummy, but what I’m coming to enjoy about this author’s writing is her ability to weave heavy subject matter into her stories in a way that doesn’t overwhelm the rest of the plot, but doesn’t get brushed aside either. She clearly takes a lot of care with her subject matter and it shows. Again, I won’t list the specific triggers in this review because it’s a reveal that comes quite late in the book, but if you do have certain things you need to avoid I would recommend looking up a list of warnings before you go into this one.
47) Dark Matter by Blake Crouch (3.5⭐)
I read this for a book club and being so real I don’t remember much about it. It’s a sci fi thriller about the multiverse theory and it was okay. I do remember thinking that if I was in the protagonist’s situation I would have gotten everything done a lot more easily and efficiently, and that it started to annoy me a little how despite inventing a multiverse portal, he seemed to be kind of an idiot.
48) Alice by Christina Henry (1⭐)
I don’t even know how to begin explaining what a mess this was. I sent a 20 minute voice note to my friend immediately after reading it, and even then I struggled to summarise what the hell I’d just read.
It was bad.
My god it was bad.
And yet somehow it was still better than Good Girls Don’t Die.
49) The House of a Hundred Whispers by Graham Masterton (3.5⭐)
Trigger warning upfront for a pretty graphic rape scene in this one that I don’t really think was needed or added anything to the plot. It dropped a star for that.
Besides that this was a pretty standard Graham Masterton horror. I’ve read a few of his books now and while they generally follow a similar formula, I still enjoy them and continue to buy them. In this case the plot revolves around a house that has been left for a trio of siblings to take care of after the death of their father, but when they arrive people start to go missing and there are strange noises all around the house.
I will say this was quite a fun twist on a haunted house. I won’t spoil things any more than that but even though it followed the usual haunted house formula I think the reveal and the explanation for what was happening was quite unique.
50) All the White Spaces by Ally Wilkes (4.5⭐)
As I’ve mentioned before, one thing about me is that I love when people are stranded in an isolated snowy setting, and things begin to go very badly wrong.
This book has it all: strangely abandoned arctic research facility, slow descents into madness, botch job amputations, manifestations of grief and guilt, men having sex with each other in secret, AND the main character is trans. What more could a girl ask for? Well, obviously, cannibalism, which sadly we don’t get. The story follows Jonathan, who joins an arctic expedition after the death of his two brothers in the war. It’s a chance to honour their memory as well as a chance for the ultimate gender affirmation: spending months living in cramped, intimate conditions with other men. Naturally things go wrong and they end up stranded in the desolate wasteland of the arctic, and naturally something supernatural is afoot. My only gripe with this book was that we spent a lot of time following the initial journey, which then meant less time to spend seeing the supernatural events unfold. Other than that, I have no notes.
