U know i do kinda find it weird how some make steph have camaraderie w the ppl that tim knows
Like outside of the generaal batfam sphere(excluding helena bc she is a outlier and maybe jason but even then they get paired up in fandom spaces)
She just not?? Amicable or a team player tbh
Like in yj19 all the sudden the c4(excluding tim) are cool w steph??? Like what? When did that happen???
(or even that arc that they went to evil alt earth where they are all evil but steph isnt??? Writer did u not even realize what you have said about the other steph???)
Idk i just think of all bat character, she is to be stricly gotham base
I give Brian Michael Bendis (the writer on YJ19) a pass because I was following him on Twitter from the point YJ19 and the Wonder Comics imprint was announced, all the way through the end of that series.
From the second the announcement was made, his social media was completely inundated with people demanding that Stephanie be included in YJ19, entirely because she'd last been seen leaving Gotham with Tim. He also got flooded with asks about whether Cissie would make an appearance, or Aqualad (because YJ animated was still at the peak of its popularity and there was a whole contingent of fans who had zero clue that Kaldur was created for that show and that Jackson Hyde looks like but isn't exactly him), but with Steph? He and his co-creators got full on harassed, and it only got worse because she happened to turn up in a flashback in Issue 4. There were Internet journalists who derailed interviews he was giving to hype up his new Black and gay heroines just to demand more Stephanie, it was bad.
And then there was this whole mess that's going to be hard to explain succinctly. But it boils down to: given the timing of when the series was announced, they almost certainly had issues #1-#3 fully drawn and either at or on its way to the printer, issues #4-6 at least partially drawn and colored, issues #7-9 completely scripted and possibly with pencil drafts under way, and issues #10-12 drafted, with an outline already prepared for the second year if they thought they were going to go beyond 12.
But then something happened after the announcement -- and it had to have been after the announcement, otherwise they could've pushed back their release dates -- that led them to rewrite the entire second half of the year, everything from the end of #5 on. You can tell because the covers, which get made ahead of the rest of the issue, start going really wonky from #6 on and don't match up with the contents of the story, plus there's disconnect in the early solicitations. Also they skipped a month between #6 and #7 while making #7 basically a filler issue with guest artists who happen to have very simple, quick-draw cartoony styles that are easier to produce in a hurry.
That kind of turn-around on a publishing project is nuts, it's not fun to deal with. I would be surprised if Bendis had time to give his artists more than a "shitty rough draft" to work off of. But like I said he was still getting this constant barrage of demands for Steph so, as long as he was doing rewrites anyway, he took the chance to drop her in, or maybe the editor insisted he do so to try to bring in more readers. Either way, he just didn't have the time to make it good or put any thought into it.
I honestly feel so bad for their whole creative team. That's such a terrible situation to be in, and the first five issues make me feel like they were really putting their hearts into it. It's so sad it got derailed so badly.
