handed in my first grad school assigment

JVL
KIROKAZE
Sweet Seals For You, Always

Product Placement
🪼
I'd rather be in outer space 🛸

❣ Chile in a Photography ❣
almost home
noise dept.
$LAYYYTER
Stranger Things

Andulka
PUT YOUR BEARD IN MY MOUTH
taylor price
Peter Solarz
let's talk about Bridgerton tea, my ask is open

izzy's playlists!
Not today Justin

JBB: An Artblog!
Jules of Nature

seen from TĂĽrkiye
seen from United States
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seen from TĂĽrkiye
seen from Indonesia

seen from Taiwan

seen from Indonesia
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seen from United States

seen from United Kingdom

seen from United States
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@tepidtapwater
handed in my first grad school assigment
A New Life for Nooks of Decay with @acommonname
To see more of Paige Smith’s crystalline-inspired works, follow @acommonname on Instagram.
Graphic designer-turned-multimedia artist Paige Smith (@acommonname) has lost count of her “urban geodes” that occupy the nooks and crannies of decay in places as far-flung as Bali, Madrid and Istanbul.
It all began three years ago in downtown Los Angeles, where Paige was living. “I started noticing the cracks and holes and decaying surfaces of our buildings, and that no one seemed to be paying attention to them,” she says. “The idea clicked to utilize these spaces and create something beautiful.”
Paige started by using a paper-cutting and folding technique called kirigami to create three-dimensional installations that look like geodesic formations. While she still prefers this method for her large-scale installations, her process has evolved to incorporate crystals of silicon-molded resin. The resulting works draw attention by juxtaposing inorganic formations that appear natural against the backdrop of a deteriorating man-made landscape.
Like the walls and buildings they inhabit, Paige’s works also decay over time. “I appreciate the mystery of their demise,” she says. “It’s a natural occurrence.”
Huge Congrats to our friend and very first Hahaxparadigm Artist in Residence, acommonblog who is blowing up Instagram’s blog right now with her Urban Geodes Project!Â
Reports suggest this document is about to be taken down from Pastebin. Pasting it here.
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We are some cis and trans women and non-binary poets in the Bay Area who are concerned about ongoing issues of misogyny and gender/sexual violence in our communities.
We are writing now with some...
Important read especially for those in the Bay Area
maggie nelson on queerness, motherhood, empathy, freedom
All Things Grids: In addition to the work of Charles Gaines, this blog will highlight the work of artists who incorporate the grid. United by the theme of a “grid aesthetic”, the works featured represent a cross section of movements, generations and materials, and demonstrate the varied use of the grid in modern and contemporary art.
Ellen Gallagher, They Could Still Serve, 2001
"Gallagher has simultaneously adopted the grid and reversed its rigorous use by a former generation of Minimalist and Conceptualist artists: her patches of blue lined paper form a grid pattern, but it is liquefied, disassembled, blurred, and dematerialized with watercolor. Among the papers’ blue lines are small marks, a repeated stereotyped sign of race drawn from minstrelsy: wide eyes peering out at the viewer. These signs are paradoxically at once free floating and mapped in her grid structures. They Could Still Serve takes its title from an etching in Francisco de Goya’s series The Disasters of War (1810–20), a caustic meditation on the brutality and futility of human warfare.”
source: http://www.moma.org/collection/object.php?object_id=80578
Debra Weiss
Teresa Baker at The Luggage Store
Opening reception Friday, July 11 6–8pm
Angie Terry (more here) and on instagram @hosslyterry
workadayhandmade dot com
Ann Hamilton, at hand, 2001
at Sean Kelly Gallery
We may never touch queerness, but we can feel it as the warm illumination of a horizon imbued with potentiality…an ideality that can be distilled from the past and used to imagine a future. The future is queerness’ domain. Queerness is a structuring and educated mode of desiring that allows us to see the future beyond the quagmire of the present. The here and now is a prison house. We must strive, in the face of the here and now’s totalizing rendering of reality, to think and feel a then and there. Some will say that all we have are the pleasures of the moment, but we must never settle for that minimal transport; we must dream and enact new and better pleasures, other ways of being in the world, and ultimately new worlds … Queerness is essentially about the rejection of a here and now and an insistence on potentiality or concrete possibility for another world.
In memory of José Esteban Muñoz, from his book, Cruising Utopia: The Then and There of Queer Futurity (via nyupress)
Rodin bronzes being protected at Cantor Arts Center / Stanford #thatsawrap
Ohad Meromi at The Contemporary Jewish Museum
Anna Atkins
Foreign Ferns, c. 1850
Cyanotype
Committee for Art Acquisitions Fund, Iris & B. Gerald Cantor Center for Visual Arts at Stanford University
David Hammons In the Hood 1993
»derica.
Alyssa PitmanÂ
CCA MFA Show