we're not kids anymore.

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@tetravain
๐๐๏ธ๐งฌโป๏ธ๐ชโป๏ธ๐งฌ๐๏ธ๐
The technical approach behind this mix draws from the tradition of multi-deck mixing developed by figures such as Jeff Mills and Carl Cox, and later evolved in a more modular and technology-driven direction by artists like Richie Hawtin and James Zabiela. The result is neither a mash-up nor a traditional remix, but a continuous flow in which the boundaries between DJing, live remixing, and spontaneous composition overlap. At the core of this set lies a continuous flow built in real time, where DJing, live remix, and composition coexist within the same operational space. Tracks are not developed in a linear form; instead, they surface as fragments, then dissolve back into a system of loops and stratifications that sustains the entire mix. Frequencies are broken down into functional modules. Loops of variable length (1โ16 bars), isolated rhythmic elements, melodic fragments, and textures are introduced and removed through layering and subtraction. Tempo and pitch are treated as dynamic parameters, not fixed values. The goal is not density, but control of sonic hierarchy. Each layer enters with a specific purpose: rhythmic reinforcement, transition, tension, or release. Towards the end of the mix, I took freely choose of inserting some complete songs overlaying the overall structure. You can easily recognize Franco Battiato and a daring dig at Nirvana. The mix ends with a bonus track of what will be LUZCรZ's next single. The entire mix was recorded live in VirtualDJ 8 and mastered in Ableton Live 10 Suite. Let yourself be carried by the mephistophelian hypnotic power of this mixing technique, the way one remains watching fire as it dances. Or observe the mechanism closely, searching for the prestige behind it. In both cases, time has already shifted. ๐๐๏ธ๐งฌโป๏ธ๐ชโป๏ธ๐งฌ๐๏ธ๐ ---------------------------------------------------------------------- ๐ฎ๐น ๐๐๏ธ๐งฌโผ๏ธโฑ๏ธโผ๏ธ๐งฌ๐๏ธ๐ L'approccio tecnico di questo mix deriva dalla tradizione del multi-deck mixing sviluppata da figure come Jeff Mills e Carl Cox, e successivamente evoluta in chiave piรน modulare e tecnologica da artisti come Richie Hawtin e James Zabiela. Il risultato non รจ un mash-up nรฉ un remix tradizionale, ma un flusso continuo in cui i confini tra DJing, live remix e composizione estemporanea si sovrappongono. Il cuore di questo set รจ un flusso continuo costruito in tempo reale, dove DJing, live remix e composizione estemporanea convivono nello stesso spazio operativo. Le tracce non vengono sviluppate in forma lineare, ma affiorano a frammenti, per poi essere integrate in un sistema di loop e stratificazioni che sostiene lโintero mix. Frequenze scomposte in moduli. Loop di lunghezza variabile (1โ16 battute), elementi ritmici separati, frammenti melodici e texture vengono introdotti e rimossi per stratificazione e sottrazione. Tempo e pitch sono trattati come parametri dinamici, non come valori fissi. Lโobiettivo non รจ la densitร , ma il controllo della gerarchia sonora. Ogni layer entra per rinforzo ritmico, transizione, tensione o rilascio. Verso la fine del mix mi sono permesso di inserire dei brani completi in sovrimpressione alla struttura generale. Si puรฒ facilmente riconoscere Franco Battiato e un azzardata con i Nirvana. Il mix finisce con una bonustrack di quello che sarร il prossimo singolo di LUZCรZ. L'intero mix รจ stato registrato live su VirtualDJ8 e masterizzato con AbletonLive 10 suite. Lasciatevi trasportare dal potere ipnotico mefistotelico di questa tecnica di mix, cosรฌ come si rimane a guardare il fuoco che danza. oppure osservate il meccanismo, cercando di scovare il prestigio. In entrambi i casi, il tempo รจ giร cambiato. ๐๐๏ธ๐งฌโป๏ธ๐ชโป๏ธ๐งฌ๐๏ธ๐ ------------------------------------------------------------------------ cover credit: Test Di Rorschach Vettori di Vecteezy:ย it.vecteezy.com/vettori-gratis/test-di-rorschach edit โ๏ธ by TetraVain
Lyrics from my single REDFLAGS (link at the end to listen to the track) Same year, same fit, same size, same taste, two lives stitchedย no room for space.ย One thread, one world, tight as a fist, thought it was built to outlast the risk. Never checked the cracks, played it smooth, ten years deep in a love with rules. They called us perfect, picture framed, but nothing flawless stays the same. I brushed off the signs, let the stars burn dim, thought I was strong, now Iโm sinkinโ in. The universe spoke, but I turned away, no warning signs โtil the price got paid. ๐o c๐l๐ฅs (no calls), ๐งo laws, r๐w๐ขn๐, n๐จ ๐l๐ฎe๐ฌ, n๐จ ๐ฆa๐ฉs, ๐งo w๐r๐งi๐งg s๐ขg๐งs. ๐o c๐l๐ฅs, ๐งo law, r๐w๐ขn๐, n๐จ ๐l๐ฎe๐ฌ, n๐จ ๐ฆa๐ฉs, ๐งo w๐r๐งi๐งg s๐ขg๐งs. Told myself slow down, I sped up fast, chased devotion, nโ lost the past. Love ain't worship, love ain't blind,ย but Iโve burnt the truth and cross the line. Did I break it? Did it slip? held too tight? now the edges rippedโฆ some say beauty is meant to fade some just stay when they should escape! I brushed off the signs, let the stars burn dim, thought I was strong. now Iโm sinkinโ inโฆ. the universe has spoken, but I turn away no warning signs โtil the price got paid. ๐o c๐l๐ฅs (no calls), ๐งo laws, r๐w๐ขn๐, n๐จ ๐l๐ฎe๐ฌ, n๐จ ๐ฆa๐ฉs, ๐งo w๐r๐งi๐งg s๐ขg๐งs. ๐o c๐l๐ฅs, ๐งo love, r๐w๐ขn๐, n๐จ ๐l๐ฎe๐ฌ, n๐จ ๐ฆa๐ฉs, ๐งo w๐r๐งi๐งg s๐ขg๐งs. Ten years deep, built "us" in stone, but what is real if it ain't your own? Heโs touching the sky, drowning in gold Iโm back at the start , carving my road. Not a victim, not a saint, just someone who learned too late. Some things rise, some things fade.ย Did you know? Some were never meant to stay... ๐o c๐l๐ฅs, ๐งo laws, r๐w๐ขn๐, n๐จ ๐l๐ฎe๐ฌ, n๐จ ๐ฆa๐ฉs, ๐งo w๐r๐งi๐งg s๐ขg๐งs. ๐o c๐l๐ฅs, ๐งo love, r๐w๐ขn๐, n๐จ ๐l๐ฎe๐ฌ, n๐จ ๐ฆa๐ฉs, ๐งo w๐r๐งi๐งg s๐ขg๐งsโฆ.
Luzcรธz ยท 'Not a Victim Not a Saint' ยท Song ยท 2025
Brano ยท 2025 ยท Durata: 4:15
This song was born slowly, with difficulty, resisting. Writing it meant staying inside thoughts that were spinning in circles, accepting the loss of balance, letting the words come when they chose. Some sentences emerged immediately, others required time, silence, constant rewriting. Listening to erosione, you enter into that process: the attempt to give shape to something that slips, returning repeatedly to the same point, each time with a different perspective. It's a song built through layers, as happens with things that matter. Listen to it as if someone were speaking softly to you because they're trying to understand themselves as they speak.
I came to find you in the quiet with words I never said out loud you were a light I couldnโt measure a shape I couldnโt live without
I traced your name in broken patterns asked the night to tell the truth we were answers without questions we were older, we were new
We keep spinning, losing balance, coin in air no side to land every step returns us closer to the place where we began
They never warned us it was gentle they never said it would be clean some doors close without a sound some scars stay perfectly unseen
I tried to count the days like numbers split the future into parts but all the plans and all the progress never spoke as loud as hearts
We keep spinning, losing balance drawing circles in the sand every ending bends into the place where we began
No one promised this was easy no one taught us how to stay Iโm not asking for forever just rewind me one more day
Take me back before the silence before we learned to let it go if beginnings are just endings then I think you already know Iโm going back to where it started not to fix it, not to pretend just to stand inside the moment where the line becomes the end.
"They know. They see. They talk. They think."
"Itโs all in the glance, in the silence, in the space between."
Come un battito irregolare
Footsteps echo in hollow streets,
whispers slip through gritted teeth.
Eyes like needles, silent stares,
turning shadows into snares.
A glance means something, a word means war,
thoughts collide, canโt trust whatโs before.
Spirals tighten, breath gets thin,
the loop repeatsโagain, again.
All these echoes, all these signs,
but whereโs the proof? Whereโs the line?
Is it real or in my mind?
Say it now, break the bind!
๐บ๐๐ ๐๐ ๐๐๐๐ , ๐๐๐๐ ๐๐๐ ๐๐๐๐๐ , ๐๐๐๐๐ ๐๐ ๐๐๐๐๐ ๐๐๐ ๐๐๐ ๐๐๐ ๐๐๐๐๐๐ .
๐พ๐๐๐ ๐๐๐ ๐๐๐๐๐, ๐๐๐๐ ๐๐๐ ๐๐๐๐๐, ๐๐๐๐๐ ๐๐ ๐๐๐, ๐๐๐ ๐๐ ๐๐ ๐๐๐๐๐.
๐บ๐๐ ๐๐ ๐๐๐, ๐๐๐๐๐ ๐๐๐ ๐๐๐๐ , ๐๐๐๐ ๐๐๐ ๐๐๐๐๐๐ ๐๐๐๐๐ ๐๐๐๐ ๐๐๐๐ .
๐พ๐๐๐ ๐๐๐ ๐๐๐๐๐๐ , ๐๐๐๐ ๐๐๐ ๐๐๐๐๐๐ , ๐๐๐ ๐๐โ๐ ๐๐๐๐๐๐โ๐๐๐๐ ๐ ๐๐๐๐.
Speak the demon, call it out,
see it shrink, feel the doubt.
Melted whispers, shattered glass,
all that weightโjust smoke and past.
What was looming, now looks small,
was a monster, now itโs flawed.
Once untamed, now contained,
say the wordsโwatch it fade.
Thoughts untangled, walls collapse,
it was nothingโjust a trap.
Light comes pouring through the cracks,
when you name it, it steps back.
๐บ๐๐ ๐๐ ๐๐๐๐ , ๐๐๐๐ ๐๐๐ ๐๐๐๐๐ , ๐๐๐๐๐ ๐๐ ๐๐๐๐๐ ๐๐๐ ๐๐๐ ๐๐๐ ๐๐๐๐๐๐ .
๐พ๐๐๐ ๐๐๐ ๐๐๐๐๐, ๐๐๐๐ ๐๐๐ ๐๐๐๐๐, ๐๐๐๐๐ ๐๐ ๐๐๐, ๐๐๐ ๐๐ ๐๐ ๐๐๐๐๐.
๐บ๐๐ ๐๐ ๐๐๐, ๐๐๐๐๐ ๐๐๐ ๐๐๐๐ , ๐๐๐๐ ๐๐๐ ๐๐๐๐๐๐ ๐๐๐๐๐ ๐๐๐๐ ๐๐๐๐ .
๐พ๐๐๐ ๐๐๐ ๐๐๐๐๐๐ , ๐๐๐๐ ๐๐๐ ๐๐๐๐๐๐ , ๐๐๐ ๐๐โ๐ ๐๐๐๐๐๐โ๐๐๐๐ ๐ ๐๐๐๐.