Cast photos for Joy of Life 2
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PUT YOUR BEARD IN MY MOUTH

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let's talk about Bridgerton tea, my ask is open
hello vonnie

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@teuchisrinnegan
Cast photos for Joy of Life 2
Salem S2E2 | Countess Marburg
Here's THE masterpost of free and full adaptations, by which I mean that it's a post made by the master.
Anthony and Cleopatra: here's the BBC version
As you like it: you'll find here an outdoor stage adaptation and here the BBC version
Coriolanus: Here's a college play, here's the 1984 telefilm, here's the 2014 one with tom hiddleston
Hamlet: The Kenneth Branagh 1996 Hamlet is here, the 1964 russian version is here and the 1964 american version is here. THe 1964 Broadway production is here, the 1948 Laurence Olivier one is here. And the 1980 version is here. Here are part 1 and 2 of the 1990 BBC adaptation. Have the 2018 Almeida version here.
Henry IV: part 1 and part 2 of the BBC 1989 version. And here's part 1 of a corwall school version.
Henry V: Laurence Olivier (who would have guessed) 1944 version. The 1989 Branagh version here. The BBC version is here.
Julius Caesar: here's the 1979 BBC adaptation, here the 1970 John Gielgud one.
King Lear: Laurence Olivier once again plays in here. And Gregory Kozintsev, who was I think in charge of the russian hamlet, has a king lear here. The 1975 BBC version is here. The Royal Shakespeare Compagny's 2008 version is here. The 1974 version with James Earl Jones is here.
Macbeth: here's the 1961 one with Sean Connery. Here's the 1971 by Roman Polanski, with spanish subtitles. Here's the 1948 www.youtube.com/watch?v=ljZrf_0_CcQ">here. The 1988 BBC onee with portugese subtitles and here the 2001 one). The 1969 radio one with Ian McKellen and Judi Dench is here and the 1966 BBC version is here. The Royal Shakespeare Compagny's 2008 version is here.
Measure for Measure: BBC version here.
The Merchant of Venice: here's a stage version, here's the 1980 movie, here the 1973 Lawrence Olivier movie, here's the 2004 movie.
The Merry Wives of Windsor: the Royal Shakespeare Compagny gives you this movie.
A Midsummer Night's Dream: have this sponsored by the City of Columbia, and here the BBC version.
Much Ado About Nothing: Here is the kenneth branagh version and here the Tennant and Tate 2011 version. Here's the 1984 version.
Othello: A Massachussets Performance here, the 2001 movie her is the Orson Wells movie with portuguese subtitles theree, and a fifteen minutes long lego adaptation here. THen if you want more good ole reliable you've got the BBC version here and there.
Richard II: here is the BBC version
Richard III: here's the 1955 one with Laurence Olivier, and here's the 1995 one with Ian McKellen. (the 1995 one is in english subtitled in spanish. the 1955 one has no subtitles and might have ads since it's on youtube)
Romeo and Juliet: here's the 1988 BBC version.
The Taming of the Shrew: the 1988 BBC version here, the 1929 version here, some Ontario stuff here and here is the 1967 one with Richard Burton and Elizabeth Taylor.
The Tempest: the 1979 one is here, the 2010 is here. Here is the 1988 one.
Timon of Athens: here is the 1981 movie with Jonathan Pryce,
Troilus and Cressida can be found here
Titus Andronicus: the 1999 movie with Anthony Hopkins here
Twelfth night: here for the BBC, herefor the 1970 version with Alec Guinness, Joan Plowright and Ralph Richardson.
The Winter's Tale: the BBC version is here
Please do contribute if you find more. This is far from exhaustive.
(also look up the original post from time to time for more plays)
Oh, I have additions!
A Misdummer Night Dream: Here’s the 2013 globe production (the one with The Kiss, you know it)
Romeo and Juliet: Here’s the one that was going to be a stage show and then lockdown happened so they filmed it! Stars Josh O’Connor and Jessie Buckley
Richard II, Royal Shakespeare Company feat. David Tennant
I’m surprised there isn’t already a fic like this, but Ten and Donna some how end up in Messina in the 80’s and now they have to deal with figuring out who these people who look just like them are and what the fuck is happening
Feeling like posting the hot take that more people would ship/be inclined to see romantic undertones with the Doctor and Donna, but Catherine Tate and David Tennant are the same age and she doesn’t look twenty. (NO HATE to those who don’t ship it!!! Or who never would! This is more about the fact that Donna isn’t fifteen years younger than he is so I think some of that plays into it.)
donna noble stranded at the very edge of the universe and coming face to face with horrors beyond her comprehension: 😬
So... ok, if the TARDIS came back before the ship exploded, that means she wasn't actually running away from the explosion. I mean, why would she, she's been in exploding ships before and she was fine.
So that means she was running from the edge of the universe. Except if that were the case, she wouldn't have been able to come back, because the edge of the universe is still there. So she must have been running from the Not-Things.
Because, as established, it takes time for the Not-Things to learn how to copy things. They need to study you, read you, before they can become you. The TARDIS coming back at the eleventh hour meant they didn't have that opportunity.
This does mean that without the HADS, there would have been a Not-TARDIS, and I think that would be the actual scariest monster in all of Doctor Who.
When something's gone it keeps existing!??
If you think he is not her type... I have a bad news.
+bonus
"Well, a lot of husbands would worry."
so you and i are best friends, constant sleep overs, always running errands together and sometimes when we get really drunk or high, we fuck but we never talk about it and now it’s really getting to me because i like how you kiss me and i like our sex and i like spending time with you but do you feel the same way? should i stay quiet just so i can keep kissing you and fucking you? hold on, did you just say you like someone that’s not me?
a fate worse than death
Charles, do you have any nude scenes coming up that we can look forward to? (x) Not to my knowledge, no. No.
Catherine Tate | Much Ado About Nothing | A (Very) Brief Collection of Noises
hey ash guess who’s going to hell
omfg yes. yes. yes. yes. give. me. your. babies.
David Tennant and Catherine Tate The Fourteenth Doctor and Donna Noble
...and the teeth
— Nicole Lyons
friendly reminder that donna has canonically called ten pookie
the doctor canonically tried to get a kiss from donna noble
And succeeded (???)
UNCLEAR
yeap
Donna: “I’m gonna go check on Mum.” The Doctor: “Nuh-uh, not before you pay the love toll!” Donna: “Seriously?” The Doctor: “Yeah.” Donna: “Oh, honey of course! Silly me!” The Doctor: “Silly you!” Donna: “Mwah!” The Doctor: “Mwaah!”
When autistic adults appear in fictional works, they are often imagined as children, and this is certainly the case with Lisbeth. Perhaps the common impulse to infantilize autistic adults is a conceptual misunderstanding about the nature of disability: based on cultural attitudes toward interdependency, adults who rely on social coaching or support from others may be imagined as childlike. The titles of the English translations of the trilogy refer to Lisbeth as “the girl,” even though she is twenty-four years old at the start of the first book. Indeed, her diminutive stature (four foot nine) and delicate frame (she weighs ninety pounds) make her look like an adolescent, further feeding characters’ (and readers’) fantasies of her as a perpetual child. She is frequently infantilized because of her poor social skills, particularly by Armansky. Armansky feels “protective” toward Lisbeth and “He sometimes caught himself comparing Lisbeth to his daughters” (47, 60). Blomkvist thinks of Lisbeth as “an information junkie with a delinquent child’s take on morals and ethics” (420). Like many autistic adults, Lisbeth finds that she must constantly object to being treated like a child. She tells Armansky: “I appreciate that you actually showed yourself to be greater than your prejudices and have given me a chance here . . . and you’re not my father” (49). “I’m not a child anymore,” Lisbeth tells Bjurman angrily (181). In fact, Armansky believes that what he perceives as Lisbeth’s childlike nature may make her vulnerable to abuse: “he had always imagined her as a victim . . .” and “He thought about how she had laughed with Blomkvist in her office and wondered if she was finally growing up . . . He also felt a strange uneasiness. He had never been able to shake off the feeling that Lisbeth Salander was a perfect victim” (Fire, 289, 447). Armansky imagines Lisbeth as a child because of her poor social skills: when he sees her laughing with Blomkvist he imagines her as “growing up.” Specifically, it is her autism that makes her seem like a child and a victim to Armansky and to the other characters—their perception reflects common stereotypes regarding adults on the autism spectrum, as interdependency and social difference are frequently interpreted as signs of immaturity and vulnerability.
Imagining Autism (Fiction and Stereotypes on the Spectrum) Sonya Freeman-Loftis
Honestly the most common thing I see with autism in literature and films are that they are savants and they over do the traits too imo. And many actors that play autistic people aren’t even autistic themselves.
Look at The Good Doctor. Freddie Highmore isn’t autistic and the way he portrayed the traits were just…awkward... and it doesn’t help that it was supported and advertised by Autism Speaks.
We need to hire autistic actors imo. They actually know what autism is like. I know there are many autistic actors out there.
GIVE. US. A. CHANCE.