#mckennacore

this blog is a twelve years long stream of consciousness don’t take it seriously except for all of it. tx(unfortunately)

[datadegroove-deactivated2026042]

when I'm on my deathbed im going to queue like 15,000 posts from the perspective of someone who's dead and in hell so that the blogging never ends

[cannablissx3]

[redlipstickresurrected]

Zhiyong Jing aka 荊智勇 aka Jing Zhiyong (Chinese, b. 1982, Tianjin, China, based Beijing, China) - So close, yet worlds apart. Linger, 2026, Paintings: Acrylic on Wood

[voidsucre]

happy comic day here's mine

[mandymovie]

lisa swerling’s miniature diorama for the truman show (from her glass cathedral collection)

[nevver]

In the middle of things, Adrian Kay Wong

[avantgarden-er]

i'm the stripper that Loves you

[lizardsfromspace]

For decades stoners were renowned for their aesthetics. For their blacklight posters and lava lamps, for their airbrushed dragon murals and electrical shock orb thingies from Spencer Gifts. Then they legalized weed and every weed store became the flattest, emptiest minimalist void imaginable. They're putting a weed store in a former Rainforest Cafe and they're tearing out all of the rainforest decor to make it just a big empty space with walls painted the blandest green they can find. They tore down paradise and put up a place where a business major tries to tell you CDB oil can cure cancer

[queengreendown]

It’s almost as if nobody wants to admit that they might not be prepared to do the work it takes to love somebody. And it can be laborious. To be intimate with someone who is flawed (which is the standard) requires us to expose our own flaws. We don’t talk about the heavy responsibility of that. We don’t talk about how we’re too lazy or too cowardly sometimes. We instead accuse love of being elusive. It isn’t. It is omnipresent. It asks us to be better people. And sometimes we flat out refuse.

[equivocations]

playing with some pink acrylic paint + palette knife.

[afriblaq]

Gordon Parks captured the Jim Crow South with a quiet, devastating clarity—using his camera as both witness and weapon. Through intimate portraits and everyday scenes, he exposed the cruelty of segregation not with sensationalism but with humanity, dignity, and truth. Parks showed Black life in the South as it was lived: tender, resilient, disciplined, and determined, even under oppressive laws. His photographs didn’t just document injustice—they challenged America to see what it preferred to ignore.

Photos via: @gordonparksfoundation

[dorothygale]

me scrolling my dash when something has occurred in sports

[homunculus-argument]

Wednesday the 15th. What an excellent day. Middle of the week, middle of the month. Truly, we are in the middle of things.

[dragon-in-a-fez]

every job is like this on some level

[polytropic-liar]

listen I’m so glad you all are having fun with the dragon incest show, but I need you to understand that from the outside all I see is approximately 14 posts per day of people in truly horrific wigs with captions like “baegael did nothing wrong except all the murders”

[idiotvirginpng]

[deadelated]

food recall for all food in america just dropped