Nape kissđ
Qifrey really loves that nape and when he is drunk he becomes kinda clingy to itđââïžâš
HAPPY PRIDE MONTH!!đ this month I want to make manyyy gay fanartsđłïžâđđłïžâđ
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@the-devil-fruit-tree
Nape kissđ
Qifrey really loves that nape and when he is drunk he becomes kinda clingy to itđââïžâš
HAPPY PRIDE MONTH!!đ this month I want to make manyyy gay fanartsđłïžâđđłïžâđ
apprentice uniform for brushbuddy too so they dont feel left out
My beautiful, hungry boys.
What I want in season 3 of Hazbin Hotel is a reprise mix of âLove in a Bottleâ and âLosinâ Streakâ sung by Velvette feat. Angel Dust thatâs about the love potions she sells.
He likes it when u pet his ear~đ»đ Commission Work!
Who says Flambae isnât romantic? | a flambert flavoured Valentineâs Day mini comic. đ„â€ïžâđ„đ below the cut
Patreon request- Flambae
Baeâs out bar hoppinâ
Robert: Good morning, team, Iâm your dispatcherâ
Flambae: Is that fucking Mecha Man?!
Robert: Nope, definitely not
Flambae: You Mecha Bitch! I spoke to you yesterday! I know what you sound like!
Imagine, if you will, that you are a former villain working at the SDN in order to build a better life for yourself as you strive to become a superhero.
Youâve heard the whispers, the snide comments about a villain playing at being a hero, while dealing with a constant flow of dispatchers that donât believe in you, donât try to help you, and donât bother to hide it.
But one day the newbie dispatcher comes in, and Bobert Bobertson may be a normie dork, but he cares. He wants them to do better, and they do. The whole teamâs scores improve, theyâre a more cohesive unit, theyâre finally starting to succeedâŠ
âŠand then one day your lunch gets thrown out only to be dug out of the garbage and handed back to you, and all you can hear is âyouâre still just a villain and trash noodles are good enough for you.â
If I had a nickel for everytime I watched Robert Robertson III dismember some guyâs fingers, Iâd have two nickels.
Which isnât a lot, but itâs weird that it happened twice.
I canât be the only one to consider this, but
Beef as a Psychiatric Service Dog. It goes without saying that Robert Robertson is in fact the saddest of boys with more than a little bit of depression and trauma, so he has his precious pup to help him with panic attacks, meds, or any other issues.
Itâs a huge moment when something happens and Beef fetches someone from the Z-Team, acknowledging them as a safe person to help Robert as he recovers.
Flambae figures out how to train Beef to alert him when Robert isnât eating properly (which he never is!!) so that he canâŠcorrect that behavior with delicious homemade meals that he will fry Bob-Bob if he dares to reject them.
Hygienic_cat on Twitter/BlueSky has created another masterpiece for me. Based off an IRL prompt.
Silco sometimes must be stern with her. But Jinx continues to misbehave. It's almost as if she doesn't mind the punishment......đŁđŠ
Silco going to Babettes and spending money on a girl who looks almost just like Jinx, because he needs to get his frustration out, and he isn't willing to risk his relationship with Jinx, but Jinx knows. She knows, and she follows him to the whore house every time.
There is also an itty bitty, tiny, practically insignificant chance that that whore pops up later with a bullet hole in her head.
Jinx may find it very hot to watch Silco fuck a girl who looks like her while thinking heâs being oh so super sneaky, but that doesnât mean she can just let that little slut walk around after knowing Silco in a way that Jinx herself doesnât!
This is what really happened, right? RIGHT???
Tomura Shigaraki deserved SO MUCH BETTER
Iâm so angry about how the villains were handled in the ending of MHA that I donât even know where to start. It feels like Horikoshi spent years building these characters up, giving them backstories dripping with tragedy, setting up these complex moral gray areas, and then in the final act he just dropped them. Dropped all of them. Like their entire narrative weight suddenly didnât matter.
Tomura Shigaraki. This is a character who had one of the strongest villain arcs in shĆnen in YEARS. A child groomed, tortured emotionally, denied stability, denied guidance, denied love - turned into a weapon by his "mentor", twisted and gaslit until he couldnât tell if he even had thoughts of his own anymore. We saw him struggle with identity, with autonomy, with his dreams. He deserved liberation. He deserved a future, or at the very least, a conclusion that honored everything he had endured. Instead, what did we get? A rushed âyouâre saved now, time to dieâ send-off. Hori built him for years, only to reduce him to a stepping stone for Dekuâs character development. Itâs infuriating.
And the worst part is that the story pretended to care. It pretended his breakthrough mattered. It pretended his pain was important. It dangled hope - the possibility of choice, of change, of liberation - and then ripped it away because god forbid the protagonistâs idealism actually be tested in a meaningful way. The message unintentionally becomes: your suffering matters until it clashes with the protagonistâs idealism.
It just hurts. Because the villains were the emotional spine of the story. They were the mirror the heroes needed to confront. They were the commentary on societyâs failings. And yet they were treated like disposable chess pieces in the end.
The ending feels like itâs trying desperately to deliver a clean moral message in a world that Horikoshi himself spent years establishing as morally messy. You canât write characters whose entire existence is proof of systemic failure and then handwave their fates to keep the hero shiny and untarnished. You canât call it "saving" when you donât let them live long enough to actually experience being saved. You canât spend hundreds of chapters showing how broken the system is, how it creates people like Shigaraki, Dabi or Toga, and then decide in the finale that actually, the system was fine all along and the villains just needed to conveniently die to prove it.
And itâs not that we wanted all the villains to survive or be redeemed neatly. We wanted endings that respected their narratives. That felt consistent with the emotional investment the story demanded.
It feels like Shigaraki, Dabi, Toga, the entire League - all of them - were punished for their own authorâs exhaustion. And thatâs heartbreaking. Because they deserved better. They earned better. They werenât just "bad guys." They were survivors of systems that failed them. And yet Hori gave them rushed resolutions, moral shortcuts, and farewells that felt like he wanted to be done with the history yet, no matter the cost. It just feels like Horikoshi was exhausted and the villains paid the price for his burnout.
No amount of pretty animation or hype moments can cover the fact that Hori threw away his own most powerful narratives threads And honestly? I donât think that sting is ever going to fade.
Forgive me if anything in this rant feels inconsistent, Iâm writing it while still completely overwhelmed after the latest ep. MHA became an incredibly important story to me over the past few years, something I poured my heart into, and right now I just feel devastated
Double Dealing Manipulator
found this concept super funny.. i take any excuse to draw kidlaw