Okay, so my new idea has a character named Artemis and I would die for her. She’s undead and secretly lives in this really old house and spies on the residents lmao

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Okay, so my new idea has a character named Artemis and I would die for her. She’s undead and secretly lives in this really old house and spies on the residents lmao
I think this tweet is incredibly important, and I wanted to share it.
Gah, this has to be true.
I really need to keep this in mind when I get angry at myself for not writing for so long. My skill isn't stuck, I can and will improve.
I'm thinking of getting together a small critique group for people writing fantasy, would anyone be interested?
Probably going to keep it at around 5 members and only for adult fantasy, so that everyone is on the same page wrt tropes, themes, wordcounts etc.
This sounds super cool! I'm pretty deep into a fantasy novel and am struggling!
#106: Ship Your Art
This is a call to action for all the creatives out there.
Remember the thing that you half-finished but then decided that it wasn’t good enough and moved to something else? Or all the time that you spent thinking about how great it would be to get it out there, but then it never happened?
I get it. I do this all the time. When I start working on something, I feel like it’s going to be amazing, certainly the best thing I’ve ever made. But as time goes by and my initial vision collides with reality, my enthusiasm slowly evaporates. By the time I’m done, I’m mildly interested at best. I’ve been over the thing so many times that I don’t find it interesting anymore and inevitably abandon it to move on to something else.
If you don’t have a deadline or a firm goal in mind, it’s a challenge to keep working on something when the work gets gnarly. At the same time, it’s nearly impossible to get those external deadlines at this stage. Nobody will commission you to make a piece of art for them when you’re just starting out. And so you keep toiling in obscurity, starting something, dropping it, starting over, leaving things in various stages of incompletion.
When you’re stuck in that cycle, it’s easy to get bogged down. You’re grinding but not really getting anywhere, or it seems. There’s nothing that you can point at and say, ‘Look, I made this.’
Here goes the real talk: In the age of the internet, the only thing that’s stopping you from publishing your work is you. You believe that it isn’t your best, or even good enough. Maybe you’re embarrassed and don’t want that to be associated with your name. Fine. That’s totally understandable. You don’t have to publish it under your name or on your main blog.
Here’s the challenge that I promised in the beginning. Go to Wattpad or Reddit or Medium or whatever is your favourite website where you can post your work and make an account with a fake name like Chicken McNuggets. Then go through your pile of unfinished stories, patch them up and post them. It doesn’t matter that you don’t like them. They might not be good enough to be published under your name, but they’re certainly good enough for Chicken McNuggets.
From now on, aim to publish one story every week on that profile. Whether it’s a 100-word flash piece or 21,000-word novella. Anything goes.
You may not get very many readers. That’s ok. The value isn’t in people reading your posts. Of course, that would be nice, and if you read and give feedback to other writers, someone will eventually look at your page and read your stuff. The real value lies in learning to wrap things up and put them out there. The goal is to get into the habit of shipping your art.
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Past Editions
#105: Side Gigs for Writers, August 2019
#104: The Sting of Rejection, August 2019
#103: Do You Just Write?, August 2019
#102: Don’t Break the Chain, August 2019
#101: Writing for Fun or Profit?, July 2019
Everyone should do this. I know I'm going to.
How to show that a character is asexual
…Because interrupting the narrative to turn it into Asexuality 101 is not always a good idea.
It may be easier to implement these ideas if you’ve also read my asexual character development question list. You can also get more ideas from reading and answering those questions.
Note: Most of these ideas will also work for gray-asexual and demisexual characters, because they tend to have a lot of experiences in common with asexuals.
Say it outright.
The only way to be 100% certain is for the character to identify themself as asexual in the story’s text. Everything else I suggest here, at most, can only hint in that direction. If you intend to actually represent asexuality in your story and not just imply it, you must state it explicitly at some point. Otherwise, you’re just doing the asexual equivalent of queerbaiting (acebaiting?), which is infuriating because asexual people have almost no fictional representation in the first place.
Your characters might use the word “asexual,” or they might say something else that means the same thing. When doing this, remember that there is a difference between being asexual and being celibate.
Examples:
“I’m asexual.”
“I’ve never been sexually attracted to anyone.”
“I do not lust after other people.”
“I’m not attracted to anyone, and never have been.”
“I don’t have any urge for carnal pleasures.”
Drop hints about it in dialogue.
Think about your character’s attitude toward sex. Are they sex-repulsed, sex-indifferent or sex-enjoying? When they think about sex in general, do they find it boring, gross, annoying, creepy, amusing, weird, or just meh? Most asexual people do not enjoy sex or seek it out, but they aren’t outright afraid of it either. When you write dialogue, think about your asexual character’s opinions, feelings, and expectations about sexuality, and look for opportunities to suggest that they’re not on the same wavelength as everybody else.
Examples:
“I’m not interested in anybody.”
“I’m not planning on getting married.”
“Dating is overrated.”
“I hate it when movies have sex scenes.”
“Wait, people actually find it hard to be celibate?”
You can also subtly suggest that a character is asexual by writing them as oblivious to or disturbed by innuendo, dirty jokes, flirting, and/or conversations about sex. Some asexual people have a hard time picking up on these things, or will assume everything is platonic unless it’s explicitly spelled out as sexual. Others might be so repulsed by sex that they don’t even like hearing about it. And then again, some asexuals find the subject hilarious or interesting, and will be very explicit or detached when talking about it, to the point of making non-asexual people feel awkward.
Develop an asexual backstory, and mention it in the text.
Think about the ways that your character was affected by growing up asexual, and how their youth may have differed from other people’s. Maybe they always winced and turned away at kissing scenes in movies. Maybe they couldn’t be bothered to date anyone in high school. Maybe they tried having sex, just to see what all the fuss was about, but regretted it or were disappointed. Maybe they spent years wondering what was wrong with them because they didn’t like sex. If the character is old enough, think about how asexuality may have affected their dating life in the past. If your character knows they’re asexual, you should also think about the experiences that led them to realize it.
Adjust the way that the asexual character speaks.
If your character uses words and concepts that are rarely heard outside the asexual community, it’s a big fat sign that they identify as asexual, or are at least very familiar with asexuality. The asexual community thinks about love, attraction and relationships in a different way than mainstream culture does, and our language reflects that. I’ve compiled a nice glossary of words and concepts that your asexual character may use in conversation. You can also try dropping references to asexual culture, such as a black ring on the right middle finger, or the colors of the asexual flag. (I advise staying away from the cake jokes, though.)
Some asexual people avoid describing other people as “hot” or “sexy,” because those words may imply sexual attraction.
Show how asexuality affects the character’s romantic and/or sexual relationships (or lack thereof).
Some scenarios that asexual characters may encounter:
They are virgins well into their 20s, or even later.
They have sex, but find the experience underwhelming, disgusting or disturbing.
Their relationships become strained because their partner wants sex but they don’t.
They avoid dating entirely because the prospect of having sex with someone makes them uncomfortable.
They feel like they have to fake being sexually attracted to someone.
They’re afraid their partner will leave them for someone more interested in sex.
They can’t find a partner because they don’t want to have sex.
They do find a partner who doesn’t mind having a sexless relationship.
They choose to have sex for different reasons than most people do, and these reasons are not related to sexual attraction.
They want to “wait until marriage” but are secretly dreading having sex after the wedding.
Their relationship with their romantic partner is not taken seriously by other characters because it does not involve sex.
They form a queerplatonic relationship instead of a romantic relationships.
Their partner agrees to become celibate, or they work out a compromise on what kinds of sexual activities they’ll do together.
They set up an open or polyamorous relationship so their partner gets sexual satisfaction elsewhere, while still remaining happily together.
They seek medical treatment for not being as sexually interested as they think they’re supposed to be.
They don’t think that they need birth control or STD protection because they are celibate.
I’m undoubtedly forgetting a lot more.
Make the character’s hobbies, lifestyle, goals, and entertainment choices reflect their asexuality.
Keep in mind that asexual people are diverse, and the ideas listed below do NOT apply to all, or even to the majority of asexual people in real life. But they can be good starting points for sparking discussions about asexuality in your story, or as additions to an asexual character who is otherwise well-rounded. They can also be good ways to foreshadow that a character is asexual.
The following are just a few examples of how asexuality can affect someone’s lifestyle:
They choose to avoid media that contains graphic depictions of sex.
They don’t have a porn collection.
They avoid romantic movies, or movies with sex scenes in them.
They avoid going to bars, nightclubs, strip clubs, raves, or other places with sexually charged atmospheres.
They tend to avoid collecting art and music that have sexual content.
They do not try to dress up so as to appear attractive to the opposite sex.
They don’t enjoy hanging out with non-asexual friends who talk about sex or sexual attraction a lot.
They avoid casual sex or one night stands entirely.
They never want to get married.
They expect to spend their future and old age single.
They aren’t very interested in having sex, and need a strong reason before they’ll consider it.
Make other characters curious about the asexual character’s dating life or sexual orientation.
In real life, if a person between the ages of 16 and 50 goes for years without having or seeking a sexual relationship, people often get nosy. They may ask why the asexual person isn’t married yet, wonder if something is wrong, or even spread rumors about that person.
Asexual people are not heterosexual, and often do not fit in well with a culture of heteronormativity and compulsory sexuality. Think about how your asexual character’s words, attitudes and lifestyle will be perceived by other people, and what those people are likely to say and do in response.
Use another character as a foil.
By writing another character who differs from your asexual character in behavior, attitudes or sexual priorities, you can show just how distinct the asexual character really is. Consider putting the characters in similar situations and having them react differently, or making different choices. The foil character doesn’t need to be a super-horny, oversexed, socially aggressive extrovert; in fact, it’s often more effective to write a person of average libido and sexual activity, and who is portrayed as “normal” and typical by the narrative, because this highlights just how unusual and different asexuality is.
Be careful that you do not portray the foil character’s sexuality as a negative trait, or else you may risk putting slut-shaming, misogynistic or homophobic implications into your story. They can be a villain, but unless they engage in sexual coercion, rape or other Very Bad Sex Acts then their villainy should be unrelated to their sexuality.
Don’t your make foil character a rapist. Just…don’t do it. It’s very difficult to pull this off without making the overall tone of the story to be sex-negative, and it puts asexuality at odds with sexual violence while leaving little room for consensual, healthy sex.
Read blogs and websites written by asexual people.
You can get a lot of ideas by reading about how individual people experience asexuality. (If you ARE asexual, of course, you can draw on your own experiences.) Asexual bloggers talk about unusual or interesting things that happen to them as a result of being asexual, how asexuality affects their relationships with other people, what kinds of things they want, like or dislike because of asexuality, and more. Every person’s experiences are unique, and while they may not represent all asexual people, they are real and worth considering. Think about how you can adapt some of those experiences into a fictional context. There are many asexual bloggers on Tumblr.
Rebloggin for future reference.
Guide To Writing Found Family
This is also available on wordsnstuffblog.com!
– Found family is a very popular trope that I don’t often see explored in technical writing resources, and as a person who is currently in the middle of developing one for my own series, I decided to make a resource for those who were also confused when approaching this character dynamic. If you have anything to add to the topic, feel free to comment down below for the other writers out there. Hopefully this is helpful to those who need a place to start. Happy writing!
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Avoiding Romantic Subtext
This is one of the hardest obstacles to sidestep when writing an unusual dynamic, and for certain genres it can be ten times worse. For example, in fiction written specifically for young adults, there’s a baseline expectation for a hefty amount of romantic tension, and readers will often insert it no matter what the text and subtext suggests. In order to prevent this automatic insertion of romance in the reader’s interpretation, it’s wise to establish a clear and reasonable explanation for why the relationships are platonic and will never develop into something more.
It’s not a good idea to go for the “person a nor person b has ever considered this relationship blossoming romantically” because that’s often the basis for romantic stories, and will leave that wiggle room for the reader to run with. Show in the way they interact and perhaps in the narration/first person that each party has thought of that scenario and ultimately come to the conclusion that there’s just no romantic potential.
Showing Familial Relationships
Families rely on each other and in diverse ways. The way these individuals interact and build a familial bond is determined (often) by the way in which they form a dependence on the other, and this is more often than not in found family stories, a healthy dependence. It shows the other person’s reliability, care, and compassion, and the way this develops is different for family than it is for friends.
Certain family members also have specific types of humor when it comes to each other. A father and a daughter will have a different sense of humor or understanding with each other than maybe the daughter and her brother do, and this all adds to form a vivid dynamic in your reader’s head that will alter the way they perceive relationships. Found family will be exactly the same, but they’ll have different backstories and different reasons why that sense of humor or understanding has developed that way.
Friendship vs. Family
Found family is unique in the way that readers can very easily perceive a relationship as close friendship rather than a familial one. However, friendship lacks a certain vulnerability and dependence that found family can use to its advantage, because family sees each other at their highs and lows and conflict usually carries different implications.
Family also implies a different attitude and motivation behind the relationship. Conflicts between family members are less severe in the long-run because there’s a ground-level understanding that no matter what happens, arguments will end in forgiveness and closure, whereas that is not necessarily guaranteed with friendships or romances. The motivation, also, is different in the sense that found family is more often meant to last a lifetime, and therefore is less fragile and opens the door for more open communication and vulnerability.
Converting Tension to Intimacy
When you’re tasked with turning a tense, unfriendly relationship into a close and familial one, it’s daunting to even begin thinking about how to go about it. First, it’s important to understand the function of this stage of their relationship as a starting point for growth in both of the characters rather than merely a device to create drama for the reader to munch on. Intimacy of any kind develops out of mutual growth, vulnerability, and understanding, and in order to convey these things to the reader, you need to take your time letting this stage simmer. If you extinguish the tension too fast, it will read as shallow and futile, and it will throw a wrench in the natural pacing.
Now, the transition from tension to intimacy is a several step process and does not happen in one chapter. Mindsets, perceptions, and attitudes change over time as both the reader and the characters learn more information and experience more genuine interaction. The relationship, as I mentioned earlier, will change as the characters see each other in increasingly vulnerable situations and in periods of growth, and as they witness this their understanding of the other and ultimate acceptance will change the way they treat each other and their mutual perceptions of one another’s place in their lives. This usually happens in the subtextual area of the story, excluding events that are formulated specifically to depict this evolution.
Different Sizes of Families
The size of the invented family very much impacts the way that the group relationship develops. For example, two or three people who develop a family-like connection will be much more intimate and dependent than a created family that includes ten. Larger groups imply more diverse, but also more shallow representations of what relationships between family members can be, but they often leave more room for relatability and comedy. Smaller families work well for more serious struggles, and make more sense with characters that deal with serious issues that a real person wouldn’t be comfortable giving all the details about to ten other people.
There’s definitely a spectrum and it fluctuates wildly for different types of stories, genres, character archetypes, and themes. Deciding how large to make this found family really depends on the fine details and requires some time and thought.
Common Struggles
~ Bringing people together when there’s an age gap… Age gaps can serve really well in the area of establishing a familial relationship without suggesting romance because most readers will assume that a close relationship between a younger woman and an older (say, 65 year old) man is more of a father-daughter relationship than a romantic one. The way you an bring together two people with an age gap and establishing a familial relationship is by playing on the aspect of guidance and support that a parent or typically older figure would provide to a younger, more naive person. This can come off trope-y but, like any other aspect of a story, putting an original twist on it can make it more original and interesting to the reader.
~ Starting with tension… This is very common in the case of a sibling-type relationship or a guardianship situation. Usually, there’s some resistance from the party that does not hold the upper hand, and this can create tension in both of them. I suggest that if you’re going to develop a tense relationship into a close one that resembles family, then avoid tropes. There are so many ways that you can twist these ideas and situations based on your world and characters’ traits, so don’t go straight for the “I hate you because you’re trying to control me even though you’re not my real dad” thing.
Other Resources
Useful Writing Resources
Useful Writing Resources II
Resources For Describing Characters
Resources For Describing Emotions
Resources For Creating Characters
Resources For World Building
Resources For Plot Development
Resources For Writing Science Fiction
Resources For Writing Dystopian/Apocalypse
Resources For Fantasy & Mythology Writers
Giving Characters Bad Traits
Writing Children
Having Trouble Connecting To Your Characters?
On Making Scenes/Characters Unpredictable
Keeping Characters From Sounding Identical
Writing About Uncomfortable Topics
How To Foreshadow
Commentary On Social Issues In Writing
Tackling Subplots
How To Make A Scene More Heartfelt
How To Develop A Distinct Voice In Your Writing
How To Perfect The Tone In A Piece Of Writing
A Guide To Tension & Suspense In Your Writing
Writing Arguments Between Characters
Ways To Fit Character Development Into your Story
Tips On Writing Intense Scenes
Showing vs. Telling
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That was really interesting to read!
Writing Update
8/23/2019
Roughly 31,000 words
How writing has been going lately? Well, in general, I’d say it was going about how I’d expected. Apart from one crucial thing, I’ve actually been writing. I broke 30k which was really cool.
I started using a new program, which has a few cool features, the main one being it’s free.
I still have at least one freak-out over the week. Whether it be a character not working, or my inability to write as well as I could have if I’d never stopped. It always comes and makes me second guess every word I type, but the most important thing; It also always passes. I get excited again and can’t help but have days where I write close to 3k. I fall in love with an idea I have, one that might take a while to implement, but one that I think will improve the story.
But it really has been good.
Do you need a Camp Nano Cabin
Would anyone be interested in joining a camp nano cabin? I'm planning to join in this year for the first time and I'm pretty nervous about it.
I also want to get more involved and find people I can bounce ideas off of, ect.
If you're interested in this kind of thing message me and I'll get back to you as soon as possible with the invite and all that.
Just btw, I'm writing a YA ish fantasy novel, but yours doesn't have to fall in that range! Please message me lol.
Also, if you’ve already joined a cabin, then consider reblogging, so all us loners can find one before the big day!
You can also check out my Camp Nano profile if you like:
http://campnanowrimo.org/campers/lunaart149
Hot Potato Press: A Collaborative Writing Game
I’ve had an idea, and I’m looking for volunteers to give it a first run. Here’s the gist!: ● A group of participants form a team and swap email addresses. ● Taking turns, each participant writes one page of content (the group having agreed upon a font and pt. value), and emails it to the group. ● The group follows along, taking turns contributing to the story. ● Team members can “pass”, or submit…
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This sounds super fun!
Me brainstorming at 3 am:
Me brainstorming at 4 am:
What is your wildest dream in regards to writing?
Ah, I mean, to always love it I guess? Like I'd want to be able to do it for a living, but still always love it like I do now. Thank you for the ask!!
Reblog of you have aro/ace characters in your WIP!
She's a main character too!
I made these as a way to compile all the geographical vocabulary that I thought was useful and interesting for writers. Some descriptors share categories, and some are simplified, but for the most part everything is in its proper place. Not all the words are as useable as others, and some might take tricky wording to pull off, but I hope these prove useful to all you writers out there!
(save the images to zoom in on the pics)
Amazing
@ my writing group
You know who you are
@halrose @the-midwrite-oil @allyn-racki @thesteamgothwrites @luna149
SITES FOR WRITERS
Fantasy name generator
Fighter’s block - try to defeat a monster by writing
Child’s Traits Calculator ; predict a child’s appearance
Child’s Traits Calculator ; predict other traits
Fifty Plot Twist Ideas For Your Work-In-Progress!
Name generator (Character, Baby, Last name, etc.)
Plot generator ; Inspiration for your next novel, film or short story
Character generator ; Generate Rich Characters in Seconds
Writing Exercises ; This site provides (completely free) writing prompts and exercises to help you get started with creative writing and break through writing blocks.
Notebook ; create your characters, worlds, objects, places, etc. and save them
Festisite ; Create a fake license, marriage certificate, credit card, ticket and you can find other stuff as well.
The most common last names in the US
Lists of most common surnames
List of most popular given names
List of the least common surnames [last names] in America, rank 16,001-20,000
Fantasy name generator (again)
Random Name Generator (Choose origins, gender, etc.)
Said is dead (Remember that you can use said, don’t use it to less.)
How Much Blood Can The Human Body Lose?
How Long Can Someone Go Without Breathing?
The 6 Types of Collars Every Man Should Know by Name
18 Different Types of Sleeves Design Patterns
What are the most widely practiced religions of the world?
Differences Between a Short Story, Novelette, Novella, & a Novel
Hemingway editor ; It grades your writing by its readability.
Zen writer ; writing without distractions (Might not be free after a while)
33 Ways to Write Stronger Characters
75+ bad habits for your character
30 SCENE IDEAS FOR CHARACTER DEVELOPMENT
10 Things Writers Don’t Know About The Woods
British and American terms
Free writing worksheets
Feel free to add more!
hey everyone who is pro tag games and are happy to be tagged in them, can you guys reblog this im STRUGGLING
When I write one really good line