https://drive.google.com/drive/folders/0BxxMkaKQgUN7cTBsa1pYenBpY2M?usp=sharing
Of all five senses that a human possesses, the gift of eyesight is most important to the artist Brenda Lam. The ability to identify colour, look at miniscule details and read words have been vital to her development in life, all 18 years of it. She understands that without her eyes, she would have taken a vastly different path in life. However, her early years of the previously mentioned activities have rendered her eyes impaired, unable to see more than 23cm from her face and so she requires the use of glasses to help her fulfil her detailed projects and reading assignments.
In her latest work aptly titled ‘Blind Run’, Lam chose to forego her glasses for a week as part of a (personal) social experiment. She went about her daily routines as best as she could without her glasses; walking carefully to classes, squinting at Powerpoints and socialising with blurry people. The work is an hourly photo-documentation of her week of interacting with a familiar yet different environment. Lam further explores the idea of humans and the environment in an abstract sense, reimagining the relationship between herself and the environment around her simply by removing a vital element.
The documentation was taken with Lam’s old smartphone on the hour, but not every hour due to human flaws. She chose to only take one photo on the hour, resulting in some blurry and plain photos, but it only serves to add to the human element of the project. There were some difficulties regarding the documentary, as she was unable to take photos every hour because of situations that required urgent attention involving kitchen knives.
True to the title of the work, Lam had no prior experience with projects that involved herself partaking in an experiment or a project that involved a long period of time. Furthermore, she states that she had ‘decided on a whim to just go for it’. Thus, the end result of the final work means that there was no active research done during her spur of the moment decision to complete the project, but she did draw inspiration from an old class activity that involved the absence of thumbs for an undetermined period of time.
Furthermore, there are parallels with other projects, namely Tehching Hsieh’s ‘One Year Performance (1980-1981)’ in which he documented himself at a time clock and exposed a single frame at each punching. The project Hsieh conducted was more rigorous and strict than Lam’s experiment, as he committed to waking up every hour to take the photo, even in the middle of the night, whereas Lam only took photos during her waking hours. Nevertheless, both projects play with the idea of projects conducted over a period of time that tested the artist’s boundaries.
Interestingly, Lam also explores the idea of limitations of various systems; her eyes, the camera she used for her documentation, her memory and online limitations. Her eyes were limited from a young age and it was only recently that she decided to pay more attention to the absence of sight as a conceptual idea. The photos were uploaded onto the Google Drive, rather than posted online by themselves, due to the limitations of a popular blogging website had errors with uploading multiple large files. Lam also chose to upload the photos raw, resulting in a few blurry photos. More importantly, the camera used for the documentation has mysterious purple-pink streaks that show up occasionally in the photographs.
“The photos act as my memory for the week; they remember what I did every hour. (The stripes) were a bit accidental, but the camera can only do so much as a substitute for my eyes,” she states. “Another thing is memory, because you can never really remember everything perfectly, but you can do your best to try. That’s what this whole project is, now that I think about it. My eyes are trying to see, the camera is trying to take photos and my memory is trying to remember the events when I look back at the photos. None of it is perfect, but we’re trying. I guess that’s what makes this project human in a way.”
Marks K, 2014, The man who didn’t go to bed for a year, The Guardian, <https://www.theguardian.com/artanddesign/australia-culture-blog/2014/apr/30/tehching-hsieh-the-man-who-didnt-go-to-bed-for-a-year>
Ardia M, NYC-based artist Tehching Hsieh: when life becomes a performance, Culture Trip, <http://theculturetrip.com/north-america/usa/new-york/articles/tehching-hsieh-when-life-becomes-a-performance/>