My morning glory doesn’t like the wind chime
SHUT
TVSTRANGERTHINGS
will byers stan first human second
almost home

Discoholic 🪩
ojovivo
Noah Kahan
The Bowery Presents
Cosmic Funnies
No title available
trying on a metaphor
Monterey Bay Aquarium
noise dept.
RMH
Lint Roller? I Barely Know Her

roma★

Kiana Khansmith
No title available

Origami Around
Today's Document
Xuebing Du

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@thecheatinghomunculus
My morning glory doesn’t like the wind chime
SHUT
was at a bar and a 50+ year old drunk white woman complimented me and my friend's outfits, told us there was a campsite up in northern maryland where a lot of gay bears go to have sex in the woods. we asked her how she knew about this and she very aggressively said "because i'm a FAG HAG!!! but i'm not allowed to say that anymore I GUESS!!!"
Jill Valentine in Resident Evil 3 (2020)
POP QUIZ: What is SVT celebrating? a) they won the game and the prize! b) they won this set of foot volleyball! c) jun scored a point! d) two of the above e) all of the above f) none of the above (put your answers in the tags)
your friends love you, your brain is just mean
Dear video essay creators. A video analysis is when you analyze a piece of media. No no look at me. A summary, no matter how thorough, is not an analysis. An analysis requires you to draw conclusions about the media such as authorial intent, real-world parallels, discussion about themes/worldbuilding/character motivation, and so much more. You have to stop summarizing something and saying that’s analysis. The Gaylors are doing more critical analysis than you. Is that who you want to lose to? The gaylors?
they say you can't pour from an empty cup but i've been doing it my whole life and aside from all of these mysterious ailments it's working out great for me
I love rebloging. It’s the adult equivalent of showing everyone the cool rock I just found.
(two deers in) why are there deers here
hey did I ever post the best business card I’ve ever been given by a customer?
a woman wanted me to let her know if I had a particular item in storage, and she went to get a card out of her purse and went ‘oh no. I’m out of my work cards, I’m so sorry about this’ and handed me this:
apparently her husband made them for her as a joke but then she just had like 300 of them so they’re her backups when she runs out of her real business cards.
ten years ago as part of my creative writing degree we had a class on professional development where we learned how the publishing process works for different mediums and how to choose an agent and what the role of a publishing house is and back then, the advice was "self-publishing has its advantages but a traditional publisher will provide editorial support and market your book and if your book sells well enough they want to invest in your future" and now basically none of that is true anymore. books make it to shelves with noticeable errors and structural issues that could be addressed with one or two more rounds of developmental editing, authors are expected to do more and more of the marketing themselves to the point that they are expected to be social media influencers in their own right, and publishers appear to be prioritising flashy debut novels with huge advances they don't outsell, which means the author is less likely to get a follow-up deal.
Obviously a publisher is a business and a business needs to make money, but the idea used to be that you'd have a couple of very successful authors who bring in so much cash that they subsidise the new kid who is building a back catalogue of books that sell okay until they get name recognition and pay for themselves. I was told back then that a couple thousand pounds was very reasonable for a debut novel because you want to get royalties for the sales exceeding your advance and that way the publisher sees you as a profitable investment. The last couple of years I keep hearing about six figure book deals for debut (!) literary fiction (!) novels, what on earth?
I'm not saying that the publishing industry is uniquely awful or that it's worse than it's ever been or whatever, but especially in a time when reading and talking about books is trendy and there is so much money in books, it feels very, I don't know, symbolic? Prioritising flashy one-time projects over sustained and sustainable growth. Investing only enough resources to make your product fit for sale but not enough to make it good because people will buy it anyway. It's frustrating to me as a reader and as an aspiring writer and as a person existing in a capitalist system.
One of the tags referred to people thanking their editorial teams in acknowledgments, and I want to point out the growing prevalence of people thanking beta-readers and writing groups, both of which usually rely on a pre-existing community or relationship and, just as importantly, are unpaid.
My day job is as a freelance editor for nonfiction books, and I can safely say that if the publishing industry were operating as intended, I would either not have a job at all or be working for a specific press. Authors pay me directly to do the work that a press editor used to do as part of publication contracts. This is because so many presses have started outsourcing all their editorial work to either third-party contractors or, even worse, to genAI.
In short, venture capital has broken the publication industry the same way it's broken the retail, restaurant, and travel industries.
I didn't go into this side of it in my original post but YES! Fuck! I know this is a huge issue for translators too because they're being asked to do more work in less time for less money and I've heard rumblings about human translators being brought in only to essentially proofread work done by AI, which is so disrespectful to the sheer skill and artistic abilities of (literary) translation...
Anyway, I love editing. I think I love editing almost more than writing, and I'm pretty sure that I'm better at it. Last year I edited an academic article from 11k to 9k words for my supervisor and I felt like a god when I finished it, but when my supervisor asked if I'd thought about doing this professionally, I had to tell her that there's just not a viable career in editing anymore. Publishers used to employ! editors! Several different kinds of editors for different stages of the process! That used to be my dream job!
Editing is so essential to making a text good. It doesn't matter how talented or dedicated you are as a writer, you cannot achieve the level of quality by yourself that you could achieve by working with a skilled editor. That's normal! The lone genius who comes out of the cave with the perfect novel does not exist! The manuscript that gets sold to a publisher is supposed to be handed off to an editor who tells you to tighten up that plotline and reminds you that every day can't be Tuesday and sharpens your prose so your voice really shines. Skimping out on that part of the publication process takes money out of the hands of skilled professionals, leads to consumers (ew) receiving subpar products (ew!), and is such an injustice to the writers whose work can't reach its full potential (and the writers who won't get published because they can't afford to pay an editor out of pocket!).
It drives me up the wall. I hate reading a mediocre book and knowing that a skilled editor could have easily raised it from 3 stars to 4. We should all be way angrier about it, frankly.
don’t you hate when you feel like you’re forgetting something but you can’t remember what it is because you forgot about it and the absence of what it’s supposed to be is so present in your brain it’s like a popup ad in the corner of your field of vision and you can’t close out of it and you can’t see what it says but you also can’t see past it either. am I making any sense at all
it’s like someone put a sticky note on my forehead as a reminder but the words were written on the other side
flaccid penis... it's chic, it's hip, it's the next big thing
it's the next thing