Jules of Nature
Alisa U Zemlji Chuda
Lint Roller? I Barely Know Her
Today's Document
PUT YOUR BEARD IN MY MOUTH
dirt enthusiast

No title available
One Nice Bug Per Day
DEAR READER
No title available
Claire Keane
2025 on Tumblr: Trends That Defined the Year
occasionally subtle

tannertan36
No title available

roma★
wallacepolsom

JVL

No title available

Origami Around

seen from South Korea

seen from Australia

seen from United States

seen from Malaysia

seen from United States

seen from United States
seen from United Kingdom

seen from Singapore
seen from United Kingdom
seen from Brazil
seen from United Kingdom

seen from United States

seen from Germany

seen from Malaysia

seen from Malaysia
seen from France

seen from Greece
seen from Malaysia

seen from Germany

seen from United States
@theelectronicsguy
The American Beauty composer cries at his songs too
Thomas Newman reflects on his most emotional film score hits.
people can say whatever they want about the Series of Unfortunate Events movie
but literally no one can deny that Thomas Newman’s score is one of the most beautiful creations to grace this universe
October 20, 1955
"I think he's got a very particularly precious gift," John Williams says of Newman. "And he's got a voice of his own. I think I think more of his talent than he does. I keep saying, 'Tommy, you should adapt this to a concert piece.' I think he's richly talented."
"You just poke and stab at it until you find something that works. And then you ask yourself why it works and go from there."
Couldn’t help but treat myself because it wasn’t available on Spotify.
Not to mention, I feel like everyone should have a hard copy of this soundtrack on hand js.
True.
If you love the variety of contemporary Hollywood movies, you may be surprised that the music behind quite a few of those films comes from the same man.
Photo credit: Matt Sayles / Associated Press
i’m usually really bad at recognizing composers, but totally called that it was Newman who is behind the amazing soundtrack of Angels in America. lots of similarities with the music of Finding Nemo though if you ask me.
Same year.
What’s your favorite Thomas Newman score?
American Beauty. As a stand-alone score and also how it works in the movie.
Not sure if I’m more excited that we’re getting two new Pixar films this year, or that we’re getting two new Pixar soundtracks
Yes, The Good Dinosaur.
Thomas Newman Will Score Steven Spielberg’s BRIDGE OF SPIES. Here’s NEW Image! John Williams Will Score Spielberg’s THE BFG
Steven Spielberg’s go-to score composer is usually maestro John Williams who’s returning to score J.J. Abrams’ “Star Wars: The Force Awakens”
Steven Spielberg film titled BRIDGE OF SPIES, to be scored by Thomas Newman
Steven Spielberg film titled BRIDGE OF SPIES, to be scored by Thomas Newman
DreamWorks Pictures’/Fox 2000 Pictures’ upcoming dramatic thriller directed by three-time Academy Award®-winning director Steven Spielberg (“Saving Private Ryan,” “Schindler’s List”) and starring two-time Academy Award winner Tom Hanks (“Forrest Gump,” “Philadelphia”), has been titled “Bridge of Spies.” In addition, 12-time Oscar® nominee Thomas Newman (“The Second Best Exotic Marigold Hotel,”…
View On WordPress
Nooooooooooo.
This is going to happen.
So many feels. So many feels.
John Williams won’t score it.
Sometimes listening to my Thomas Newman playlist is all I need.
Ahhhhhhh. Much better
Talented and beautiful.
11/10/2014 by Paul Muller
35 Whirlpools Below Sound is a new CD by Thomas Newman and Rick Cox recently released on the Cold Blue Music label. The 19 tracks on this release are mostly short – from just over 30 seconds to 7 minutes – but together comprise an hour of electro-acoustic works that are intriguingly experimental and richly varied. These pieces were composed jointly by Thomas Newman and Rick Cox over the many years of their musical partnership.
The first track, A Well Staring at the Sky is typical of this CD in the way it evokes a vivid image of surreal loneliness. There is the brief sound of an accordion playing a vaguely familiar street tune and this gives way to the swooshing sound of strong wind accompanied by a few piano notes and a low bass rumbling underneath. Now there is a rattling sound – perhaps some underground pipes – and brief snatches of a piano passage followed by the sound of a music box. All of this is packed into a little more than three minutes but there is the distinct feeling of having been alone for an afternoon in some wind-blown and abandoned desert town.
Other tracks contain similarly striking imagery, often built from unusual sounds. Slate Overture starts with bubbling and clacking, as if standing before some giant alien chemistry experiment. A repeating passage of light bells is heard overhead as a metallic, alien sound is infused into the mix. The mysterious bubbling returns, louder now, building drama but also inspiring am sense of awe before it fades at the finish. Negative Rhythmincludes the same scratchy bubbling sound and has a similar feel and texture. Negative Rhythm develops into a slow rolling roar, like a distant volcano with ribbons of flowing lava. A recognizably organic sound, but one made from unnatural sonic materials; the result is convincing and intimidating.
Some of the pieces include familiar acoustic instruments that provide the listener a welcome handhold. Paper Thin, for example, is 40 seconds of repeated and layered music box sounds. Stair contains ominous, deep piano notes with warbling, meandering clarinet tones that add to a mysterious, sinister feel. Some wooden knocking is heard, as if something malevolent is stirring about. Other tracks are pure electronics such asCarapace, a piece that contains the boops and beeps of a retro arcade game.Carapace is active and busy, with some brief moments of unintelligible speech and disjointed guitar riffs. There is a nostalgic feel to this, like standing inside an arcade surrounded by people playing video games.
The variety of sounds and emotions in 35 Whirlpools Below Sound is impressive, and not all of them evoke a mystery or menace. Goldmine Nectarine is smooth and welcoming, like sitting in a warm bath. Smith’s Arcade features tones slipping and sliding around, a sense of uncontrolled imbalance as if we are looking at fun house mirrors. Or Pluton Creek, a piece that joyfully contains 50 seconds of melodious playfulness.
35 Whirlpools Below Sound is a skillfully realized work that takes us to places we have only dreamed of, using sounds that work on our imagination in new and exciting ways.
This CD is available now from Cold Blue Music, CB0040.
Personnel:
Dave Collins Mastering
Ry Cooder Quotation Author
Rick Cox Cello, Composer, Images, Prepared Guitar, Primary Artist, Producer, Vocals
Jeff Elmassian Clarinet
Jim Fox Design, Executive Producer
Shinnosuke Miyazawa Engineer, Mixing
Thomas Newman Composer, Piano, Primary Artist, Producer, Toy Accordian, Violin