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JBB: An Artblog!

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Origami Around

if i look back, i am lost
YOU ARE THE REASON
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PUT YOUR BEARD IN MY MOUTH
Not today Justin
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Show the Earth some love for Earth Day 2016!
Fine, Oronce, 1494-1555. Cordiform map of the world. Venice, 1566.
51-2482
Houghton Library, Harvard University
World map made around 1420 by the Italian cartographer Pietro Vesconte.
Antique Map of China, Hainan Region 1820
Gasp! I’m a little bit lost for words {which is rare for me}. This is just so beautiful, and oh so meticulous. This work is from the paper-folding series, Between the Folds, by Chilean born, London based artist Francisca Prieto. These sweet little birds are from pages of “A History of British Birds, 1870”, but now they are catalogued in an entirely new way… a delicate origami, tiny hidden window kind of way! LOVE. And there’s so much more where those little birds came from! Francisca folds just about everything – ornamental designs from 1892, British botanicals, some very very old maps:
Hell according to Dante
Wright’s Celestial Map of the Universe (1742)
Le sphere de monde by Oronce Fine, 1549 b
From coquetry to selfishness, or what the Sea of Wealth has to do with the City of Love.
Peter Turchi book cover
Voyage a la lune
Unknown (Everyman), World Map Drawn in a Fool’s Head, ca. 1590.
This rather sinister image is one of the biggest mysteries in the history of western cartography. Most often referred to simply as the Fool’s Cap Map of the World, it is unknown why, when, where and by whom it was made.
The archetype of the Fool, presented here in his incarnation as the court jester, is a first indicator of the map’s deeper meaning. In previous ages, the Fool was a court figure allowed to mock majesty and to speak truth to power. These were rare and useful correctives to the corrupting absolutism of the monarchies of the day. But criticism of this sort was only possible if it was de-fanged by the grotesque appearance of the Fool - preferably a hunchbacked, slightly loopy-headed dwarf, i.e. someone not to be taken too seriously.
The archetype of the Fool, presented here in his incarnation as the court jester, is a first indicator of the map’s deeper meaning. In previous ages, the Fool was a court figure allowed to mock majesty and to speak truth to power. These were rare and useful correctives to the corrupting absolutism of the monarchies of the day. But criticism of this sort was only possible if it was de-fanged by the grotesque appearance of the Fool - preferably a hunchbacked, slightly loopy-headed dwarf, i.e. someone not to be taken too seriously.
The legend in the left panel reads: “Democritus of Abdera laughed at [the world], Heraclitus of Ephesus wept over it, Epichtonius Cosmopolites portrayed it” . Over the cap is the Latin version of the Greek dictum, “Know thyself". Across the cap’s brow, the inscription translates as “O head, worthy of a dose of hellebore”.
The Latin quote just above the map is from Pliny the Elder: “For in the whole universe the earth is nothing else and this is the substance of our glory, this is its habitation, here it is that we fill positions of power and covet wealth, and throw mankind into an uproar, and launch wars, even civil ones.” The reason for so much trouble and strife is explained in the quote below the map, from Ecclesiastes: “The number of fools is infinite”. Another quote from that most depressing of Bible books, on the jester’s staff to the right, intones: “Vanity of vanities, all is vanity” . Inscribed on the badges adorning the shoulder belt are a few sayings in line with this cheerful message: “Oh, the worries of the world; oh, how much triviality is there in the world” , “Everyone is without sense” , and “All things are vanity: every man living” .
Cellarius, Andreas. Harmonia macrocosmica, 1661.
Typ 632.61.269
Houghton Library, Harvard University
Image taken from page 18 of 'Red Apple and Silver Bells. A book of verse for children ... Illustrated by A. B. Woodward' by The British Library Via Flickr: Image taken from: Title: "Red Apple and Silver Bells. A book of verse for children ... Illustrated by A. B. Woodward" Author: HENDRY, Hamish. Contributor: WOODWARD, Alice B. Shelfmark: "British Library HMNTS 11652.cc.50." Page: 18 Place of Publishing: London Date of Publishing: 1897 Publisher: Blackie & Son Issuance: monographic Identifier: 001649937 Explore: Find this item in the British Library catalogue, 'Explore'. Download the PDF for this book (volume: 0) Image found on book scan 18 (NB not necessarily a page number) Download the OCR-derived text for this volume: (plain text) or (json) Click here to see all the illustrations in this book and click here to browse other illustrations published in books in the same year. Order a higher quality version from here.
Image taken from page 140 of 'The Angel of the Revolution: a tale of the coming Terror. ... With illustrations by F. T. Janes' by The British Library Via Flickr: Image taken from: Title: "The Angel of the Revolution: a tale of the coming Terror. ... With illustrations by F. T. Janes" Author: JONES, George Chetwynd Griffith - afterwards GRIFFITH (George Chetwynd) Contributor: JANE, Frederick Thomas. Shelfmark: "British Library HMNTS 012630.h.1." Page: 140 Place of Publishing: London Date of Publishing: 1893 Publisher: Tower Publishing Co. Issuance: monographic Identifier: 001894767 Explore: Find this item in the British Library catalogue, 'Explore'. Download the PDF for this book (volume: 0) Image found on book scan 140 (NB not necessarily a page number) Download the OCR-derived text for this volume: (plain text) or (json) Click here to see all the illustrations in this book and click here to browse other illustrations published in books in the same year. Order a higher quality version from here.
Image taken from page 392 of 'The Angel of the Revolution: a tale of the coming Terror. ... With illustrations by F. T. Janes' by The British Library Via Flickr: Image taken from: Title: "The Angel of the Revolution: a tale of the coming Terror. ... With illustrations by F. T. Janes" Author: JONES, George Chetwynd Griffith - afterwards GRIFFITH (George Chetwynd) Contributor: JANE, Frederick Thomas. Shelfmark: "British Library HMNTS 012630.h.1." Page: 392 Place of Publishing: London Date of Publishing: 1893 Publisher: Tower Publishing Co. Issuance: monographic Identifier: 001894767 Explore: Find this item in the British Library catalogue, 'Explore'. Download the PDF for this book (volume: 0) Image found on book scan 392 (NB not necessarily a page number) Download the OCR-derived text for this volume: (plain text) or (json) Click here to see all the illustrations in this book and click here to browse other illustrations published in books in the same year. Order a higher quality version from here.
The new astrology
As an extreme example, take the extraordinary success of Evangeline Adams, a turn-of-the-20th-century astrologer whose clients included the president of Prudential Insurance, two presidents of the New York Stock Exchange, the steel magnate Charles M Schwab, and the banker J P Morgan. To understand why titans of finance would consult Adams about the market, it is essential to recall that astrology used to be a technical discipline, requiring reams of astronomical data and mastery of specialised mathematical formulas. ‘An astrologer’ is, in fact, the Oxford English Dictionary’s second definition of ‘mathematician’. For centuries, mapping stars was the job of mathematicians, a job motivated and funded by the widespread belief that star-maps were good guides to earthly affairs. The best astrology required the best astronomy, and the best astronomy was done by mathematicians – exactly the kind of person whose authority might appeal to bankers and financiers.
In fact, when Adams was arrested in 1914 for violating a New York law against astrology, it was mathematics that eventually exonerated her. During the trial, her lawyer Clark L Jordan emphasised mathematics in order to distinguish his client’s practice from superstition, calling astrology ‘a mathematical or exact science’. Adams herself demonstrated this ‘scientific’ method by reading the astrological chart of the judge’s son. The judge was impressed: the plaintiff, he observed, went through a ‘mathematical process to get at her conclusions… I am satisfied that the element of fraud… is absent here.’ ... Astral Science in Early Imperial China, a forthcoming book by the historian Daniel P Morgan, shows that in ancient China, as in the Western world, the most valuable type of mathematics was devoted to the realm of divinity – to the sky, in their case (and to the market, in ours). Just as astrology and mathematics were once synonymous in the West, the Chinese spoke of li, the science of calendrics, which early dictionaries also glossed as ‘calculation’, ‘numbers’ and ‘order’. Li models, like macroeconomic theories, were considered essential to good governance. In the classic Book of Documents, the legendary sage king Yao transfers the throne to his successor with mention of a single duty: ‘Yao said: “Oh thou, Shun! The li numbers of heaven rest in thy person.”’China’s oldest mathematical text invokes astronomy and divine kingship in its very title – The Arithmetical Classic of the Gnomon of the Zhou. The title’s inclusion of ‘Zhou’ recalls the mythic Eden of the Western Zhou dynasty (1045–771 BCE), implying that paradise on Earth can be realised through proper calculation. The book’s introduction to the Pythagorean theorem asserts that ‘the methods used by Yu the Great in governing the world were derived from these numbers’. It was an unquestioned article of faith: the mathematical patterns that govern the stars also govern the world. Faith in a divine, invisible hand, made visible by mathematics. No wonder that a newly discovered text fragment from 200 BCE extolls the virtues of mathematics over the humanities. In it, a student asks his teacher whether he should spend more time learning speech or numbers. His teacher replies: ‘If my good sir cannot fathom both at once, then abandon speech and fathom numbers, [for] numbers can speak, [but] speech cannot number.’ In ancient China it would have been unfair to blame li experts for the pseudoscientific exploitation of their theories. These men had no way to evaluate the scientific merits of assumptions and theories – ‘science’, in a formalised, post-Enlightenment sense, didn’t really exist. But today it is possible to distinguish, albeit roughly, science from pseudoscience, astronomy from astrology. Hypothetical theories, whether those of economists or conspiracists, aren’t inherently pseudoscientific. Conspiracy theories can be diverting – even instructive – flights of fancy. They become pseudoscience only when promoted from fiction to fact without sufficient evidence.