cherry valley forever
Show & Tell
Alisa U Zemlji Chuda

@theartofmadeline
Cosimo Galluzzi

Love Begins
almost home
we're not kids anymore.

PR's Tumblrdome
Stranger Things

★
sheepfilms

No title available

Kaledo Art
DEAR READER
PUT YOUR BEARD IN MY MOUTH
noise dept.
h

Origami Around
KIROKAZE
seen from Pakistan
seen from Mexico

seen from Angola

seen from Bahrain

seen from France
seen from Argentina
seen from Costa Rica

seen from Brazil
seen from Malaysia
seen from Lesotho
seen from Dominican Republic

seen from Spain
seen from Bangladesh
seen from Brazil
seen from Mexico
seen from Bangladesh

seen from Belgium
seen from Mexico

seen from Poland

seen from Bangladesh
@thegoatsongs
genuinely believe that the best and funniest thing you can do in any story is send the characters to literal hell
extreme hardcore beach episode
A Studio of Their Own, 1886 by Elizabeth Pillard (French, ?)
New reaction image for ‘posting something on the internet and having it be wildly misinterpreted’
Im tired of not speaking my truth to stay uncouth. We simply must torture The Character in perverse and cruel ways for my enjoyment and pleasure. Guards begin
In AWE at the sheer big dick energy this royal mistress exuded
theres a different version of you in everyone else’s head and thats fucked up
"what would you do in this situation?"
i would sell airbrushed tshirts of spongebob smoking weed at the oceanfront
this is the funniest tweet i’ve ever seen
Familiars by IrenHorrors
goat spectrum
oakoak, 'Free Rothko', 2024 Source
The best thing about this is how much love for Rothko there is in it. Like... here. Here is a rectangle, and if you stand far away it's just two or three colors a bit streaky, and the closer you get the more it opens up until it swallows you whole with the idea of how vast it is, how much bigger than you. If someone framed the real-life sea and sky and told everybody that's what my artwork was like to them I'd kiss them
Representations of Female Suicide by Drowning in Victorian Culture by Valerie Meessen
[image description]: screenshot of text, some of which is highlighted. it begins, highlighted: In death, the female loses the quality of being Other, and becomes an inanimate object that no longer threatens male order. Her body, once 'a site of superlative alterity,' can now be controlled, composed, and dissected. [end highlight] In this state, the woman can be idealized. These ideas can be placed within the nineteenth century patriarchal cult of invalidism that Dijkstra has described. This cult glorified female suffering, illness, and consequently, their deaths. Women who could be defined as either faint, frail or fading away, were set as icons of virtuous femininity. The 'consumptive' look consequently became an ideal of feminine beauty, which prescribed a pale, almost translucent skin, feverish eyes, and an emaciated body. This sort of idealization went hand in hand with an [highlighting begins again] eroticization of the dead female, the ultimate object of male fantasy. [end highlight, end description].
Soviet postcard, 1955
Wow, maybe there's something to that old stereotype about *everyone* in the USSR playing chess for fun...