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He/They | 17| queer lol | I just post wip notes, story ideas, and headcanons

[sunnydwrites]

Writing Tips Masterlist

Last updated May 28, 2021.

World-Building

4 Tips for Writing Magic

Creating a Culture

Totalitarian Governments

Creating a Distinct World

Creating (Fictional) Medicine

Describing New Settings

Writing a War

Writing a War with Superheroes / Magic / Fantasy

70 Questions for World-Building

Creating Superstitions

49 Questions for Creating a Religion

The Tie Between Characters and World-Building

34 Questions for Creating a Government

36 Questions for Music in World-Building

Creating a New Species

42 Questions for Creating an Education System

An Introduction to Creating Fantasy Races

Characters

Developing Character Appearance

Developing Character Personality

Multilingual Characters

Creating a Wardrobe

How to Name Your Characters

Your Characters vs. Already-Established Characters

Effective Point-of-View Character

Writing an Impactful Death

Writing with Archetypes

Designing Your Characters

Mute Characters

Thinning Your Cast

Not Enough Characters?

84 Questions for Developing Plot and Character Roles

Sexuality without a Relationship

Consistent Personalities

Skills and Knowledge

Creating Conflict

Character Arcs

Sympathetic Characters

Name vs. Pronouns and When to Use Them

Creating Character Voice

Characters Who Are Learning Another Language

Character Fears

Finding Motivations

Creating Character Flaws

Emotionless Characters

Introducing Your Characters

List of Character Aesthetics

Relationships

Dynamic Relationships

Sibling Relationships

Believable Romance

Characters Who Don’t Know How to Relationship

Complementary Character Traits

Writing a Slow-Burn Romance

Characters Who Fall Out of Love

Groups of Characters

Making Compatible Characters

Emotions

Frustration

Grief

Fear

Planning & Plotting

Planning a Series

Writing an Outline

Tips for Writing Subplots

Non-Point-of-View Romantic Subplots

Avoiding Generic Plots

Planning and Pace

Plotting vs. Pantsing

The “Downer” Chapter

Changing Your Story’s Length

How to Start Your Story

Editing & Prose

Writing with Emotion

Controlling Pace with Detail

Steps of the Editing Phase

Descriptions in Context

Imagery

Dialogue

Showing vs. Telling

What is passive voice?

Reworking Moments of Exposition

Adverbs

When to Cut Your Content

Avoiding Cliches in Your Story

The Importance of Vocabulary

Writing Beginning Paragraphs

How to Establish Tone

Making Exposition Natural

Motivation

How to Balance Multiple Projects

How to Fall Back in Love with Your Story

Writing Every Day?

Sticking with Your Story

Getting (Back) Into the Writing Habit

Setting Realistic Goals

Shiny New Idea Syndrome

Positive Writing Mindset

Staying Motivated on Your Projects

Getting in “The Zone”

Keeping Writing Logs

Avoiding Burnout

Breaking Out of Writer’s Block

How to Deal with Not Achieving Your Goals

Scenes

Quick Decisions

Travel Scenes

Breakdown in the Shower

General Writing & Miscellaneous

The Joys of the First Draft

Injuries

Creating Suspense

Writing Poison

Prophecies

A Word to Young Writers

Making a Moodboard

Consuming with the Producer Mindset

For First-Time Writers

Building Your Writing Skill

Advice for Student Writers

How to Do Research

How to Maximize Your Writing Time

How to Make Your Book Look Like a Book

On Experimenting in Writing

When to Use Multiple Points of View

Building Theme

Becoming a Beta Reader

Background Music While Writing

Why Committing to a Project Can Be Stressful

Warm-Ups for Writers

Determining Your Story’s Genre

Why do we get stressed when we don’t write?

Writing Short Stories

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[unboundprompts]

Hello! Could you do a cowboy/wild west terms & phrases?

Thank you!

Cowboy / Wild West Terms and Phrases

-> The Chief Storyteller

-> Cowboyaccountant

A Lick and a Promise - to do haphazardly.

Above Snakes - If you were “above snakes,” you were above ground; still alive.

Acknowledge the Corn - admit the truth, to confess a lie, or acknowledge an obvious personal shortcoming.

An Invite to a Dance - could mean shooting at a man’s feet to make him dance.

Bake - to overheat a horse by riding too fast, long, or hard.

Barkin’ at a Knot - Doing something useless; wasting your time, trying something impossible.

Barn sour - horse that loves his stall; speeds up the pace as he nears the barn on the journey home.

Bedroll - Blankets rolled and carried for sleeping.  Also called sugans, soogans, hot rolls, or dream sacks.

Bee in Your Bonnet -  An idea.

Boondocks, Boonies - far from civilization.

Broom-Tail -  a negative term for an ill-behaved or ugly horse, often a horse that looks or acts like a mustang.

Burn the Breeze - ride at full speed.

Chuckwagon - A wagon used to carry food on a cattle drive, which also serves as a mobile kitchen.

Clipped his Horns -  took him down a notch or two; referring to a fight or a braggart.

Cowboss -  In charge of the cattle operation on a ranch.  They choose where the cowboys will ride and hire and fire cowboys.  Answers to the general manager or ranch owner.

Curly wolf -  real tough guy, dangerous man.

Dilly-dally - loiter or vacillate.

Flannel mouth - overly smooth or fancy talker, especially politicians or salesmen. 

Night-Wrangler -  A cowboy that herds and cares for the saddle horses during the night. 

Pull in your horns -  back off, quit looking for trouble.

Rustler -  A horse or cattle thief.

That Dog Won’t Hunt - That idea or argument isn’t going to work. Or, the person saying it doesn’t believe what you’re saying.

Will Die Standin’ Up -  brave

If you like what I do and want to support me, please consider buying me a coffee! I also offer editing services and other writing advice on my Ko-fi! Become a member to receive exclusive content, early access, and prioritized writing prompt requests.

[writing-chats]

the look of love (for writers)

"it's all in the eyes i was once told"

catching the stare of someone across a crowded room

subtle furrowing of eyebrows beyond a blank facade

coldness easing into warmth

a fond mothering gaze

corner of the lip nudged upward

forced glower/glare as they break underneath

batting their lashes, playful

a boisterous laugh

intrigue piercing the stoic

proud smugness at the other's success

lingering glances

a childish joy bursting through

pupils dilate

eyelids shut in a look of peace, calm and trust

look of longing/betrayal

"there was once a time when they were mine"

terseness

features fold into a scowl

an urgent flinching back

coldness returns (as though the warmth had never come)

lips part then purse

invasion of shock

slow stare at the floor

the ripple effect of a swallow

frustrated breath/sigh

bitter laugh in reminiscence

dread tearing through the seams of their composure

look of hatred

"darkness"

mean smirk- teeth bared grimace- scowl

dismissive gaze

gaze of contempt/impatience

threat lowering the voice

sardonic goading grins verging on manic

rolling one's eyes

flicker of irritation in the eyes

stares stubbornly ahead despite distraction

gritted teeth, clenched jaw

fierce biting remarks

even measured complexions betraying no thought

strangling oneself back from violence

utter apathy

murderous silence hanging in the stare

snobbish laughter

smiling at another's downfall

[literaryvein-reblogs]

Word List: Said

Said—to express in words; state

Alleged - asserted to be true or to exist

Argued - to give reasons for or against something

Articulated - to utter clear and understandable sounds

Asked - to seek information

Asserted - to state or declare positively and often forcefully or aggressively

Babbled - to talk enthusiastically or excessively

Bellowed - to shout in a deep voice

Bragged - to talk boastfully

Commented - to explain or interpret something by comment

Communicated - to convey knowledge of or information about

Complained - to make a formal accusation or charge

Cried - to utter loudly

Declined - to refuse especially courteously

Demanded - to call for something in an authoritative way

Denied - to declare (something) to be untrue

Encouraged - to attempt to persuade

Expressed - to represent in words

Giggled - to utter with a giggle

Growled - to utter angrily

Inquired - to ask about

Mentioned - to make mention of; refer to

Moaned - lament, complain

Nagged - to irritate by constant scolding or urging

Rebuked - to criticize sharply; reprimand

Rebutted - to contradict or oppose by formal legal argument, plea, or countervailing proof

Rejected - to refuse to accept, consider, submit to, take for some purpose, or use

Replied - to respond in words or writing

Retorted - to answer back usually sharply

Roared - to utter or proclaim with a roar

Scolded - to censure usually severely or angrily

Shrieked - to utter a sharp shrill sound

Shrugged - to raise or draw in the shoulders especially to express aloofness, indifference, or uncertainty

Stated - to express the particulars of especially in words; report

Taunted - to reproach or challenge in a mocking or insulting manner

Voiced - to express in words; utter

Vowed - to promise solemnly; swear

Warned - to give admonishing advice to

Whined - to complain with or as if with a whine

Whispered - to speak softly with little or no vibration of the vocal cords especially to avoid being overheard

Yelled - to utter or declare with or as if with a yell; shout

More: Word Lists ⚜ Overusing "Said" ⚜ Writing Resources PDFs

[plotmancer]

Principles and Laws of Magic for Fantasy Writers

Fundamental Laws

1. Law of Conservation of Magic- Magic cannot be created or destroyed, only transformed.

3. Law of Equivalent Exchange- To gain something, an equal value must be given.

5. Law of Magical Exhaustion- Using magic drains the user’s energy or life force.

Interaction and Interference

4. Law of Magical Interference- Magic can interfere with other magical effects.

6. Law of Magical Contamination- Magic can have unintended side effects.

8. Law of Magical Inertia- Magical effects continue until stopped by an equal or greater force.

Resonance and Conditions

7. Law of Magical Resonance- Magic resonates with certain materials, places, or times.

9. Law of Magical Secrecy- Magic must be kept secret from the non-magical world.

11. Law of Magical Hierarchy- Different types of magic have different levels of power and difficulty.

Balance and Consequences

10. Law of Magical Balance- Every positive magical effect has a negative consequence.

12. Law of Magical Limitation- Magic has limits and cannot solve every problem.

14. Law of Magical Rebound- Misused magic can backfire on the user.

Special Conditions

13. Law of Magical Conduits- Certain objects or beings can channel magic more effectively.

15. Law of Magical Cycles- Magic may be stronger or weaker depending on cycles (e.g., lunar phases).

17. Law of Magical Awareness- Some beings are more attuned to magic and can sense its presence.

Ethical and Moral Laws

16. Law of Magical Ethics- Magic should be used responsibly and ethically.

18. Law of Magical Consent- Magic should not be used on others without their consent.

20. Law of Magical Oaths- Magical promises or oaths are binding and have severe consequences if broken.

Advanced and Rare Laws

19. Law of Magical Evolution- Magic can evolve and change over time.

20. Law of Magical Singularities- Unique, one-of-a-kind magical phenomena exist and are unpredictable.

Unique and Imaginative Magical Laws

- Law of Temporal Magic- Magic can manipulate time, but with severe consequences. Altering the past can create paradoxes, and using time magic ages the caster rapidly.

- Law of Emotional Resonance- Magic is amplified or diminished by the caster’s emotions. Strong emotions like love or anger can make spells more powerful but harder to control.

- Law of Elemental Harmony- Magic is tied to natural elements (fire, water, earth, air). Using one element excessively can disrupt the balance and cause natural disasters.

- Law of Dream Magic- Magic can be accessed through dreams. Dreamwalkers can enter others’ dreams, but they risk getting trapped in the dream world.

- Law of Ancestral Magic- Magic is inherited through bloodlines. The strength and type of magic depend on the caster’s ancestry, and ancient family feuds can influence magical abilities.

- Law of Symbiotic Magic- Magic requires a symbiotic relationship with magical creatures. The caster and creature share power, but harming one affects the other.

- Law of Forgotten Magic- Ancient spells and rituals are lost to time. Discovering and using forgotten magic can yield great power but also unknown dangers.

- Law of Magical Echoes- Spells leave behind echoes that can be sensed or traced. Powerful spells create stronger echoes that linger longer.

- Law of Arcane Geometry- Magic follows geometric patterns. Spells must be cast within specific shapes or alignments to work correctly.

- Law of Celestial Magic- Magic is influenced by celestial bodies. Spells are stronger during certain astronomical events like eclipses or planetary alignments.

- Law of Sentient Magic- Magic has a will of its own. It can choose to aid or hinder the caster based on its own mysterious motives.

- Law of Shadow Magic- Magic can manipulate shadows and darkness. Shadowcasters can travel through shadows but are vulnerable to light.

- Law of Sympathetic Magic- Magic works through connections. A spell cast on a representation of a person (like a doll or portrait) affects the actual person.

- Law of Magical Artifacts- Certain objects hold immense magical power. These artifacts can only be used by those deemed worthy or who possess specific traits.

- Law of Arcane Paradoxes- Some spells create paradoxes that defy logic. These paradoxes can have unpredictable and often dangerous outcomes.

- Law of Elemental Fusion- Combining different elemental magics creates new, hybrid spells with unique properties and effects.

- Law of Ethereal Magic- Magic can interact with the spirit world. Ethereal mages can communicate with spirits, but prolonged contact can blur the line between life and death.

- Law of Arcane Symbiosis- Magic can bond with technology, creating magical machines or enchanted devices with extraordinary capabilities.

- Law of Dimensional Magic- Magic can open portals to other dimensions. Dimensional travelers can explore alternate realities but risk getting lost or encountering hostile beings.

- Law of Arcane Sacrifice- Powerful spells require a sacrifice, such as a cherished memory, a personal item, or even a part of the caster’s soul.

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[creativepromptsforwriting]

How to show emotions

Part VI

How to show insecurity

not holding/breaking eye contact

fidgeting

crossing their arms

trying to cover up their body

making themself seem smaller

playing with their hands

hiding their hands in their pockets

holding their head down

blushing

clearing their throat

biting their nails

biting their lips

nervous laughter

stuttering

How to show being offended

stiffening up

hard line around the lips

frozen stare

narrowing of the eyes

turning their head to the side

quickening heartbeat

turning red

making themself bigger, ready to fight

How to show compassion

gentle and soft smile

relaxed facial features

softening of their eyes

openly showing how they feel

leaning towards the other one

nodding along, not directly interjecting, but encouraging

deep breaths inbetween

gentle touches to comfort

How to show being pleased

big smile/grinning

laying head slightly to the side

moving one shoulder up

pursing their lips while smiling

very open body language

leaning back

More: How to write emotions Masterpost

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[writers-potion]

List of Interesting Latin Phrases

A list I made just to satisfy my vain cravings for resonating mottos for a secret society I'm working on. Enjoy!

abi in malam crucem: to the devil with you!

ad astra per ardua: to the star by steep paths

ad augusta per angusta: to honors through difficulties

aegis fortissima virtus: virue is the strongest shield

amor vincit amnia: love conquers all things

animo et fide: by courage and faith

arbitrium est judicium: an award is a judgement

aut mors aut victoria: either death or victory

aut vincere aut mori: either victory or death

bello ac pace paratus: prepared in war and peace

bibamus, moriendum est: let us drink, death is certain (Seneca and Elder)

bonis omnia bona: all things are good to the good

cede nullis: yield to no one

cito maturum, cito putridum: soon ripe, soon rotten

consensus facit legem: consent makes law

data fata secutus: following what is decreed by fate (Virgil)

durum telum necessitas: necessity is a hrad weapson

dux vitae ratio: reason is the guide of life

e fungis nati homines: men born of mushrooms

ego sum, ergo omnia sunt: I am, therefore all things are

pulvis et umbra sumus: we are but dust and shadow

quae amissa salva: things lost are safe

timor mortis morte pejor: the fear of death is worse than death

triumpho morte tam vita: I triumph in death as in life

tu vincula frange: break your chains

vel prece vel pretio: for either love or for money

verbera, sed audi: whip me, but hear me

veritas temporis filia: truth is the daughter of time

vero nihil verius: nothing is truer than the truth

vestigia nulla restrorsum: foosteps do not go backward

victus vincimus: conquered, we conquer (Plautus)

sica inimicis: a gger to his enemies

sic vita humana: thus is human life

─── ･ ｡ﾟ☆: *.☽ .* . ───

💎If you like my blog, buy me a coffee☕ and find me on instagram! Also, join my Tumblr writing community for some more fun.

💎Before you ask, check out my masterpost part 1 and part 2 

Reference: <Latin for the Illiterati: a modern guide to an ancient language> by Jon R. Stone, second edition, 2009

[literaryvein-references]

Writing Notes & References

Alchemy ⚜ Antidote to Anxiety ⚜ Attachment ⚜ Autopsy

Art: Elements ⚜ Principles ⚜ Photographs ⚜ Watercolour

Bruises ⚜ Caffeine ⚜ Color Blindness ⚜ Cruise Ships

Children ⚜ Children's Dialogue ⚜ Childhood Bilingualism

Dangerousness ⚜ Drowning ⚜ Dystopia ⚜ Dystopian World

Culture ⚜ Culture Shock ⚜ Ethnocentrism & Cultural Relativism

Emotions: Anger ⚜ Fear ⚜ Happiness ⚜ Sadness

Emotional Intelligence ⚜ Genius (Giftedness) ⚜ Quirks

Facial Expressions ⚜ Laughter & Humour ⚜ Swearing & Taboo

Fantasy Creatures ⚜ Fantasy World Building

Generations ⚜ Literary & Character Tropes

Fight Scenes ⚜ Kill Adverbs

Food: Cooking Basics ⚜ Herbs & Spices ⚜ Sauces ⚜ Wine-tasting ⚜ Aphrodisiacs ⚜ List of Aphrodisiacs ⚜ Food History ⚜ Cocktails ⚜ Literary & Hollywood Cocktails ⚜ Liqueurs

Genre: Crime ⚜ Horror ⚜ Fantasy ⚜ Speculative Biology

Hate ⚜ Love ⚜ Kinds of Love ⚜ The Physiology of Love

How to Write: Food ⚜ Colours ⚜ Drunkenness

Jargon ⚜ Logical Fallacies ⚜ Memory ⚜ Memoir

Magic: Magic System ⚜ 10 Uncommon ⚜ How to Choose

Moon: Part 1 2 ⚜ Related Words

Mystical Items & Objects ⚜ Talisman ⚜ Relics ⚜ Poison

Pain ⚜ Pain & Violence ⚜ Poison Ivy & Poison Oak

Realistic Injuries ⚜ Rejection ⚜ Structural Issues ⚜ Villains

Symbolism: Colors ⚜ Food ⚜ Numbers ⚜ Storms

Thinking ⚜ Thinking Styles ⚜ Thought Distortions

Terms of Endearment ⚜ Ways of Saying "No" ⚜ Yoga

Compilations: Plot ⚜ Character ⚜ Worldbuilding ⚜ For Poets ⚜ Tips & Advice

all posts are queued. will update this every few weeks/months. send questions or requests here ⚜ Writing Resources PDFs

[writers-potion]

Soft-Feeling Latin Words & Phrases

Another list of Latin phrases, this time with soft/warm meanings. It is 2:39am as I make this list.

a te pro te: from thee for thee

ab imo pectore: from the bottom of the heart

volat hora per orbem: time files through the world

coelum versus: heavenward

concubia nocte: at dead of night

crepusculum: twilight or dusk

crescens luna: a cresent moon

cum corde: with the heart

labores solis: an eclipse of the sun

in horam viviere: to live for the moment

in rerum natura: in the nature of things

in tuto esse: in a safe place

ingens aequor: the vast ocean

inter vivos: among the living

januae mentis: inlets of knowledge

jenuis clausis: in secret, with closed doors

littera scripta manet: the written letter remains

lux mundi: light of the world

lux vitae: light of life

meo voto: by my wish

mox nox: soon night

multis cum lacrimis: with many tears

ningit: it is snowing

occidui temporis umbra: a shadow at sunset

opinio vana: an illusion

osculum pacis: kiss of peace

papilio: butterfly

par pari refero: tit for tat

per vian dolorosam: the way of sorrows

philtrum: a love potion

pluvia: rain

res rustica: a rural affair

ros marinus: rosemary

semel et semper: once and always

silva: wood or forest

sinus urbis: heart of the city

As always, happy writing!

─── ･ ｡ﾟ☆: *.☽ .* . ───

💎If you like my blog, buy me a coffee☕ and find me on instagram! Also, join my Tumblr writing community for some more fun.

💎Before you ask, check out my masterpost part 1 and part 2 

Reference: Latin for the Illiterati: a modern guide to an ancient language by Jon R. Stone, second edition 2009.

[soulwriter-sp]

Things Real People Do in Dialogue (For Your Next Story)

Okay, let’s be real—dialogue can make or break a scene. You want your characters to sound natural, like actual humans talking, not robots reading a script. So, how do you write dialogue that feels real without it turning into a mess of awkward pauses and “ums”? Here’s a little cheat sheet of what real people actually do when they talk (and you can totally steal these for your next story):

1. People Interrupt Each Other All the Time In real conversations, nobody waits for the perfect moment to speak. We interrupt, cut each other off, and finish each other's sentences. Throw in some overlaps or interruptions in your dialogue to make it feel more dynamic and less like a rehearsed play.

2. They Don’t Always Say What They Mean Real people are masters of dodging. They’ll say one thing but mean something totally different (hello, passive-aggressive banter). Or they’ll just avoid the question entirely. Let your characters be vague, sarcastic, or just plain evasive sometimes—it makes their conversations feel more layered.

3. People Trail Off... We don’t always finish our sentences. Sometimes we just... stop talking because we assume the other person gets what we’re trying to say. Use that in your dialogue! Let a sentence trail off into nothing. It adds realism and shows the comfort (or awkwardness) between characters.

4. Repeating Words Is Normal In real life, people repeat words when they’re excited, nervous, or trying to make a point. It’s not a sign of bad writing—it’s how we talk. Let your characters get a little repetitive now and then. It adds a rhythm to their speech that feels more genuine.

5. Fillers Are Your Friends People say "um," "uh," "like," "you know," all the time. Not every character needs to sound polished or poetic. Sprinkle in some filler words where it makes sense, especially if the character is nervous or thinking on their feet.

6. Not Everyone Speaks in Complete Sentences Sometimes, people just throw out fragments instead of complete sentences, especially when emotions are high. Short, choppy dialogue can convey tension or excitement. Instead of saying “I really think we need to talk about this,” try “We need to talk. Now.”

7. Body Language Is Part of the Conversation Real people don’t just communicate with words; they use facial expressions, gestures, and body language. When your characters are talking, think about what they’re doing—are they fidgeting? Smiling? Crossing their arms? Those little actions can add a lot of subtext to the dialogue without needing extra words.

8. Awkward Silences Are Golden People don’t talk non-stop. Sometimes, they stop mid-conversation to think, or because things just got weird. Don’t be afraid to add a beat of awkward silence, a long pause, or a meaningful look between characters. It can say more than words.

9. People Talk Over Themselves When They're Nervous When we’re anxious, we tend to talk too fast, go back to rephrase what we just said, or add unnecessary details. If your character’s nervous, let them ramble a bit or correct themselves. It’s a great way to show their internal state through dialogue.

10. Inside Jokes and Shared History Real people have history. Sometimes they reference something that happened off-page, or they share an inside joke only they get. This makes your dialogue feel lived-in and shows that your characters have a life beyond the scene. Throw in a callback to something earlier, or a joke only two characters understand.

11. No One Explains Everything People leave stuff out. We assume the person we’re talking to knows what we’re talking about, so we skip over background details. Instead of having your character explain everything for the reader’s benefit, let some things go unsaid. It’ll feel more natural—and trust your reader to keep up!

12. Characters Have Different Voices Real people don’t all talk the same way. Your characters shouldn’t either! Pay attention to their unique quirks—does one character use slang? Does another speak more formally? Maybe someone’s always cutting people off while another is super polite. Give them different voices and patterns of speech so their dialogue feels authentic to them.

13. People Change the Subject In real life, conversations don’t always stay on track. People get sidetracked, jump to random topics, or avoid certain subjects altogether. If your characters are uncomfortable or trying to dodge a question, let them awkwardly change the subject or ramble to fill the space.

14. Reactions Aren’t Always Immediate People don’t always respond right away. They pause, they think, they hesitate. Sometimes they don’t know what to say, and that delay can speak volumes. Give your characters a moment to process before they respond—it’ll make the conversation feel more natural.

Important note: Please don’t use all of these tips in one dialogue at once.

[writers-potion]

Hi! I just wanted to ask if you have any world building tips? I'm considering making a whole society and culture about a species that live on a planet in the Andromeda Galaxy.

Now for context, In my story, Earth doesn't know for sure that aliens exist, there are three characters that are going to be focused on in that universe are basically the first scouts that were sent after their society recently discovered Earth. Two on the planet and one stationed in a nearby celestial body which is where their "base" is, Their goal is to gather intel without alerting humans.

In terms of trying to imagine their biology, would it be good to first imagine the environment and climate of their planet and then address how their bodies adapt and deal with it or vice versa?

I'm also a bit worried about making them too humanlike in terms of their way of thinking since I thought they'd likely be very different from us without any chance of one influencing the other before the story.

Could I use certain myths and legends about non-human creatures as inspiration for the race of sentient beings I'm trying to come up with?

This is a lot so thank you so much if you do answer and I'm sorry if I asked too much of you. Have a nice day!

Inspiration for an Alien Species

For non-humanlike alien characters, look into pre-exising creatures and try tweaking them:

Take a historic/extinct animal and change it. 

Take two animals/insects/bacteria and combine their features. Tweak them until you land on something original.

You can start with a human, and add/subtract features. 

Use mythological creatures – they should offer a good source of intelligent nonhumans! Research about the kind of terrain these mythical creatures live. 

You requirements of how intelligent the aliens are, and what their primary activities are will also determine what physiological features you give them. 

Are they intelligent enough to use tools? What kind of machines? If they are to navigate complex machinery you need to give them arm-like appendages like tentacles, etc. 

What do they like doing most? What kind of sports do they play, and what kind of body parts would they need for that?

What do they eat? How do they eat? 

How do they reproduce?

Are they “pleasurable” to the typical human, or are they “disgusting” or “monstrous”?

Here are some features you could work with:

lead claws (for poison)

quil shooting

mantis arms

fire breathing (hydrogen also works as a flamable if you don't wanna use ethylene)

acid sptting (add venom sacks at the nose to squirt the acid) WARNING make sure the creature is immune to the acid, add a mucus to protect it from its acid.

multiple heads

forked tounge

electricution

bioluminesence

geovores (feeds on rocks)

whip tails

infared vision

gas (if you have seen poppy playtime chapter 3 catnap did this, if not than just imagine a creature breathing accept breathing out deadly gases on command)

Camoflouge

beaks

mandibled and/or multiple jaws

Alien First, or Planet First?

The choice between adapting your alien to the environment or adapting the environment to your alien depend on which of those your worldbuilding depends on. 

If your story is about an asteroid slamming into Earth and there happens to be life on it, the environment is more important. 

If the story is about a human girl befriending an alien, the alien is more important. 

Since you mentioned that your aliens are visiting Earth, your aliens (and how they navigate in a spaceship/Earth) seem more central to the storyline – you can think up of the alien you want, then build a planet they would thrive in. 

How to Differentiate Them 

Religion

Human religions provide (1) an origin story for the world and humans and (2) provide meaning to an essentially meaningless human existence. But what if your aliens have the ability to see far into the past and into the future? God as a Creater wouldn’t work in their world. 

Religion as a response to their physiological needs. E.g. An alien species that have to hibernate would value the God of Warmth the most. 

Religion as a response to a hostile envrionment. What elements of nature do your aliens fear the most? Are they agricultural? What’s their main source of energy? 

Language

Human language is mostly dependent on sound and vision. What if your aliens only communicated via touch, taste or smell?

Based on their habits and social organization, come up with a list of alien vocab. 

French musician Jean-François Sudre created an artificial language called “Solresol”. His language has seven syllables to match the heptatonic musical scale. However, a writer could convert the notes into the seven colors of the rainbow and use Solresol as the basis of a color-based alien language.

What body language do they have to express emotions?

History

Come up with a rough timeline of alien world history. Outline major wars, technological developments, major pandemics, artists and politicians. 

Given their history and culture, how would they view humans?

History repeats itself. 

Art

Standards of beauty are dependent on biology. Scientists say that the faces humans find the most attractive are the most likely to be healthy and fertile.

What standards of beauty would your aliens develop?

What sorts of biological advances would they look for in a mate?

What kind of art would aliens develop if they saw heat, rather than light? 

What about aliens who communicated via smell? 

What kind of art would a race of sentient trees create? Could you create art if you were immobile?

─── ･ ｡ﾟ☆: *.☽ .* . ───

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[hayatheauthor]

10 World-Building Aspects You Probably Overlooked

When crafting a fictional world, it's easy to focus on the big picture—epic battles, grand landscapes, and memorable characters. However, it’s also important to flesh out your world-building to create a ‘real’ world. Some aspects to consider when world-building are: 

1. Local Cuisine

Consider the types of food your characters eat and how it reflects their culture, geography, and economy. Unique dishes can reveal societal values and local ingredients.

2. Currency & Trade

Explore the forms of currency used and the trade systems in place. This can include bartering, precious metals, or unique items as currency, influencing economic interactions.

3. Timekeeping Practices

Different cultures may have their own methods for measuring time, whether it's a unique calendar system, seasons, or celestial events, affecting daily life and traditions.

4. Cultural Taboos

Consider the unspoken rules and taboos that govern behavior in your world. These can drive conflict and character motivations, adding depth to societal interactions.

5. Local Flora and Fauna

Unique plants and animals can shape the environment and influence the culture, whether through medicine, food sources, or as part of local mythology.

6. Rituals and Festivals

Incorporate unique rituals or festivals that celebrate historical events, seasonal changes, or important life milestones, providing insight into cultural values and traditions.

7. Language Nuances

Explore dialects, slang, or even the use of sign language that reflects the culture and social dynamics, enriching dialogue and interactions between characters.

8. Architecture and Housing Styles

The design and materials of buildings can reflect climate, resources, and cultural values. Unique architectural features can tell a story about the society that built them.

9. Social Hierarchies and Classes

Examine how social structures affect character relationships and interactions. Class distinctions can influence everything from daily life to political power.

10. Environmental Impact

Consider how the natural environment shapes societal behaviours, resource usage, and conflicts. Climate and geography can drive migration patterns and societal development.

Looking For More Writing Tips And Tricks? 

Looking for writing tips and tricks to better your manuscript? Check out the rest of Quillology with Haya; a blog dedicated to writing and publishing tips for authors!

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[imbecominggayer]

How To Scare Your Readers

tw: mentions of murder and other horror media, its not specific or gorey but I just wanted to mention it

Today is one my hardest asks as it is a highly individual process to freaking out your audience with @differentnighttale asking: "How do you write horror, and how do you write it good nail biting and very unsettling type of horror."

Specifically, we are focusing on supernatural horror and dark fantasy. Due to the fact that there are numerous ways of scaring an audience, I'm going to focus on more diverse and interesting ways to freak out the readers. There are obvious tricks like "focus on the tactile senses" and stuff like that but let's cover something not as cliche!

Again, there are many ways to instill horror.

One: Combine Beauty And The Macabre

While this is a common trick seen in visual horror such as the works of Junji Ito or Midsommar, it's also an important and useful element in other beloved horror media.

This can be useful for a myriad of reasons.

The ability to combine the fantastical beauty of the scenery with death or the lovingly detailed imagery of a victimized body might be just the thing to elevate the scenery and visuals.

It also works to surprise your readers. If you are reading horror, you expect the murder and terror to appear in dark hospitals and obviously disgusting places. But what if the horror was in a cherry blossom field? In the church? In the character's childhood bedroom during the sunset?

It follows the perversion of the familiar. Most people internalize certain environments are seperated from society which might assist you if you are going for that specific type of horror. BUT! If you have horror in the supermarket, in the coziest little cottage, in the beauty.

TWO: Focus On A Specific Brand Of Horror

This is especially important for horror that is based off of pop culture spooks such as ghosts, ghouls, witches, zombies, and werewolfs.

Doing some research into why these monsters have survived in the public mind and what exactly is frightening abou them can influence your settings, characters, and horror.

There is horror about isolation.

There is horror about losing yourself.

There is horror about the female body.

There is horror about puberty.

There is horror about gender dysphoria.

There is horror about everything.

Decide what is the core fear you are proding at.

THREE: Be Ambiguous

Readers are comforted by linear stories with a beginning, clearly laid out morality, and a clear cut ending which provides either a happy ending or a sad ending.

Messing up any one of these things can lead to your story haunting the minds of your audience for a long time.

Midsommar is constantly debated about over if the ending is happy or sad.

Joker(2019), a thriller but not a horror, is infamous for it's amazing usage of hallucination and delusion to tell a non-linear story with a confusing ending.

Leaving the ending, villain, characters, or plot ambiguous and not clearly detailed might elevate your horror :)

FOUR: Use Your Own Fears

When you write about what scares you, that natural fear tends to radiate into your writing more naturally :)

This fear can be a lot of things from the specific phobia of bugs to the fear of being mistreated by a loved one.

Conclusion:

I hope I gave you some interesting advice that you haven't heard before @differentnighttale

p.s: at what point does something become "Mature"? I did mention "murder" throughout my post somewhat frequently but I never went into specific detail so I can't tell if it's "Mature" or not?

If it is mature and I mislabeled it then I can edit it to be "Mature"

[maelancoli]

Writing Intimacy

i often see writers sharing a sentiment of struggling with writing kiss scenes which honestly bleeds into other portrayals of physical intimacy. i see it a lot in modernized styles of writing popularized by the recent trend in publishing to encourage short, choppy sentences and few adverbs, even less descriptive language. this makes intimacy come across awkward, like someone writing a script or clumsy recounting of events rather than a beautiful paragraph of human connection.

or just plane horniness. but hey, horny doesn't have to be mutually exclusive with poetic or sensual.

shallow example: they kissed desperately, tongues swirling and she moaned. it made her feel warm inside.

in depth example: she reached for the other woman slowly and with a small measure of uncertainty. the moment her fingers brushed the sharp, soft jaw of her companion, eliza's hesitance slid away. the first kiss was gentle when she finally closed the distance between them. she pressed her lips lightly to gabriella's in silent exploration. a tender question. gabriella answered by meeting her kiss with a firmer one of her own. eliza felt the woman's fingers curling into her umber hair, fingernails scraping along her scalp. everything inside eliza relaxed and the nervousness uncoiled from her gut. a warm buzz of energy sunk through her flesh down to the very core of her soul. this was right. this was always where she needed to be.

the first complaint i see regards discomfort in writing a kiss, feeling like one is intruding on the characters. the only way to get around this is to practice. anything that makes you uncomfortable in writing is something you should explore. writing is at its best when we are pushing the envelope of our own comfort zones. if it feels cringy, if it feels too intimate, too weird, too intrusive, good. do it anyway! try different styles, practice it, think about which parts of it make you balk the most and then explore that, dissect it and dive into getting comfortable with the portrayal of human connection.

of course the biggest part comes to not knowing what to say other than "they kissed" or, of course, the tried and true "their lips crashed and their tongues battled for dominance" 😐. so this is my best advice: think beyond the mouth. okay, we know their mouths are mashing. but what are their hands doing? are they touching one another's hair? are they scratching or gripping desperately at one another? are they gliding their hands along each other's body or are they wrapping their arms tightly to hold each other close? do they sigh? do they groan? do they relax? do they tense? are they comfortable with each other or giddy and uncertain? is it a relief, or is it bringing more questions? is it building tension or finally breaking it?

get descriptive with the emotions. how is it making the main character/pov holder feel? how are they carrying those emotions in their body? how do they feel the desire in their body? desire is not just felt below the belt. it's in the gut, it's in the chest, it's in the flushing of cheeks, the chills beneath the skin, the goosebumps over the surface of the flesh. everyone has different pleasure zones. a kiss might not always lead desire for overtly sexual touches. a kiss might lead to the desire for an embrace. a kiss might lead to the impulse to bite or lick at other areas. a kiss could awaken desire to be caressed or caress the neck, the shoulder, the back, the arms etc. describe that desire, show those impulses of pleasure and affection.

of course there is the tactile. what does the love interest taste like? what do they smell like? how do they kiss? rough and greedy? slow and sensual? explorative and hesitant? expertly or clumsily? how does it feel to be kissed by them? how does it feel to kiss them?

i.e. examine who these individuals are, what their motives and feelings are within that moment, who they are together, what it looks like when these two individuals come together. a kiss is not about the mouth. it's about opening the door to vulnerability and desire in one's entire body and soul.

[leisureflame]

WORLD BUILDING CHECKLIST

If you are writing a book/story that takes place in another world, I have provided for you the complete world building checklist to ensure that you know your world inside out.

Economy A. Currency B. Poverty rate/line

Government A. Crime & Legal System B. Foreign Relations C. Politics D. War

The Land A. Physical & Historical Features B. Climate C. Geography D. Natural Resources E. Population

Society & Culture A. Arts, Entertainment, & Recreation B. Architecture C. Calendar D. Daily Life. E. Diet F. Ethics & Values G. fashion & Dress H. History I. Dining Customs J. Education K. Language L. Gestures M. Manners N. Meeting & Greeting O. Religion & Philosophy P. Social organization

Magic A. Magicians B. Magic and science C. Magic & Technology D. Rules of Magic

Technology C. Technology D. Medicine D. Transportation & Communication you're welcome <3

Fell free to reblog and fill it out if you want. I am curious to see the worlds in my fellow writers heads.

Follow me @leisureflame for more posts like this!

[unboundprompts]

hi! i wanted to ask how could i write a scene of a band performing and make it flow smoothly? Reactions to it and inner dialogue of the leader singer while performing?

I hope that makes sense!

Thank you :)

How to Write a Band Performance

Set the Atmosphere with Sound and Sensory Details

Use sensory language to capture the energy of the music, the movement on stage, and the audience’s reaction. Think about the sounds of instruments, the lights, the thrum of bass vibrating through the floor, or how the crowd looks.

Example: The drums kicked in, a thunderous heartbeat that pulsed through the packed venue. Strings followed, filling the air with an electric charge, and the lights dimmed just enough for the crowd to lean in, hungry for the next note.

Anchor the Lead Singer’s Focus

The lead singer might catch moments in the crowd, like a fan mouthing every lyric, someone laughing, or even seeing familiar faces in the sea of people. These little connections add a human touch and make the performance feel alive.

Example: He spotted a girl in the front row, eyes closed, every word leaving her lips like a prayer. She knew each lyric by heart, maybe better than he did. That look kept him grounded—kept him singing.

Use Inner Dialogue to Show Nerves, Confidence, or Distraction

Let the lead singer’s mind wander a bit, but keep it tethered to the music. They might think of something unrelated that they suppress to stay focused, or maybe they reflect on what this song means to them, especially if it’s deeply personal or symbolic.

Example: Here we go. Breathe. Just like rehearsal. But it was never just like rehearsal. Each word brought him back to the night he wrote it—a night he barely survived. He shook off the thought. No. Tonight, it’s just for them.

Describe Body Movements and How They Connect to Emotion

Physical sensations can be as telling as dialogue. The lead singer might feel the warmth of the spotlight, the stickiness of sweat on their skin, or the way their voice feels strong, raw, or strained.

Example: He gripped the mic stand, fingers tight, and leaned forward. His voice cracked on a high note, but he let it, gave it to the crowd raw. They wanted his truth, his realness. That was all he had to give.

Show the Crowd’s Reaction

Describe reactions like a wave, where energy ebbs and flows. The crowd might sway during slower parts, roar during the chorus, or go silent in the song’s more intimate moments. This back-and-forth dance adds rhythm to the scene.

Example: As the first chorus hit, the crowd became a sea of outstretched hands, fingers clawing for a piece of the music. A roar rose, then softened as they sang with him, their voices tangling with his own, something fragile and fierce all at once.

Balance Between Action and Inner Thoughts

To keep the scene flowing, alternate between what the singer does (interacting with the mic, moving on stage) and what they think. Too much inner dialogue could slow down the scene, so give action and reaction space to keep the reader engaged.

Example: He took a step back, holding the last note, letting it resonate through the space. He stole a glance at his bandmates. They were lost in the music too, faces set, eyes closed. It felt like the old days—a secret between them, shared with everyone.

End with a Climactic Moment or a Release of Tension

End the scene with a dramatic finish, like a powerful note, a burst of applause, or even silence if it’s an emotional song. The lead singer could feel relieved, drained, or exhilarated by the end.

Example: As the last chord faded, a brief silence hung over the crowd—a pause, a heartbeat—before it shattered with applause. He closed his eyes, letting it wash over him, knowing that for now, the song was enough.

[voxofthevoid]

Wow, now there's a bot going around on Ao3 telling people that the "moderators" will delete works from "deprecated" fandoms and impose bans.

Fearmongering bullshit, but it's fearmongering bullshit that seems to be taking advantage of the recent spotlight series in order to trick authors into deleting their fics.

Just. Why.

What the hell does anyone get out of making these bots.

[xemylixa]

There's a theory already that this makes it easier for copyright infringers to steal fanfics because you can't prove the authorship of a deleted work.

This is pure evil

Spread the word

p.s. The comments look something like this:

p.p.s. There's no "new" policy that bans original works, either. Everything that was allowed, is still allowed. This is a "please read our TOS ffs" awareness campaign - not a surprise rugpull. Don't delete anything, please. It's an archive.