- A Psalm for the Wild-Built, Becky Chambers // kagonekoshiro

oozey mess
Cosmic Funnies

if i look back, i am lost
Jules of Nature
NASA

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YOU ARE THE REASON
let's talk about Bridgerton tea, my ask is open
almost home

roma★
sheepfilms
Lint Roller? I Barely Know Her
Claire Keane
noise dept.
occasionally subtle
Alisa U Zemlji Chuda
DEAR READER

Origami Around

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@thekween
- A Psalm for the Wild-Built, Becky Chambers // kagonekoshiro
there’s an episode of 1960s doctor who where dr who’s friend gets turned into a faceless cardboard cutout and he has to recreate his face from cut up photos but he fucks it up and the guy is played by a different actor for the rest of the episode
you have to admire the writer who, upon learning that the original actor wasn’t available for that episode’s filming, decided to forgo the usual practice of “uhhh the character gets thrown in prison for an episode or gets kidnapped or falls sick or something” and instead went that extra mile into fucked-up territory and probably traumatized some 1960s british youths
Smush
(via)
You are a villain famous for “killing” heroes. In reality, heroes come to you to fake their deaths.
Sometimes they try to pay you.
You are posted out by the Hollywood sign tonight, sitting under the frame where the W used to be. It got burnt to a crisp during last week’s big superhero fight. A hero died right where you’re sitting. The whole area’s been closed down until Hero Force can coordinate a recovery effort. Usually it’d be done by now but no one’s willing to touch it until the ash has been completely blown away.
It’s a rule that the world must stand still when a hero dies.
“How much?”
The voice comes from behind you. The lights that illuminate the Hollywood sign are down to hide as much of the scorch marks as possible. You wouldn’t be able to see anything even if you did turn around, so you don’t.
You put some chapstick on, the glide of the balm against your wind chapped lips grounding.
“I said,” the Hero says, voice tightening, “How. Much.”
There’s the sound of gravel crunching now. They’re wearing heavy boots and the scent of fresh blood grows stronger the closer they get. Their breathing is smooth and even which means it’s not their blood.
You put the cap back on your chapstick and tuck it into your leather jacket’s inner pocket. “I don’t take money.”
“Then what do you take?” The Hero rounds the Y and comes into your line of sight. The dark hides most of their features, but you can make out a glittering gold mask and the dull shine of drying blood on their chest plate. Their breathing may be even, but their stance isn’t. They sway in place, back and forth, back and forth. Their arms wrap around their stomach. “I’ve got land. A house. You can have it.”
Keep reading
— Anyway, happy New Year. — And you.
DOCTOR WHO (2005—) — “The End of Time, Part. 2”
I respect the moon's unwillingness to be photographed on a phone
Illustration by Mark Maddox (from DWM: An Unearthly Beginning article)
The illustration shows a moment from Anthony Coburn’s third draft of An Unearthly Child in which this happens:
“Showing great strength and agility, Dr. Who swings the schoolmaster off balance with a judo throw!”
Let’s all think for a moment that this could have happened. The Doctor throwing Ian into the air! Love it!
You know, given how The Doctor wipes the floor with an assassin in The Romans and a young Xeron in The Space Museum, I think The Doctor could have judo thrown Ian if he wanted to, he just ended up having a modicum of restraint for once.
Snow can make the simplest things beautiful
Source
DOCTOR WHO (2005—) 4.11 “Turn Left”
Arte 😍
she served like no one else could
she stole a leaf that a leafcutter ant was carrying and ate it
Why is this so funny
JENNA COLEMAN as Clara Oswald in Doctor Who.