What you get in fairs is that some work is designed just to induce fast emotions, what we in Holland call “noble kitsch”.
Wilfried Lentz
https://www.conceptualfinearts.com/cfa/2017/12/14/wilfried-lentz-interview-art-market/
Lint Roller? I Barely Know Her
todays bird

ellievsbear

★
sheepfilms

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Not today Justin
Sade Olutola

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Xuebing Du

@theartofmadeline
KIROKAZE
NASA
Misplaced Lens Cap

⁂
tumblr dot com
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let's talk about Bridgerton tea, my ask is open

titsay
Keni

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@thelextalionis
What you get in fairs is that some work is designed just to induce fast emotions, what we in Holland call “noble kitsch”.
Wilfried Lentz
https://www.conceptualfinearts.com/cfa/2017/12/14/wilfried-lentz-interview-art-market/
One of the things I understood from early on was that art was a symbol of systemic inequity.
Judy Chicago
https://www.interviewmagazine.com/art/feminist-art-icon-judy-chicago-isnt-done-fighting
When some ideas are taken too far from their context, they become meaningless.
Howard Amos
https://www.calvertjournal.com/articles/show/9246/pussy-riot-saatchi-gallery-nadya-tolokonnikova-masha-alyokhina
It is particularly fitting that The Connaught should have invited one of Britain’s most significant living artists to create its Christmas tree.
THE CONNAUGHT
https://www.the-connaught.co.uk/christmas/christmas-tree/
Being marginalised in any way doesn’t necessarily make you progressive.
Jake Hall
http://www.dazeddigital.com/life-culture/article/37775/1/why-are-gay-men-calling-themselves-androphiles
Yet if artists can leverage the institution's tendency to confuse symbolic and actual political action, this same ambivalence can also serve the interests of the institution. For instance, the semblance of self-criticism and a move toward cultural inclusivity can have direct economic benefits for the museum.
Gregory Sholette
https://www.yumpu.com/en/document/view/19071519/fidelity-betrayal-autonomy-gregory-sholette
The art world abounds with political generalisations and euphemisms that allow us to perform a kind of radicality without ever challenging the structures we function within.
Andrea Fraser
http://de.phaidon.com/agenda/art/articles/2012/march/27/how-the-art-market-became-a-luxury-goods-business/
First we have to build in gold, after that silver, titanium, stainless steel, copper… these materials won't end up in the garbage, but poor materials will.
Édouard François
https://www.dezeen.com/2017/09/15/edouard-francois-we-have-to-build-gold-silver-titanium-copper-maison-objet-paris-mini-living/
Dominated by print and impossible to curate, books – so many beautiful books – were piled and stacked and laid out everywhere, melting together to become a indistinct mass of visual noise.
Hannah Ellis
https://www.creativereview.co.uk/much-show-degree-shows/
This is a fine curatorial strategy to avoid standing for anything, refusing any claim or argument: a meaningless pair of tautologies akin to Ludwig Wittgenstein’s famous phrase 'It is either raining or it is not raining.'
Jeni Fulton
http://www.sleek-mag.com/2017/07/03/documenta-14-kassel/
Art tourists, including the Documenta curators, come to live in their disaster zone for a while, smell the Exarcheia smells and hear its sounds, before catching their free Aegean Airways flights to Kassel to do their proper business.
Yanis Varoufakis
https://conversations.e-flux.com/t/we-come-bearing-gifts-iliana-fokianaki-and-yanis-varoufakis-on-documenta-14-athens/6666
Liberté, égalité, Jean-Paul Gaultier
Catherine Baba
https://www.youtube.com/watch?v=HYp0WP7uZnA
Another Biennale with a seemingly random selection of artists veiled in specious rhetoric. A classic combo.
John McDonald
http://www.smh.com.au/entertainment/art-and-design/venice-biennale-review-mediocrity-suspended-between-poles-of-earnestness-and-silliness-20170515-gw4yih.html
What is your impression of me, by the way?
Marina Abramovic
https://www.theguardian.com/artanddesign/2016/oct/22/marina-abramovic-artist-face-jealousy-simon-hattenstone
Emily Ratajkowski explains her Met Gala gown.
Vogue
http://video.vogue.com/watch/emily-ratajkowski-met-gala-getting-ready
Posthuman artist and body-dramatist Xavier Cha is hosting a conceptual performance as part of the Lyon Biennale on October 19th and 20th.
DIS Magazine
http://dismagazine.com/dystopia/52667/xavier-cha-disembodied-selfie/
Sometimes I take a helicopter to travel to my farm, but I don’t live a luxurious lifestyle.
Jeff Koons
https://news.artnet.com/exhibitions/damien-hirst-money-art-500810