
Origami Around
Color Me Curious

if i look back, i am lost
sheepfilms

❣ Chile in a Photography ❣
untitled
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hello vonnie
NASA
Cookie Run:Kingdom Official!

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Jar Jar Binks Fan Club
$LAYYYTER
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todays bird
Aqua Utopia|海の底で記憶を紡ぐ
The Stonewall Inn
Cosimo Galluzzi
One Nice Bug Per Day
TMBGareOK. The Official They Might Be Giants tumblr
seen from Colombia
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@kaveh-therapist
There are a couple of things about current shipping culture that confuse me.
1. The focus on whether or not a pairing will become canon as a reason people should ship something or not. Do you not understand what the “transformative” part of “transformative works” means?”
2. This idea that saying “I ship that” means “I think that, as presented in canon,this is a perfect, healthy relationship that everyone should model their relationship after.”
Sometimes shipping something does mean that. Sometimes shipping something means “Person A is a trash bag who doesn’t deserve person B but I would love to explore how Person A might grow to deserve Person B.” Sometimes it means “I want these characters to live together forever in a conflict free domestic AU.” Sometimes it means “I want Person A to forever pine after Person B. Nothing is beautiful and everything hurts.” And sometimes it just means you like their faces and want to see Person A and Person B bone in various configurations and universes.
Listen to your parents, kids.
This really should be one of a handful of Public Service Announcements randomly and chronically inserted into one’s dash.
Hell man sometimes it means “these two are TERRIBLE and I want to watch them burn like a catastrophic forest fire as a proxy for all the shit I don’t actually want in real life (like to light my own apartment on fire and scream) and then laugh at the destruction at the end.”
All “I ship it” really means – really – is “I think there’s a story in those two, and I want to hear it.”
All “I ship it” really means – really – is “I think there’s a story in those two, and I want to hear it.”
can't stop thinking about rota fortunae
AAAHHHH
NO
FUCK
I need unadulterated loathing ratiorine as much as I need soft ratiorine. I need the "you look disgusting" "that's not what your eyes are saying", I need the seething glares and withering looks, I need the "damned gambler"s, I need the tugging of collars—the space between them practically nonexistent, I need the "I hate you's" that infact mean the complete opposite, I need their thoughts to plagued of nothing but one another, I need the insanity, the "why is it you? Out of all the people in the world why you?", I need the obsession that comes with it, "I hate you so much that every part of my mind has mapped out every contour of your face", "give me my thoughts back, I can't stand seeing your face in my dreams anymore", I need the horrible earth shattering realization, the "No. No no no. No no. It can't be you, I won't allow it. Is this some cruel trick of faith?", the endless denial that leaves hearts thrumming with excitement, "I can't love you, no. It can't. I hate you. Loathe you. The mere thought of you fills me with nothing but disgust", "just disgust? Nothing else?" ".... nothing else", I need the lies, the trying to convince oneself that you are not drowning helplessly in your own feelings, that the hand trying to save you doesn't belong to the person you hate the most. But you don't hate them. You don't. No that can't be. "And that smile of theirs isn't at all any form of salvation for me" (ratiorine probably idk)
Every time fandom turns a beautiful pathetic service top into an aggressive daddy dom type a random person on earth dies
*whispers* Alhaitham
Never EVER get us started. We can tell you’re only being polite and you haven’t blinked in two minutes but we can’t stop the rant. It’s our instinct, our call and our mission.
If anyone has cute wholesome Aventio doodle ideas, I’m genuinely up for drawing some of them. Like my brain is not working, but I want to draw them so bad. (I need more art practice too!)
I hc Vennie as secretly really good at sewing (picked it up from his big sis to patch up their clothes) and he likes to make things for the ones he loves.
So one day, Ratio comes back home and finds all three cat cakes wearing little outfits (choice up to you op)
🎯 Conservatives see subjugation as default.
The world's oldest story? Astronomers say global myths about 'seven sisters' stars may reach back 100,000 years https://phys.org/news/2020-12-world-oldest-story-astronomers-global.html
In the northern sky in December is a beautiful cluster of stars known as the Pleiades, or the "seven sisters." Look carefully and you will p
Holy shit, this is cool!
So many cultures call the Pleiades some variation of the "seven sisters" despite only having six visible stars. There only appear to be six because two of the stars are so close together as to appear as one.
The myths also mention one sister leaving or hiding to explain why there's only six. And based off observations and measurements, those two that are so close together used to be visibly separate. One literally has moved to hide.
And based off the similarities between the more commonly known Greek myth and the Aboriginal Australian myth, plus some other stuff, this myth could possibly even date back to when humanity still all resided in Africa!
And now I will have Blackmore’s Night playing “Fires at Midnight” in my head for several hours.
That is a long time to remember some stars.
Since we keep getting "live action" CGI remakes of already perfectly adequate animated movies, and because people need to understand that animation is a medium and not a genre, I have prepared this primer about the importance of Visual Language for Conveying Information.
Can you tell what the personalities of these two mice are?
Can you tell now?
Which of these two tigers feels safer to be around?
Which of these three dogs is the funniest one?
If you can answer these questions, then you already have experience with the idea of visual language and stylistic choices being used to impart narrative meaning. If you can understand why these choices were made to impart meaning, then you can understand why animation is a medium for telling stories that has its own inherent value, and is not merely a "placeholder" for the eventual implementation of photorealistic presentation (aka "Live Action" CGI). Animation does not need to be "corrected" or "legitimized" by remaking it into the most representational simulation of observable reality.
This is why I love 2D animation and will forever.
bro i LOVE indigenous fusion music i love it when indigenous people take traditional practices and language and apply them in new cool ways i love the slow decay and decolonisation of the modern music industry
I WILL !!! I WILL DO THAT
some of my favourite indigenous artists, in no particular order:
Inuit artists:
the jerry cans (esp their album Inuusiq)
beatrice deer
twin flames
Māori artists:
jordyn with a why
Indigenous australian artists:
tilly tjala thomas (i particularly love ngai yurlku nhiina)
kardajala kirridarra (srlsly check out ngajabu (Grandmother's Song))
i've also heard good things abt Baker Boy, but i haven't checked out his stuff yet
Another one for Inuit artists is Piqsiq! Two sisters who’ve been doing traditional throat singing since they were kids. They make some really gorgeous, eerie, atmospheric stuff. Highly recommend watching this video of them performing live a cappella using a looping machine, because they might be the coolest people on the planet actually
(Jo March nearly in tears voice) women,,,,
For anyone into North Asian and Central Asian folk music, there's this incredible Siberian folk-pop band called Otyken! The group is mostly women and they're from multiple indigenous groups in Siberia, with songs being sung in their range of different languages. They're so much fun and their music videos are amazing!
i'll go ahead and recommend The Halluci Nation (formerly known as A Tribe Called Red), an EDM group from First Nations Ontario that do really cool fusions of First Nations music with dubstep, moombahton, and hip hop.
I really really really appreciate people who share videos on posts like these, because almost without a doubt every time I love the music but I’ve never got the spoons to click on links and look through a bunch of music or worse google the artist I always end up too overwhelmed to start and I hate that
This is how the golden age of piracy ended.
The first mermaid to get tattoos :)
“we didn’t know any better,” the crewman says, and swallows, presenting the chest to the captain. “what do we do now?”
“kill it,” the captain says, but the ice is melting in his eyes.
“we can’t,” the first mate says desperately, praying she won’t have to fight her captain on this. “we can’t. we - i won’t. we won’t.”
“i know.”
x
“daddy,” she says, floating in a tub of seawater in the hold, “daddy, la-la, la-la-la.”
her voice rings like bells. her accent is strange; her mouth isn’t made for human words. it mesmerises even the hardiest amongst them and she wasn’t even trying. the crew has taken to diving for shellfish near the shorelines for her; she loves them, splitting the shells apart with strength seen in no human toddler, slurping down the slimy molluscs inside and laughing, all plump brown cheeks and needle-sharp teeth. she sometimes splashes them for fun with her smooth, rubbery brown tail. even when they get soaked they laugh. they love her.
“daddy,” she calls again, and he can hear the worry in her voice. the storm rocking the ship is harsh and uncaring, and if they go down, she would be the only survivor.
“don’t worry,” he says, and goes over, sitting next to the tub. the first mate, leaning against the wall, pretends not to notice as he quietly begins to sing.
x
“father,” she says, one day, as she leans on the edge of the dock and the captain sits next to her, “why am I here?”
“your mother abandoned you,” he says, as he always has. “we found you adrift, and couldn’t bear to leave you there.”
she picks at the salt-soaked boards, uncertain. her hair is pulled back in a fluffy black puff, the white linen holding it slipping almost over one of her dark eyes. one of her first tattoos, a many-limbed kraken, curls over her right shoulder and down her arm, delicate tendrils wrapped around her calloused fingertips. “alright,” she says.
x
“why am I really here?” she asks the first mate, watching the sun set over the water in streaks of liquid metal that pooled in the troughs of the waves and glittered on the seafoam.
“we didn’t know any better,” the first mate says, staring into the water. “we didn’t know- we didn’t know anything. we didn’t understand why she fought so viciously to guard her treasure. we could not know she protected something a thousand times more precious than the purest gold.”
she wants to be furious, but she can’t. she already knew the answer, from reading the guilt in her father’s eyes and the empty space in her own history. and she can’t hate her family.
“it’s alright,” she says. “i do have a family, anyways. i don’t think i would have liked my other life near as much.”
x
her kraken grows, spreading its tendrils over her torso and arms. she grows too, too large to come on board the ship without being hauled up in a boat from the water. she sings when the storms come and swims before the ship to guide it to safety. she fights off more than one beast of the seas, and gathers a set of scars across her back that she bears with pride. “i don’t mind,” she says, when the captain fusses over her, “now i match all of you.”
the first time their ship is threatened, really threatened, is by another fleet. a friend turned enemy of the first mate. “we shouldn’t fight him,” she says, peering through the spyglass.
“why not?” the mermaid asks.
“he’ll win,” the first mate says.
the mermaid tips her head sideways. Her eyes, dark as the deep waters, gleam in the noon light. “are you sure?” she asks.
x
the enemy fleet surrenders after the flagship is sunk in the night, the anchor ripped off the ship and the planks torn off the hull. the surviving crew, wild-eyed and delirious, whimper and say a sea serpent came from the water and attacked them, say it was longer than the boat and crushed it in its coils. the first mate hears this and has to hide her laughter. the captain apologizes to his daughter for doubting her.
“don’t worry,” she says, with a bright laugh, “it was fun.”
x
the second time, they are pushed by a storm into a royal fleet. they can’t possibly fight them, and they don’t have the time to escape.
“let me up,” the mermaid urges, surfacing starboard and shouting to the crew. “bring me up, quickly, quickly.”
they lower the boat and she piles her sinous form into it, and uses her claws to help the crew pull her up. once on the deck she flops out of the boat and makes her way over to the bow. the crew tries to help but she’s so heavy they can barely lift parts of her.
she crawls up out in front of the rail and wraps her long webbed tail around the prow. the figurehead has served them well so far but they need more right now. she wraps herself around the figurehead and raises her body up into the wind takes a breath of the stinging salt air and sings.
the storm carries her voice on its front to the royal navy. they are enchanted, so stunned by her song that they drop the rigging ropes and let the tillers drift. the pirates sail through the center of the fleet, trailing the storm behind them, and by the time the fleet has managed to regain its senses they are buried in wind and rain and the pirates are gone.
x
she declines guns. instead she carries a harpoon and its launcher, and uses them to board enemy ships, hauling her massive form out of the water to coil on the deck and dispatch enemies with ruthless efficiency. her family is feared across all the sea.
x
“you know we are dying,” the captain says, looking down at her.
she floats next to the ship, so massive she could hold it in her arms. her eyes are wise.
“i know,” she says, “i can feel it coming.”
the first mate stands next to the captain. she never had a lover or a child, and neither did he, but to the mermaid they are her parents. she will always love her daughter. the tattoos are graven in dark swirls across the mermaid’s deep brown skin and the flesh of her tail, even spiraling onto the spiked webbing on her spine and face. her hair is still tied back, this time with a sail that could not be patched one last time.
“we love you,” the first mate says simply, looking down. her own tightly coiled black hair falls in to her face; she shakes the locs out of the way and smiles through her tears. the captain pretends he isnt crying either.
“i love you too,” the mermaid says, and reached up to pull the ship down just a bit, just to hold them one last time.
“guard the ship,” the captain says. “you always have but you know they’re lost without you.”
“without you,” the mermaid corrects, with a shrug that makes waves. “what will we do?”
“i don’t know,” the captain says. “but you’ll help them, won’t you?”
“of course i will,” she scoffs, rolling her eyes. “i will always protect my family.”
x
the captain and the first mate are gone. the ship has a new captain, young and fearless - of the things she can afford to disregard. she fears and loves the ocean, as all captains do. she does not fear the royal fleet. and she does not fear the mermaid.
“you know, i heard stories about you when i was a little girl,” she says, trailing her fingers in the water next to the dock.
the mermaid stares at her with one eye the size of a dinner table. “is that so?” she hums, smirking with teeth sharper than the swords of the entire navy.
“they said you could sink an entire fleet and that you had skin tougher than dragon scales,” the new captain says, grinning right back at the monster who could eat her without a moment’s hesitation. “i always thought they were telling tall tales.”
“and now?”
“they were right,” the new captain says. “how did they ever befriend you?”
the mermaid smiles, fully this time, her dark eyes gleaming under the white linen sail. “they didn’t know any better.”
She protects her family.
Hi everybody! Guess what’s being posted on AO3 now at the following link!
https://archiveofourown.org/works/22498384/chapters/53760817
That’s right! Here you go. I’ll be uploading it in some chunks, because I want to make sure I have everything I wanted edited cleanly finished, but follow the story there!
HEY GUYS GUESS WHATS BACK ON THE DASHBOARD AND BETTER THAN EVER
I love this
Holy fuck
Oh wow, this was beautiful. Not sure about the twerking skeleton but it did save me from a story-induced ugly cry so it can stay I guess
So I read the story @dragonsateyourtoast wrote and fell in love with it. I’ve been practicing bookbinding lately and made myself a physical copy of Calliope’s Tale. It’s 172 pages total :) I’m stuck on what to do for a cover since I don’t have anything big enough to use, but for now I think it’s lovely without one. I will definitely wear this out reading it over and over again.
Pro tips from original antifa.
Reblogging for reasons
Wowsers. Is everything cool?
idk what their duo is called, but I adore them Aventurine's VA: @/camdensutkowski Acheron's VA: @/SimplyAllegra
The people must know, Aventurine: Is it small or big?
“Quite a private question, isn’t that..? But very well.”
*He gives the stranger a little smirk.* “None of the above.”
Crooked, average, non-existent, humongous, minuscule…
please read this oh my god
A miss is as good as a Mr. These are amazing.
No news is fucking impossible
There are none as blind as Stevie Wonder
Wow, calm down dude
This explains a lot about my lack of asking for help when I clearly need it
Don't forget the fact that asking for help carries the risk of someone expressing mild disappointment in your inabilities, which will cause you to shut down for 5 to 7 working days.
Also see: learning from a very young age that there's no point in asking for help because you should be able to do it on your own
And feeling like you’ll be inconveniencing people who you’re very ready to help anytime and who are just as ready to help in return