Dream investigation in beautiful paperpack- 'TheNeverPages' by Graham Thomas, cover design by Abam Sibley. Check out more information at www.theneverpress.com
No title available
RMH
Three Goblin Art
Lint Roller? I Barely Know Her

★
PUT YOUR BEARD IN MY MOUTH
2025 on Tumblr: Trends That Defined the Year
Stranger Things
trying on a metaphor
occasionally subtle

ellievsbear

titsay
$LAYYYTER
Peter Solarz
Sade Olutola

if i look back, i am lost
No title available
TVSTRANGERTHINGS
Not today Justin
Keni
seen from United States

seen from Malaysia

seen from United States

seen from Canada
seen from United States

seen from Singapore
seen from T1

seen from Malaysia

seen from Canada

seen from Canada

seen from Belarus

seen from Brazil
seen from United States
seen from Uruguay

seen from United States
seen from United States
seen from United States
seen from United States
seen from United States

seen from United States
@thelondonneverpress
Dream investigation in beautiful paperpack- 'TheNeverPages' by Graham Thomas, cover design by Abam Sibley. Check out more information at www.theneverpress.com
Five years work.
The Roxy Compendium Book Tw - ‘The Other Woman’
Synopsis
The year is 1789Abigail Hardwoode is content – the London Social Scene offers everything a seventeen-year-old girl could want. She has little concern for other people’s problems, least of all those in France where great civil unrest threatens to erupt into bloody revolution… but while the oppressed masses rise up, a new insidious organisation emerges and it seems that Abigail’s parents are incriminated.
Only British secret agent Hilary Weaver believes the Hardwoodes to be innocent. Suddenly Abigail is pulled from her peaceful existence and thrust into the chaos of Revolutionary France on a mission with Hilary to clear the family name…
The Other Woman is book two in the Roxy Compendium series.
About ‘The Other Woman’
‘The Other Woman’ is a huge adventure story spanning the first year of the Revolution. From the Chateaux d’If in Marseille, to Paris, across the channel to London and back again to the madness of those dangerous days, ‘The Other Woman’ puts to the test a host of characters embroiled in a dark mystery while all around them falls into chaos.
About The Roxy Compendium
An epic saga charting the lives, loves and adventures of The Roxy Playhouse Irregulars – those libertine artists and dreamers who dwell within the Roxy Playhouse, a dilapidated theatre in Regency London. They will travel the world, they will see such wonderful sights, they will partake in grand adventures and we will go with them, every step of the way.
This saga is planned to run to fourteen novels split into two phases of seven. Though the books all interlink and take place in the same universe, some of stories are stand-alone spin off adventures and some of them are part of a huge on-going story.
As Stephen King says of his Dark Tower saga, The Roxy Compendium is my Jupiter – a planet that dwarfs all others.
Check out this book and many others we have lovingly crafted for you over at TheNeverPress
Episode 1 of our serialisation of 'TheNeverPages',
We’re creating a video/audiobook hybrid of the debut novel by Graham Thomas. We’ll chuck links up here, hopefully weekly until the whole thing is up, for free.
Master G_’s dearly departed Lucy is lost within TheNeverRealm: The transitory wasteland between here and the ever-after where memory does not exist. He knows because he has dreamt it. He must track her down and save her, but TheNeverRealm is already infiltrating his psyche and turning his memories into sand. If Master G_ is to rescue Lucy, he must not only overcome his mental disintegration, but also survive the chaos that awaits him in Pripyat: The city that anchors every reality in the Multiverse.
‘TheNeverPages’ is the journal of a Dream Investigator, a magical-realist science fantasy adventure charting Master G_’s journey between here and the afterlife. It takes place during the exact moment of death, when we step from this world into the next and when our memories, past hopes and sins coalesce and are presented back to us. It is a book about our perception of space, time and reality but above all else, ‘TheNeverPages’ is about the lengths we will go to for love.
Check out more about this book, and others here:http://theneverpress.com/
Jon Snow practices the D.E.N.N.I.S. system.
The evolution of the cover for Hats off to Brandenburg part 1 in the Roxy Compendium Series.
This cover was created by our great friend and frequent collaborator Leighton Johns
Some stills from an upcoming animation from us. Something cool, something dream like...something that will need investigating.
When you’re standing at the crossroads That you cannot comprehend Just remember that death is not the end And all your dreams have vanished And you don’t know what’s up the bend Just remember that death is not the end
Bob Dylan
Organising some archive sketches ready for a new project. Exciting times!
We went record shopping at Amoeba Music in Hollywood, and they asked us, what’s in our bag…?!
Hopefully catching her live at the Forum, Kentish Town in November!
Some early tests for an animation we’re putting together to accompany our audio serialisation of TheNeverPages.
Read and listen to the first eleven episodes here! http://theneverpress.com/theneverpages-serialisation/
I traveled among unknown men, in lands beyond the sea. Nor England did I know till then, what love I bore to thee.
‘TheNeverPages’ - Series 1, Episode 4
The fourth episode in our weekly serialisation of ‘TheNeverPages’, a journal of a Dream Investigator in search of his lost love.
A new chapter here, on our site and on soundcloud, every week for free until the journey is complete.
Carriage One.
Far end of the train. My carriage is five ahead.
Door – normal, no window. Handle – ivory, carved in the shape of a hand holding a door handle. No varnish. Just old bone. Looks brittle. Number on the carriage has fallen off. Unvarnished outline of ‘1’ remains. Going in to investigate. If I don’t come back then Lucy, the dream was true. I’m sorry. Brekker if you read this, follow the clues, and maybe you will have more success. Get to Lucy! Save her!
******
Back in the corridor. There was nothing to fear! How silly a thing is dread when you live through it and can look back at its illusion.
Inside the carriage there was a man sleeping on the bench. I did not wake him, but I don’t think even the hounds of hell could have disturbed his slumber. The only thing loud enough to have possibly woken him was the deafening sounds of his snoring and his guts digesting food. The snoring and the gurgling were a comical orchestra. I laughed loudly without cupping my mouth. He didn’t stir. He was huge. His tweed jacket had empty pockets. I didn’t feel bad rifling through his possessions as I am a Dream Investigator, and it is necessary.
Pockets carried nothing but lint. Left breast pocket was filled with sand. His name was sewn into his collar. Mr H_. His belly rose and sank with laboured breathing. I got in close to his face. He had eaten meat and drank wine. The wine residue had created a clown-like smile. Glutton. He had soggy bits of meat clinging to his cheeks and beard. Filth. I prised open his eyelids. Green irises. He didn’t wake. I had no fear that he might. I felt like a doctor, or a surgeon. This was work. No fear. Brekker, you would have been proud. Mr H_ had blocked ears. Wax enough to make candles. I shouted in his ear. No response. I wanted to move him off the bench and onto the floor but he was too heavy. Found his diary in his pocket. I sat opposite to read it. Nothing really to note. Had few entries. No real clues. Most entries were the same:
Live
Breathe
Don’t die.
That one phrase reappeared randomly throughout. It stuck in my mind, and I know I will forget soon enough, so I write again.
Live
Breathe
Don’t die.
Nonsense of course. Gibberish. He is no writer. Or at least, he has no investigation. I doubt he was even dreaming in that slumber of his. Fat-gutted Whale-Man. Why is he here? Why is he alone? I do not know yet whether I should add him to my list of investigations pending. Brekker, you once taught me three basic rules to use when casually investigating somebody’s agenda. I write them down now, before they become a dune in mind.
The Brekker Rules of General Life Musings on People and Animals.
What is their secret? Invent if you have to. It will always be close to the truth.
Who were their parents and would they like what they saw if they could see what you see now?
If the subject were using the Brekker Rules on you what would the subject see?
Conclusions:
His secret is that he embezzled. I can tell this because of his chewed fingernails. Right down to the quick. He cheated people out of money and was worried that he would get caught so he took what he could and fled. Probably from Holstenwall. Yes, upon closer inspection of his ‘crow’s feet’, you can tell he fled from Holstenwall. He has the ‘banker’s squint’ from counting money and he has ink on his fingers from forging, and there are none more bankers and embezzlers than in Holstenwall. Plus, the meat on his face is quite fresh, so he must have dined there before getting on the train.
His parents were slim, quiet folk who didn’t have much and bent over backwards to help their son, Mr H_. He is greedy. They are not proud, but not disgusted. They are just sad. Haven’t decided if they are dead yet.
If he were looking at me, using the Brekker Rules, he would gauge my secret to be that I am a coward and a scab-picker. He would see that my parents loved me dearly, but that it was not enough to keep them together. He wouldn’t feel sorry for me. He would think that, if I were using the rules on him, I would understand his flight.
******
Slipped his pointless diary back into his trouser pocket. His watch has stopped at ten-to-ten. I wasn’t surprised to find this out and didn’t see the point in noting it, but I did out of discipline. Stamped my feet around and knocked on every panel to gauge the sounds. No loose panelling. No loose floorboards. No hidden compartments. Window was dusty. He has written on it ‘Live, Breathe, Don’t Die’ with a chubby finger. View outside is same as from my carriage. Plains. Plateau of copper red dust and sand. No trees. It is daytime, but there is no sun.
His breathing is a lullaby. Up the gut goes. Gurgle. Down the gut goes. Gurgle. Quite hypnotic. Resting opposite him. Notice a carving on the back of the bench. It is of a carousel on fire. Round, fat people are fleeing. Symbol underneath people is rhombus with an ‘X’ in the middle. Looks unnerving. Don’t want to look at it. Going to count to 1000. Need sleep. Gurgling gut of Whale Man is too hypnotic.
******
Woke up and Mr H_ was on his back. Was reminded of missing the mysterious sweeping up of the sand in the waiting room. Keep missing vital actions whilst asleep. Didn’t dream, no surprise. Left man on his front. Carriage two next.
Episode five of ‘TheNeverPages’ will arrive soon...
One cannot write all day...
‘TheNeverPages’ - Series 1, Episode 3
The third episode in our weekly serialisation of ‘TheNeverPages’, a journal of a Dream Investigator in search of his lost love.
A new chapter here, on our site and on soundcloud, every week for free until the journey is complete.
I’m going to explore the train.
Though I have not seen a soul since we boarded except her, I’m certain that we are not the only people aboard. I can hear someone coming. The woman? I will report back after.
******
It was the ticket master. He only had three fingers. Dead eyes. He took my ticket, reached into his pocket and gave me some green bread. He smiled. No teeth. His uniform was dazzling. Brilliant pressed, white shirt. Mine is yellowy orange around the collar and cuffs from sweat. His navy blue waistcoat was ironed and the creases sharp. It fitted him well. I was shaking when he took my ticket, terrified of his dead eyes. I haven’t eaten the bread yet. I noticed his name badge said ‘Mr W_.’ He didn’t have a shadow. Probably left it behind at the station. There is a weevil in the bread. I am too hungry to care.
The bread was repulsive. I was sick out of the carriage window. The dust outside congealed the vomit so it became a mass of unset concrete the instant it fell out of my mouth. I felt better afterwards. I couldn’t see if the extrusion plastered the side of the train. It was lost in the dust storm.
Detail to note – Mr W_ didn’t take my ticket. I only thought he did because it is such a normal exchange of gestures. But I did give him something. But what? Thought it was the gazebo photograph, but it wasn’t. That was in the back of the diary. Odd as I usually keep it on the front. Could someone be reading this? Or moving my things around? Must keep diary closer. Haven’t discovered what Mr W_ took from me, only that he gave me bread and I ate it. That dead eyed expression, I have seen it before. I shall write down now as I remember it and before it becomes just another sand dune in the growing desert of my mind.
Memory of Dead Eyed Expression.
The white paint on the handlebar of the tricycle was flaking. I remember picking at it with my middle finger. I am seven years old. I like the slight pain as the flakes stab under my nail. The trike is mine, although my sister will claim it was always hers. She is buried without it now, and she never mentioned it after the age of thirteen, but before that it was always her tricycle. I call it Silver Shadow. The metal handlebar is black and red from rust. It resembles a sickly bone exposed by the flaking paint. The trike is on its side upon the grass. I am sitting by it. My sister has dressed me like a doll. I don’t mind. I never did. I just sit on the grass picking away at paint. I pick at everything. At scabs. Turning over rocks and pebbles to pick at the soil. I used to cut myself with glass and nails so that it would scab over and I could unpick it. I shake this habit when I meet Lucy as it repulses her. Nobody ever minded but her. At aged seven, on that morning by the trike, I have no scabs to pick and so I pick at the paint. The red dust is in the sky. It wasn’t like that in ‘reality’, but that is how I now remember it. Red dust everywhere. I grow bored of the flaking white paint and look around. I see my sister by the pond. She looks happy and sad at the same time. Happy in her summer dress. It is white like the trike and has ivy sewn on the hems. It is her favourite dress. She is nine. I walk up to her and push her into the pond. She screams and splashes. I am laughing. Then I see a fish, it is staring up at me. Dead eyes. Expressionless eyes. Within those eyes I judge myself and my actions. The fish does not move. I do not move. My sister is gurgling and struggling. The fish swims away. I am helping my sister out of the pond. She has wild eyes, manic and livid. She chases me round the garden. She throws the trike at me. It strikes my head and I fall down onto the edge of a paving stone. When I come back around my family are all standing over me. They are all worried. My sister has a dead eyed expression. Behind her, I can now count fourteen cyclones of dust eating the horizon.
******
Mr W_ had the same expression when he handed me the green bread. I hadn’t thought once about the near-drowning of my sister since the day it happened. The concussion had wiped it from my mind. Only now do I recall it. The fish, the trike, the ivy on the dress. The eyes. Mr W_ knows something, perhaps everything. I must investigate him. I shall keep a running list of investigations.
The woman with the ‘Tumour Baby’ – where is the child? Why the nosebleeds? Why the ear-bleeds? Why the change of dress? When did she get on the train? At Holstenwall?
Mr W_ – how is he alive? What of the tramp? A twin? How can he make me remember what I have forgotten?
Who, if anyone, moved the photo of the gazebo from the front to the back of the diary?
The number 278.
The eye and ferris wheel symbols. Why in my carriage? Are they in others?
Main goals:
Find Brekker.
Decipher The Dream.
Find Lucy.
Sleep in under a 50 count.
I will now go and investigate the train. I will make a note of every carriage. I hope to find:
Travellers to talk to.
Some answers.
I go.
Episode four of TheNeverPages will arrive soon...
Great inspiration for our upcoming crime thriller 'That Aznavour Melody'. Sharp suits, sleek dresses and a fleet of sweet whips.
We publish kick ass books and we take pictures. We travel a bit, we eat hearty food and drink fancy drinks. We go our own way because can.
Just so you know, you can also follow TheNeverPress on Instagram if you like. Our Tumblr is slightly more skewed to our publications and design work (but with a detours here and there!) Our Instagram will probably be more day to day stuff. Who knows what will happen. We’ll try not to duplicate too much content, and to always keep it fun and fresh unless the hangover is kicking us in the guts. Over and out.