Monterey Bay Aquarium
Claire Keane
One Nice Bug Per Day
祝日 / Permanent Vacation
Aqua Utopia｜海の底で記憶を紡ぐ
let's talk about Bridgerton tea, my ask is open
AnasAbdin
we're not kids anymore.
taylor price
titsay
DEAR READER
todays bird
⁂
Cosmic Funnies
cherry valley forever
Origami Around
Product Placement
#extradirty
tumblr dot com
wallacepolsom
seen from United States
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@thepapermanbook
Last Lines Tote Bag Survey
We’re making our first tote, and we want you to help us decide what to put on it!
Below we have the last lines of four of our books. Choose your favorite, and cast your vote here! The winner will be announced on Monday, January 30.
Vote for totes! Unnamed Press is making their first book tote bag. Whichever line you choose, this bag is going to be awesome!
“I only look this way because there was a storm, and I can’t really be out in the rain,” he said to her. “I used to not need a mask.”
“Is there really that much difference?”
Art by David Henry Nobody Jr.
”Even though Michael had his own room, there were some nights he stayed with Doppelmann. There were days Doppelmann only worked on his paintings and sketches, but then he would turn to Michael, who became his only focus. The sheets rustled like newspaper and Michael’s skin felt he was a part of everything in the room.” -- The Paper Man
Photo of Jean Cocteau by Berenice Abbott
“Actually,” he said, “I’m trying to get out of here. But I don’t have any identification papers.”
“Why would you want to leave?”
“I’m not wanted here.”
“You’re not wanted anywhere.”
Art by Sebastian Bieniek.
From Hans Richter’s Dreams that Money Can Buy.
Irving Penn photograph.
LA Weekly selects The Paper Man as one of the Best Books of 2015 by LA authors!
http://www.laweekly.com/arts/the-best-books-of-2015-by-la-authors-6335004
In this video, Tanya Aguiñiga is covered in wool and becomes an art object.
“And now he really was an object, a thing, stuck in time, with no change and no say in how he would be perceived.” from The Paper Man
George Segal, 1963-67, “Sunbathers on Rooftop”
“He glanced at his new hands, his new arms inside his sleeves. Unlike his previous body, thin and undeveloped as an adolescent, his arms seemed larger and his fingers thicker. He touched his face and found the contours different.” from The Paper Man
Johnny Payne compares and discusses all four of our Spring 2015 titles for Cleaver Magazine: ‘Escape From Baghdad!’ by Saad Z Hossain, 'The Fine Art of Fucking Up’ by Cate Dicharry, 'The Paper Man’ by Gallagher Lawson, and 'Remember the Scorpion’ by Isaac Goldemberg.
Read more here.
Gallagher Lawson and J Ryan Stradal will both be reading from their debut novels at Warwick’s this Tuesday, so we made a video with a seagull.
Gallagher Lawson interviews himself about his writing process for The Nervous Breakdown Self-Interview.
Read more here…
Manuel Neri’s Seated Girl II.
“The painting showed that he was not the only one stuck in time. She had the same expression from when they were in high school and harassed by other students. The anxiety of the painting disturbed him. He could help; he would make her better than this.”
from The Paper Man
“She pulled more of his paper skin off, shredding the sides of his arms and fronts of his legs. A pile of paper shavings surrounded him, like leaves from the apple orchard trees he would jump into as a kid.”
from The Paper Man
“The inspectors ignored him, but he still tried his best to stop shaking and stand his ground, to make himself an imposing silhouette against the window.”
from The Paper Man
