backrooms (2026) - kane parsons
hello vonnie

gracie abrams
YOU ARE THE REASON
Stranger Things
Lint Roller? I Barely Know Her

Origami Around

oozey mess
RMH

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@theartofmadeline
Xuebing Du

shark vs the universe

pixel skylines
let's talk about Bridgerton tea, my ask is open
Cosimo Galluzzi
Aqua Utopia|海の底で記憶を紡ぐ
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bliss lane
NASA

PR's Tumblrdome

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@therushingriver
backrooms (2026) - kane parsons
Truncated text of tweet from MrPitBull, Mar 11, 2026:
She kept finding women in laboratory photographs from the 1800s. Then she read the published papers—and every single woman had vanished. Someone had erased them from history.
Yale University, 1969.
Margaret Rossiter was a graduate student studying the history of science. She was one of very few women in her program.
Every Friday afternoon, students and faculty gathered for beers and informal conversation. One week, Margaret asked a simple question: "Were there ever any women scientists?"
The faculty answered firmly: No.
Someone mentioned Marie Curie. The group dismissed it—her husband Pierre really deserved the credit.
Margaret didn't argue. But she also didn't believe them.
So she started looking.
She found a reference book called "American Men of Science"—essentially a Who's Who of scientific achievement. Despite the title, she was shocked to discover it contained entries about women. Botanists trained at Wellesley. Geologists from Vermont.
There were names. There were credentials. There were careers.
The professors had been wrong.
But Margaret's discovery was just the beginning. Because as she dug deeper into archives across the country, she found something far more disturbing.
Photograph after photograph showed women standing at laboratory benches, working with equipment, listed on research teams.
But when she read the published papers, the award citations, the official histories—those same women had disappeared. Their names were missing. Their contributions erased.
It wasn't random. It was systematic.
Women who designed experiments watched male colleagues publish results without giving them credit. Women whose discoveries were assigned to supervisors. Women listed in acknowledgments instead of as authors. Women passed over for awards that went to male collaborators who contributed far less.
Margaret realized she was witnessing a pattern that stretched across centuries.
Women had always been present in science. The record had simply pushed them aside.
She needed a name for what she was documenting.
In the early 1990s, she found it in the work of Matilda Joslyn Gage—a 19th-century suffragist who had written about this exact phenomenon in 1870.
In 1993, Margaret published a paper formally naming it: The Matilda Effect.
The term captured something that had been hidden in plain sight for generations. Once you knew the term, you saw it everywhere.
Her dissertation became a lifelong mission.
For more than 30 years, Margaret researched and wrote her landmark three-volume series: Women Scientists in America. She examined letters, institutional policies, individual careers. She gathered undeniable evidence that women in science had been consistently under-credited and structurally excluded.
Her work faced resistance. Many dismissed women's history as political rather than academic. Others insisted she was exaggerating.
Margaret didn't argue emotionally. She presented data. Documented cases. Patterns repeated across decades and institutions.
Eventually, the evidence became undeniable.
Her research helped restore recognition to scientists who had been erased:
Rosalind Franklin, whose X-ray work revealed DNA's structure—credit went to Watson and Crick.
Lise Meitner, who explained nuclear fission—omitted from the Nobel Prize.
Nettie Stevens, who discovered sex chromosomes—received little credit.
Cecilia Payne-Gaposchkin, who discovered stars are made of hydrogen—initially dismissed.
And countless others whose names had nearly vanished.
Margaret changed the narrative. Science was no longer just the story of solitary male geniuses. It became a story of collaboration that included women who had been written out.
The Matilda Effect became standard terminology. Scholars used it to examine how credit is assigned, how authors are listed, who receives awards, who gets left out.
my mvp of the episode 💖💖
Star Wars in Ojibwe/Anishinaabemowin!
The bubble is nigh.
I'd try one now, if it comes in pink.
This is the best ever "it gets better" reason I can think of. If no other reason appeals to you, do it for the robotic dinosaur tail.
My balance is really bad rn, can has?
"Getting into this hobby is actually super cheap and easy!!!! First, start with a section of land and a house that you own and can mess up at your discretion"
The original inspiration for this is that I've looked up a lot of basic woodworking stuff multiple times to try and make better and better tortoise enclosures, and ended up in this trap every time lmao
"It's much cheaper to just buy this size of wood and take it to your table saw" WHAT FUCKING TABLE SAW
the secret is that people who have a garage with a table saw are constantly looking for reasons to justify that use of space and money. so if you find somebody with a table saw and ask if you can use it, you're actually doing them a huge favor by justifying the saw continuing to take up space. "of course I need a table saw. what if somebody needs to upgrade a turtle enclosue."
#1. go to local gay bar 2. find group of 50-60 yr olds. 3. ask if anyone has a table saw 4. watch eyes light up
With this four step plan you get a place to practice woodworking with optional sex with some older men
For anyone wanting it, they can cut your material for you at most Home Depots if you need it
But can I have sex with older men there
I am never leaving this site
PRINCESS MONONOKE (1997) dir. Hayao Miyazaki
The Black Rabbits
rain | source
Common carder bee/Bombus pascuorum/åkerhumla. Värmland, Sweden (22 April 2019).
In an ancient forest, shallow pools reflect not the trees above, but a luminous city of elsewhere.
Advice I gave someone today was: 'do it stupid.'
She wants to learn photography. Do it stupid. Take a million photos. Don't think about why they're not good. Enjoy the process of taking photos.
Pick out tge ones you like the most and figure out why you like them. Is it because the subject is centered? Is it because you caught them doing something cool? Is it because the light made cool shadows?
Do it stupid. If you try to do it smart, youll get stuck. If you think too much you'll never get to doing. Do it stupid.
Holy shit
This is honestly how I started quilting! I had fabric, I had a knowledge of backstitch, I had a quilting magazine. I asked "how hard can it be?" and now here we are. Just have fun and give it a go!
Astronomy vignettes. Learning about our world. 1932.