Only day you can rb this
This post is like a fucking rosetta stone I've had the same theme song tagged in at least 6 languages so far
art blog(derogatory)

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blake kathryn
Sade Olutola
let's talk about Bridgerton tea, my ask is open
we're not kids anymore.

izzy's playlists!

Janaina Medeiros
DEAR READER

Origami Around
taylor price

tannertan36
Acquired Stardust
Misplaced Lens Cap
AnasAbdin

@theartofmadeline
Stranger Things
Sweet Seals For You, Always
NASA
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@thesalsaguy216
Only day you can rb this
This post is like a fucking rosetta stone I've had the same theme song tagged in at least 6 languages so far
Happy Pride Month to those two women dancing together in the foreground of the boat scene in Godzilla (1954).
I’m sorry your romantic foibles were overshadowed by a big ass atomic lizard thing.
out of the tags with you
Your colleague just announced they have professional pride. You now have twice the workload.
Somewhere on this website, someone is composing their resignation letter over being asked to use a text generation tool. In the tags — where Tumblr people do their actual thinking — they’re workshopping the theology: work without effort is meaningless. If you didn’t do it, it’s not yours.
Okay. Let’s sit with that for a second.
Because I’m not the manager. I’m the person in the next Figma file, in the same sprint, with the same deadline. And I’ve met this type of person before — not with AI specifically, but with every tool that ever asked them to update their workflow. The one who prints out the Confluence docs because that’s how they really read. The one who books a 90-minute sync because async communication feels disrespectful to the process. The one who, in 2026, still frames every friction point as a matter of principle rather than a cost they’re quietly billing to everyone around them.
Your professional pride is not free. Someone else is paying the subscription.
The martyrdom tell is right there in the tags: I am considering if this is something I am willing to risk being fired over. He’s already writing the story. The principled stand. The sacrifice. What the story doesn’t include is his teammates recalculating their own capacity around his chosen suffering — or the quiet meeting where someone decides his headcount could be better spent.
And the theology itself — work must cost you something to count — is genuinely fascinating, the way a fossil is fascinating. Does a surgeon lose moral credit for using a better scalpel? The framework only holds if you freeze the definition of “real work” at whatever point you personally entered the field and learned to suffer in a specific way.
Which tells me less about your values and more about when you were trained.
The effort is a cost, not a virtue. Confusing those two things isn’t craft.
It’s just suffering with a personal brand.
You're Not a Prophet. You're Just Afraid.
There's a recurring character in online discourse about AI. Earnest. Outraged. Absolutely convinced they're the only person in the room who sees what's happening. They write long posts about being treated like "a crazy person screaming about the end times" — and the thing is, they sound exactly like a crazy person screaming about the end times. Not because they're worried. Worry is human. Because there is zero structural thinking underneath the noise.
In their cosmology, AI is simultaneously destroying the planet, creativity, human cognition, and our ability to trust anything we see. Quite a workload for software.
And who's responsible for this apocalypse? Two entities: AI itself and the people who use it.
The companies building reckless infrastructure? Absent. The people making deepfake porn? Absent. The platforms monetizing rage and credulity? Absent.
Just "AI" — an abstract demon — and "people who generate little pictures of their cats". Very tidy cosmology. God, devil, sinners. No human agency required, no power structures to trace, no actual decision-makers to name.
This is where concern stops and embarrassment begins.
Deepfakes don't appear because AI decided to be malevolent today. They appear because specific people choose to sexualize and humiliate other people, and now have a faster, cheaper way to do it. The model didn't pick a victim. A human did.
Data centers don't appear in drought-stricken regions because AI craves water. They're placed there by executives optimizing for land price and energy deals, perfectly content to let someone else pay the ecological bill. There's no dark compulsion. There's a board deck.
Users who outsource thinking to a model aren't "victims of AI mind control". They're people who found it easy to stop and nobody built any culture around not doing that. That's an education problem, a product design problem, a cultural incentive problem. It is not a silicon problem.
But the Eternal Concerned doesn't want to trace any of that. They want a ban. Broad, immediate, satisfying. Because they personally don't need to generate images — therefore, logically, nobody really does. It's the reasoning of someone who sees no women's bathrooms in their daily life and concludes no one needs them. Dressed up as ethics. It's just a private preference in a trenchcoat demanding global compliance.
Notice the structure, because it's almost elegant in its self-defeat:
They insist AI makes people stop thinking — while demonstrating the most spectacular failure to think about responsibility and agency.
They claim AI kills creativity — while their argument is a carbon copy of every moral panic about every new medium in the last century.
They complain people treat them like an end-times lunatic — while demanding a universal ban on general-purpose technology because their anxiety should apparently set the ceiling for everyone else.
That's not ethics. That's a child who wants the lights on in the whole city because they're scared of the dark.
A genuinely adult position about AI is uncomfortable in a completely different way. It sounds like: yes, large-scale models are here. The question is under what constraints, built by whom, accountable to whom. Yes, they amplify harm when plugged into rotten existing incentives — so you target those incentives, and those actors, not the silicon. Yes, people are cognitively lazy — so you invest in literacy and norms and design that reinforces agency, rather than pretending smashing the tool will grow one where there wasn't one before.
That's hard work. It requires naming names, tracing power, and accepting that humans are the problem and also — inconveniently — the only fix available.
Blaming AI as if it had free will is a spectacular way to avoid that work entirely. You don't have to confront the men creating non-consensual deepfakes. You don't have to confront the executives building extractive infrastructure. You don't have to confront your own intellectual passivity. You just get to demand a ban and feel morally alive.
Outsourcing your thinking to fear and mistaking the noise for wisdom — that's not resistance. That's just a different kind of not thinking.
Wait, I'm confused... You want that Pathetic Princess to be seen as a horrible person? But isn't being a horrible person a good thing in Hell?
Yeah, I don't get that part of the plan either.
Okay, then what do you guys suggest?
Man, I can’t wait for the finale to be released on YouTube, so then people could finally stop overglazing this show
The Amazing Digital Circus is the epitome of "Man, this show would be so good if it was good."
Do you believe an artist who uses AI deserves the same amount of praise as an artist who makes high-quality art with a mouse or a brush, assuming that earning praise is their main goal in the first place?
I don’t rank art by how much the artist suffered making it. “Who deserves more praise, the AI user or the brush user?” is just asking: whose pain should we romanticize more?
The amount of hours, hand movements or prompt‑tweaking does not magically turn a boring piece into a good one. If the work doesn’t move me, it doesn’t move me. The tool, the workflow, the number of all‑nighters – all of that is external lore, not artistic value.
On this blog I’m not running a respect economy where people get extra points because they struggled longer. Everyone gets basic human respect by default; beyond that, the only question that matters to me is: does the work actually hit, or does it leave me cold?
And let me ask you this: how do you judge food? Do you judge it by how it tastes to you, or do you eat it first and only then start adjusting your opinion based on how much the chef cried over it, how bad their working conditions were, and how many years they spent in culinary school? If the dish tastes bland to you, does the knowledge that the chef suffered for four hours in the kitchen suddenly make it delicious?
Also, that whole “assuming their main goal is earning praise” bit doesn’t make the question sharper, it just makes it messier. I have no access to the inside of somebody’s skull. I don’t know if they’re making this for likes, for rent money, for fun, for grief processing, or because their cat told them to. And I’m not going to build my reaction around a motivation I can’t verify.
If both artists were “doing it for likes”, my experience of the work is the same. If both were doing it from the depths of their soul, my experience of the work is still the same. The piece either hits me or it doesn’t. That’s it.
If I liked both works, then congrats, we have two artists who did something right. Not one “real” artist and one “lesser” one — just… two people who made good art. Wild concept, I know.
Result of an all nighter planning routes
People talk about “AI wasting oceans of energy and water” like it’s a single, uniform thing. Meanwhile anyone who actually runs models locally can literally hear the difference.
A text model? The PC spins up, fans sigh once, and that’s it. Short burst, then silence.
A single SDXL image? Barely a blip. Light breeze from the fans.
A big batch on SDXL – now you get real sustained load: fans ramp, airflow changes, the case becomes weather. Benchmarks agree: SDXL is relatively fast and efficient per image on the same hardware.
A smaller batch on Flux1.dev already pushes the system harder; one run can take roughly four times longer than SDXL at the same resolution and steps, which you can hear as a longer period of high power draw.
Move to Flux2dev, and suddenly even a tiny batch is enough to send the CPU/GPU straight into “ok, now we actually need cooling” mode. Diffusion families like these tend to pull the GPU close to its maximum power envelope, unlike many LLMs that sit well below peak draw.
So when someone says “AI uses X gallons of water per query,” the instinctive response is: which query? Text vs. diffusion is already night and day. Diffusion vs. diffusion is another order of magnitude. The workload shape — batch size, steps, resolution — decides whether your PC just clears its throat or starts sounding like a jet engine.
The irony: people who actually touch these systems talk in terms of models, loads, thermals. People who don’t, talk in vibes and big round numbers. Then they slap a “think critically” tag on it.
Maybe the real climate win is retiring the idea that “AI” is one homogeneous entity, and admitting that different models stress hardware — and the planet — very differently.
It's an interesting choice for a 9 episode show to not focus on its true main character until episode 6, but yeah it is the audience's fault for having the wrong expectations.
Doctor doofenshmirtz is more interesting and complex than jax tadc and i mean that with zero jokes
Jax is mean because trauma which makes him push away people
Doctor doofenshmirtz is evil because he doesnt understand societal convention due to childhood neglect and sees basic self-survival tactics as evil, and decides to embrace that comically because of his lack of understanding, driving him to go great lengths to get revenge on people in a way that fails to endanger them, but rather to humiliate them because his whole ideal of self survival is an outward appearance of evil once again due to childhood neglect that shapes how he interacts with perry the platypus. Yes his revenge is cartoonish but this is because cartoonish is how hes learned to understand the world.
Jax uses archetypes as a tool to dissociate and build walls, because he doesnt want to face the music.
Dr. Doofenshmirtz understands the world as self vs society. Everybody else and everything else creates his problems. He often is well meaning. He loves his daughter, but his understanding of the world as self v society means he wishes to minimize the worlds problem causing effects on his daughter. Him and his ex wife have a healthy divorce just because they werent meant to be. Doof understands that as a societal problem and his uprbringing just like how clark backrooms externalizes fault in order to protect himself and his desire not to change
it really irks me when shows have a character proudly proclaim they have “daddy issues”. i’m not sure that if you really do have a complicated relationship with your father, that you’re gonna just drop that in casual conversation. no one talks like that.
The further I get from Murder Drones the more I realize I don’t like it. In my opinion, it’s the worst-written of Glitch’s modern shows and is not well-executed in general. My main issues are
1. The humor. It didn’t hit for me 90% of the time. It was especially awkward in the first episode, but remained jilted throughout the entire show.
2. You know, for being a show called “murder” drones, the show didn’t take murder seriously at all. Death is treated as a joke throughout the whole thing, with violence being used for humorous, overly-campy shock value. The strongest case of this is episode four, when Uzi kills a bunch of children, her own classmates and people she knew, and she and N essentially just laugh it off and she is never held accountable for any of it. Yes, I know she feels shame over being a “monster,” but at the same time the bus load of kids she literally massacred is never brought up again. It feels like it undermines the show’s whole concept by watering down the weight of death. It way lowers the stakes, too. Why does being a murder drones even matter when more often than not, death is just a joke?
3. There was no. damn. reason. for the show to be so confusing. I know we all laughed in the comments “lol I have to watch a million lore videos to even know what’s going on,” but that’s not funny, it’s bad writing. Even if Glitch said they could only do so many episodes, there are way easier ways to make a lore-heavy series more understandable. Every episode felt like we were jumping in halfway through a series and most of the lore was contained in background elements and freeze frames. The plot wasn’t even coherent. What is the point of making a series if you can’t know what is happening in it after you literally just watched it
4. Ending the show with the main character having her boyfriend’s clingy sister fused to her body for all of time was… a choice
AU where Maria died in the 90s and Shadow's escape pod landed on Mobius
If cancel culture ACTUALLY worked then James Charles would have been deplatformed a LONG time ago
a lot of you say "media literacy" when you just mean "basic comprehension" but that would require you to comprehend what a buzzword you learned on tiktok actually means ey