View of a town skyline at dusk in the winter, with the J&B Blended Scotch Whiskey logo superimposed on the picture. A flock of sheep walks from left to right, making baaa sounds, their bells jangling. Some Christmas lights with a star are strung along some telephone poles on the left side of the frame.
Cut to the inside of a house where an older man with white hair is sitting in an armchair reading a paper. His wife comes in and puts her handbag on the side table. Sheâs on the phone, and quickly moves into another room. A lipstick rolls out of the bag. The older man surreptitiously picks up the lipstick, then sneaks into the bathroom, locks the door, and attempts to apply the lipstick. He is not pleased with the results. He wipes off the lipstick and hides it in a small makeup bag on top of the bathroom mirror cabinet.
Elvis Costelloâs song âSheâ begins to play when the wife walks in, and it plays throughout the video. The first line of the song is âShe may be the face I canât forget,â and as the video goes on we learn why this song is significant to the story being told by the ad.
The older man goes to a small store and buys more makeup. The female shopkeeper gives him an unfriendly glare when he pays for his purchase.
The old man looks at a magazine in his home. He tears out a page about makeup and goes back into the bathroom to experiment with the eyeshadow he bought earlier. He tries the lipstick again and adds some rouge. The result is better, but heâs not quite satisfied.
The man goes to a bus stop. Inside the bus shelter, he minutely examines the eye makeup on the model in an ad on the shelter wall. He jumps away from the ad when another man enters the shelter and sits down. The other man doesnât seem to have noticed what the older man was doing.
Back in the bathroom, the man experiments with mascara. He likes the result. He puts the lipstick on again, and likes this too. Someone knocks on the door, so he hurriedly wipes off the makeup and hides the makeup bag again.
Scene cuts to the living room, where the man sits in his chair reading the newspaper. He looks over at some family photos. One of them shows the man with his arm around a teenager with short, dark hair.
Scene then cuts to the manâs bedroom. Itâs nighttime, and heâs in bed with his sleeping wife. The man sneaks out of bed and back into the bathroom. He puts on all the kinds of makeup he bought: lipstick, rouge, mascara, eyeshadow. He looks at himself in the mirror, all made up, and smiles. Now heâs got it right.
The next day, the man is in his living room, where he hears a car honk outside. He goes and looks out the window. Outside is a group of people greeting each other in the driveway; they are an extended family, and apparently have just arrived at the older manâs house. One of the family members is a young man with short, dark hair. Text superimposed on the screen reads âAlvaro, 26 aĂąos,â indicating the name and age of the young man. The scene cuts back inside, where the older man comes away from the window, looking thoughtful.
The family sets the table for Christmas dinner, putting out plates and silverware and lighting candles. The older man goes to Alvaro and gestures with his head. âCome with me.â They go into the bathroom. The older man locks the door, then proceeds to put the makeup on Alvaro with much love and tenderness. The older man is happy with the way Alvaro looks. Alvaro is pleased, too.
Cut back to the dining room, where the rest of the family is laughing and talking together. Conversation suddenly stops and people look up, surprised. The grandfather ushers his grandchild out of the bathroom. She stands nervously in front of her family, her face beautifully done. The family pause, then start to smile. The camera goes close on a man with greying hair and beard. He seems overcome with happy emotion, and seems to be the grandchildâs father.
The camera goes back close on the grandchild, who looks shyly at her family. The name and age superimposed now read âAna, 26 aĂąos.â
A woman with greying short hair stands up and goes to Ana. This apparently is Anaâs mom. She gives Ana a big hug. The mom is crying with happiness and love, and smiles at the grandfather through her tears. The grandfather blinks and seems shy but pleased.
The camera pulls back to show everyone at the table again. The grandfather is standing and leading a toast. Superimposed text reads âLa magia no solo estĂĄ en la Navidad. TambiĂŠn estĂĄ en nosotros.â (The magic isnât only in Christmas. Itâs also in us.)
A series of short close shots. Ana happily raises her glass with everyone else. The grandfather takes his wifeâs hand and kisses it. Anaâs dad takes a sip of his whiskey, then Anaâs grandmother goes over and gives Ana a big hug.
Thereâs a brief shot of a bottle of J&B whiskey, which is on the table with the other dinner things, then the scene cuts to show the grandfather looking at Ana and raising his glass to her, smiling. Ana raises her glass to her grandfather and smiles at him.
Final shot is the J&B logo on a black background with the text âde celebrarnosâ (to celebrate us).
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