Courtney going on tour right after?
Theres a misconception that after Kurts death, Courtney went straight on tour right away. This is false. The album was already set to release a few days after and they couldnt change that on such a short notice. Promotion for the album was cancelled and she pushed back the tour 4 months.
“Live Through This was supposed to provide Love an opportunity to step out from her famous husband’s shadow. “It’s annoying now, and it’s been annoying for nine years, Love said in a 1999 Jane Magazine interview of always being connected to Cobain. Released four days after Cobain’s body was found, the album’s promotion was put on hold. Rather than retreat from the public eye, Love openly mourned and helped fans of Cobain and Nirvana make sense of the singer’s death. She sat with grieving teenagers gathered outside the couple’s Seattle home and recorded a reading of parts of his suicide note that was played at the singer’s memorial that gathered near the Space Needle. In the days following his death, Love showed a very raw and emotional side and admitted that, like many fans, she didn’t have all the answers.
It was, and still is, impossible for people to discuss Live Through This without noting the irony of the album’s title. Love has said the name was not a prediction at all, but instead a reflection of all she had endured in the months leading up to its release, including a very public custody fight with the Los Angeles Department of Family Services over daughter Frances Bean. Rumors suggested that Cobain had written much of Live Through This (it’s Miss World, not Mister, just FYI). “I’d be proud as hell to say that he wrote something on it, but I wouldn’t let him. It was too Yoko for me. It’s like, ‘No fucking way, man! I’ve got a good band, I don’t fucking need your help,’” was Love’s response to critics in Spin’s oral history of Live Through This. Love and Cobain often shared notebooks and lyrics with each other, and while there is talk of Cobain’s influence on Love’s work, or the writing of all of it, less is mentioned in the press of her impact on his lyrics and music. Rather than sucking all the life out of Nirvana or threatening the success of the band, like many assumed she would do, she inspired Cobain. Fun fact: In Utero, Nirvana’s last album, was named after a line from one of Love’s poems.
Sadly, songwriting rumors would be replaced by other rumors. Women are often vilified and condemned for the deaths of their male partners. Love, like all women, was supposed to save her partner from death and addiction. Fans of Cobain projected all their anger and resentment over the loss of the Nirvana front man onto Love, and soon she was blamed for not only his addiction but also his death. There are even two movies devoted to the theory that Courtney killed Kurt: the awful Soaked in Bleach (2015) and the equally awful Kurt & Courtney (1998). If you think we’ve come a long way, baby, sadly we haven’t.
One year after Anthony Bourdain’s death, Asia Argento is still being blamed, and in September 2018, Ariana Grande had to take a break from social media after fans blamed her for the death of her ex Mac Miller. A few months later, she would be blamed for new beau Pete Davidson’s mental health and addiction issues. It’s amazing she finds the time to write hit songs what with all the dude destruction she has going on. When women are not being blamed for the deaths of the men in their lives, they are being attacked for not grieving properly. “She wasn’t crying. She’s got $30 million coming to her. Do you blame her for being so cool?” a hospital staffer said of Yoko Ono following John Lennon’s murder in 1980.
About four months after Cobain’s death, Love went on tour to promote her new album. Some questioned and judged why she would go on tour so soon, but Love has said it was a necessity. She had a young daughter to support. She needed to work. She also, sadly, still needed to prove herself. “I would like to think that I’m not getting the sympathy vote, and the only way to do that is to prove that what I’ve got is real,” Love told Rolling Stone in 1994.
Twenty-five years later, Cobain’s death still hangs over Live Through This. In the days leading up to the anniversary of Cobain’s death, former Hole bassist Melissa Auf der Maur wrote an open letter to music magazine Kerrang saying she “would not stand for Kurt’s death overshadowing the life and work of the women he left behind this year.”
“We were extremely well designed for each other,” Love has said of her relationship with Cobain. In a letter reprinted in Dirty Blonde: The Diaries of Courtney Love, she calls him “my everything. the top half on my fraction.” The two had similar upbringings, both came from broken homes and spent childhoods shuttling between relatives and friends. They both grew up longing for love and acceptance. When we tell the story of Kurt and Courtney we talk about drugs and destruction, but we don’t talk enough about love.
The two also shared an intense drive and ambition. “I didn’t want to marry a rock star, I wanted to be one,” Love said in a 1992 Sassy interview. Evidence of her drive can be found in the many notes and to-do lists she kept, some of which are collected in Dirty Blonde. There are reminders to send her acting résumé to agencies, to write three to four new songs a week, to “achieve L.A. visibility.” A scene in the documentary Kurt & Courtney features an ex of Love’s reading from one of her to-do lists, which has “become friends with Michael Stipe” as the number one task to complete (not only did Love do this, but he is her daughter’s godfather). This ambition is not surprising from a woman who, when she was younger, mailed a tape of herself singing to Neil Sedaka in hopes of getting signed. Love knew what she wanted at an early age, and what she wanted was fame.
She was certainly living by the “do not hurt yourself, destroy yourself, mangle yourself to get the football captain. Be the football captain!” motto she championed in the 1995 documentary Not Bad for a Girl. Ambition is often a dirty word when it is used to describe women and Love is no exception. She has been repeatedly described as calculating and controlling when she should be rewarded for her blond ambition and viewed as an inspiration. Critics and the press often call her a gold digger who only married Cobain for fame and money. They fail to mention that when the two met Pretty on the Inside was actually selling more copies than Bleach, Nirvana’s debut album. Even post-Kurt, Love’s intentions were always under scrutiny. On the Today Show to do press for The People vs. Larry Flynt, Love refused to talk about her past drug use, despite the host’s repeated questions, saying the topic was not an appropriate fit for the show’s demographic. She was right, but it didn’t stop a writer from describing the move as “calculating” in a 1998 Spin piece.
Cobain was ambitious too; he was just much slyer and more secretive about it. He was known to call his manager and complain when MTV didn’t play Nirvana’s videos enough, and he would correct journalists who misquoted the band’s sales figures in interviews. While success is typically celebrated and rewarded for men and it certainly was for Cobain, he also had to be mindful of the slacker generation that loved Nirvana and greeted success — and especially mainstream success —
While female celebrities like Love are criticized for their rebellion, male celebrities, like Cobain for example, are celebrated and mythologized for it. Cobain and Love both struggled with addiction, but it is Love who is repeatedly vilified for her drug use. “She was vilified for being a mess, for being a drug addict, for not being a great parent — in other words, all of the things we expect in a male rock star,” said Bust magazine in a piece in the magazine’s 20th anniversary issue, which featured Love on the cover.
We make jokes about the drug antics of male celebrities from Keith Richards to Charlie Sheen, idolizing their debauchery and depravity. The new Netflix/Lifetime movie by Jack Daniels, The Dirt, about Mötley Crüe, takes the band’s excesses to almost comic levels. Check out crazy tourmate Ozzy Osbourne snorting a line of ants by a hotel pool! Such zany antics! I would love to see Lindsay Lohan try to get away with that. We never allow women to live down their arrests and their addictions, but we repeatedly allow men to have a redemption arc. Robert Downey Jr. was in and out of jail and on and off drugs for much of the mid to late ’90s, but we rarely, if ever, talk about his past.
When Love isn’t being attacked for her addiction issues, she is being judged for her parenting. Love’s first unflattering press was “Strange Love,” the much publicized 1992 Vanity Fair profile by Lynn Hirschberg. While the piece talks at length about Love’s drug use and constantly questions her parenting ability, it doesn’t paint Cobain in the same light. “It is appalling to think that she would be taking drugs when she knew she was pregnant,” says one close friend in the piece. Hirschberg relies on many unnamed sources and focuses often on the tabloid-like aspects of Love’s life and addictions. “Courtney has a long history with drugs. She loves Percodans (‘They make me vacuum’), and has dabbled with heroin off and on since she was eighteen, once even snorting it in Room 101 of the Chelsea Hotel, where Nancy Spungen died,” she writes. “Reportedly, Kurt didn’t do much more than drink until he met Courtney.” (Even when it is reported by Kurt and Krist that Kurt tried heroin in 1989, way before Courtney, It was also known that he smoked weed and used caugh syrup to get high in 1989 and 1990.)
This double standard was common in coverage of the couple. In Kurt Cobain: Montage of Heck, the 2015 documentary by Brett Morgen, Love asks her husband, “Why does everyone think you’re the good one and I’m the bad one?” Later in the film we see a scene of Frances Bean’s first haircut. The child sits on Cobain’s lap while Love searches for a comb and scissors. The camera shows Cobain nodding off, and while he maintains that he is just tired, it’s clear he’s not. The scene is painful to watch, especially because those around Cobain carry on like nothing in wrong, giving the feeling this is just like any other day in the Love-Cobain household. The scene is a reminder of how the press treated Cobain’s addiction when he was alive. They just carried on like nothing was wrong, instead directing all their judgement at Love.