Monterey Bay Aquarium

ellievsbear

roma★
occasionally subtle
he wasn't even looking at me and he found me
"I'm Dorothy Gale from Kansas"
🪼

tannertan36
tumblr dot com
we're not kids anymore.
Claire Keane
ojovivo
Jules of Nature
No title available
PUT YOUR BEARD IN MY MOUTH
taylor price
I'd rather be in outer space 🛸

Origami Around
hello vonnie
Misplaced Lens Cap

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@thevioletwitch
Smacka smacka smacka
★ 【にゃー】 「 ベアトリス 」 ✔ republished w/permission ☆ follow our YT interview show!
Picture day
2026.6.4
VOCALOID 初音ミク
BTW, just to make sure everyone knows, this isn't just some internet rando commenting on her observations on the internet.
They are an Assistant Professor of Media Industries at New York University and literally just finished writing The Apple II Age: How the Computer Became Personal, a book on the history of the computer industry in the 70s.
This tweet isn't just an observation, it's the result of years of research and study. And it's absolutely true.
My favorite pics from the Artemis II. They look so haunting it’s beautiful.
And the way these make the Earth seem so small.
And the Dark side of the moon in space thats so crazy.
commission_skeb
Once when I was in undergrad, someone described something as “problematic” in class and our professor was like, “That’s cool, but ‘problematic’ doesn’t really mean anything. It means that the thing you’re describing has a problem, and in and of itself that’s not bad. Art, especially, should always have problems, or else it’s not interesting and not art, either. It sounds like you’re trying to say that this is bad, but you don’t want to say ‘bad.’ Is that right?”
So from then on whenever one of us called something problematic, he would make us talk it out until we could name the “bad” thing we were hinting at. In this particular class, 7/10 it was some type of oppression, and the remainder was like, “I’m uncomfortable because this is very new/confusing/pushing boundaries that made me feel safe.”
Once we stopped calling things “problematic” and stopping at that, class got way more interesting and... we all had to say, like, “that’s racist” or “that’s misogynistic” or “ew capitalism gross” out loud, which a lot of us had never done in a classroom before. Or we had to be like, “Uhhh... I’m not sure what’s so bad?” and confront our own beliefs and that was maybe even more useful.
Anyway. Whenever I see the word problematic, I can’t help but think of this professor being like, “Good starting point, now let’s get specific.” I think when we have to commit to saying “that’s ___” it requires a lot more careful thought about the truth and impact and complexities of whatever we’re claiming. Sometimes there really is some bullshit afoot, and also sometimes it’s art, and it should be full of problems, because that’s what art is.
paprika poster trend w/ casca
original paprika artwork by aizheajsee on twi
hyper beam
MADOKA - “I’m thinking I’ll order a beef udon bowl, since Sayaka-chan told me that they make those really good here. What about you, Homura-chan?”
CONSERVATION OF ENERGY - Food needs can be met with an expenditure of 1.23% of total magic. Proceed?
GRIEF SYNDROME [Trivial: Success] - MAGICAL GIRLS THAT IGNORE FOOD ARE OFTEN MORE PRONE TO GRIEF ACCUMULATION. MY ARMS WILL ALWAYS BE WAITING FOR YOU, HOMURA, BUT IT’S IMPORTANT TO BE HAPPY UNTIL THAT DAY. BESIDES, MADOKA WANTS TO EAT WITH YOU. DISAPPOINTING HER WILL FILL YOUR SOUL GEM WITH A HALF A GRIEF SEED WORTH OF DESPAIR.
TEA WITH MAMI-SAN [Legendary: Success] - Sayaka says the beef bowl is good? Maybe go for that. She knows Madoka’s tastes better than anyone — and if Madoka likes something, you will certainly like it too.
“I will have the same as you, Madoka.”
“I’m not feeling very hungry.”
[CALL AND RESPONSE - Medium 10] Come up with an order on your own
CALL AND RESPONSE - [Medium: Failure] - You’ve eaten here before, you’re pretty sure. Was it Loop 32… no, Loop 12..? No, wait, it was on the first Friday of Loop 68. No… that’s not right. You’ve never eaten here before. In a stunning display of incompetence, you have taken Madoka on a date to a restaurant that you have never experienced before.
THE ANGEL - It’s okay, Homura-chan! I don’t mind if you haven’t eaten here before. Remember what real me said, Sayaka thinks this place is good! And even if it’s not perfect, that’s okay, just spending time with you makes me happy.
THE CRAVEN MASSES - Sayaka has raised her blade against Madoka 16 times before. You should leave this restaurant and kill her. It would only take-
FALLING SAND [Trivial: Success] - 1528 seconds on average.
CONSERVATION OF ENERGY - It can be cut down to 1243 seconds with an expenditure of 2.7% of total magic pool.
THE CRAVEN MASSES - Exactly. Do it in front of her family and make it bloody. Kyoko would likely try and stop you, but even she isn’t immune to bullets. And if Mami comes for revenge, well, you know the exact words you could say that would destroy her, don’t you?
THE ANGEL - A-Ah, I think that’s a bit of an extreme reaction, Homura-chan!
HUMAN SHELL - Your heart rate is increasing. Stop that. You have absolute control over your flesh. Act like it.
MOE INSTINCT - AHHHHHHHHHHHHHHHHHHHHHHHHHH AHHHHHHHHHHHHHH WHAT ARE WE GOING TO ORDER MADOKA IS GOING TO LAUGH AT US
WITCH’S NIGHT - Is… is this a trap? Walpurgis may be defeated, but you know that the stage witch never truly ceases its show. Perhaps this restaurant is a part of the stage?
MADOKA - “Um, are you okay, Homura-chan?”
MOE INSTINCT - OH GOD SHE HATES US
“I’m going to kill myself.”
“I’m so sorry. Would killing myself make you feel more comfortable?”
Isn’t there anything else you can say?
YOU - Isn’t there anything else you can say?
THE DEVIL - Come on, Homura. It’s high time you do it. Really, this is just another in the long, long chain of failures that make up your life. The only way to fix it is to kill yourself.
CLOCKWORK PRECISION - Target: Located on right ring finger. Target is not moving. Chance to hit: High. Plan: Retrieve pistol. Aim pistol at ring. Pull trigger.
THE ANGEL - Oh my god, please do not do that!
"I am going to kill myself."
"I'm so sorry, I'll kill myself if it makes you feel better."
"I'm so sorry. Should I kill myself?"
There. There has to be better options than this.
YOU - There. There has to be better options than this.
MOE INSTINCT - I CAN’T TAKE IT ANY MORE. THE ONLY RECOURSE IS IMMEDIATE SUICIDE. THAT’S THE ONLY WAY MADOKA WILL LOVE YOU AGAIN.
"I am going to kill myself."
"I'm so sorry, I'll kill myself if it makes you feel better."
"I'm so sorry. Should I kill myself?"
YOU - “I’m going to kill myself.”
MADOKA - Madoka’s face twists, her eyebrows raising slightly in shock. Whatever response she was expecting, it was clearly not this.
GRIEF SYNDROME [Challenging: Success] - IF MADOKA WAS A MAGICAL GIRL, HER SOUL GEM WOULD FILL BY A QUARTER HEARING YOU SPEAK THOSE WORDS. THAT WAS CRUEL, HOMURA.
MOE INSTINCT - WHY DID YOU SAY THAT?
MADOKA - “I’m so sorry, Homura-chan. Please don’t do that. I… I really care about you and so does everyone else.” Madoka’s eyes fill with tears as she speaks. She hugs you.
DAMAGED MORALE -4
CALL AND RESPONSE [Trivial: Success] - Quick, tell her you were making an edgy joke that didn’t land. You’ve gotten away with that before, you’re pretty sure.
SPACE-TIME MASSACRE - Twelve quarter shifts left and two up from your current space-time position, and there’s a Japan that it’s actually illegal to not commit suicide in.
FALLING SAND - You’ve been seated for 5 minutes and 32.5 seconds already and still have not ordered. Mami has requested your presence at her apartment in 3.4 hours from now.
TEA WITH MAMI-SAN - She wants to help you find a hobby. She’s really worried about you, you know.
STRINGS OF FATE - You can feel Madoka’s heart beat in sync with yours as she holds you. Everything will be alright, as long as you follow the beat.
THE ANGEL - Yeah! It’s okay Homura-chan. Just explain what’s been going on and Madoka will understand. And then order something, it’s important to eat a full meal!
YOU - “Ah, sorry Madoka. I was… overwhelmed with choice, and my… brain spit out the first thing it thought. I am not planning on killing myself.”
MADOKA - “Um, I think we should probably talk about this more, Homura-chan….”
CALL AND RESPONSE - Ask her a question to change the topic. It’s worked in three different loops, it should work here.
RATIONALITY COMPLEX [Trival: Success] - Ask her if she wants to try anything else and then order that for yourself. This will accomplish your goal of deciding on what to order, as well as showing Madoka that her desires are important to you.
YOU - “Is there anything else you’d like to try, Madoka? We can share our dishes.”
MADOKA - “Uh, okay Homura-chan. Maybe get some tempura?”
Order 10000 yen worth of tempura
Order 1000 yen worth of tempura
Order 100 yen worth of tempura
YOU - “Excuse me waiter, give me 10000 yen worth of tempura.”
HUMAN SHELL - Calories and magic are just two different types of fuel. Feed me and control me.
THE ANGEL - T-that’s probably too much, Homura-chan. Maybe you can sneak some into your cool shield, though!
MADOKA - Madoka doesn’t say anything, but her eyes do bulge out slightly. She gives you a gentle pat on the shoulder and smiles at you.
HEALED MORALE +1
RATIONALITY COMPLEX - Displays of wealth like this can broadcast value to potential mates. This will increase your value in Madoka’s eyes, furthering along one of your goals.
THE ANGEL - I think you should just focus on enjoying the food, Homura-chan. Take a break, everything is okay.
Thank you.
Why don’t you hate me?
YOU - Why don’t you hate me?
THE ANGEL - Because I care about you, Homura-chan! And besides, you hate yourself far too much already.
Thank you.
THE ANGEL - You’re welcome! Now, please, enjoy your meal with real Madoka. She loves you a lot too, you know.
(Xユーザーのはるゆきさん: 「https://t.co/RIm91XFz8t」 / Xから)
I love how in the films Boromir and Aragorn made a Hobbit Dad Agreement™ that Aragorn was responsible for looking after Frodo and Sam, while Boromir was responsible for looking after Merry and Pippin.
On Caradhras, Boromir carries Merry and Pippin while Aragorn carries Frodo and Sam; Boromir trains Merry and Pippin to sword-fight; in Moria Frodo/Sam both call for Aragorn when they need help; on the stairs of Moria Boromir takes Merry and Pippin while Aragorn takes Frodo and Sam; when going down the Anduin Boromir goes with Merry and Pippin in a boat while Aragorn goes with Frodo and Sam; etc, etc, etc.
The big climactic payoffs to these relationships are Aragorn allowing Frodo/Sam to leave the Fellowship, and Boromir dying for Merry and Pippin.
Aragorn and Boromir must’ve had a conversation offscreen like “Ok here’s the plan: two hobbits each. We can’t separate Merry/Pippin or Frodo/Sam, so we’ll each take care of one Hobbit Duo.”
The reason Frodo/Sam were Aragorn’s hobbits is probably because the Fellowship didn’t trust Boromir to look after Frodo. Aragorn was better at resisting the Ring.
But I also enjoy the idea that Aragorn was like “I want to look after the relatively laid-back and mature hobbits who take this quest completely seriously” and Boromir was like “I WANT THE HYPERACTIVE LITTLE BROTHER ONES”
I also think it’s relevant that Aragorn and Boromir “switch hobbits” in the end.
After Gandalf’s death/as he loses hope, Boromir begins trying to reach out to Frodo.
And after Boromir’s death, Aragorn decides to rescue Merry and Pippin. He lets “his hobbits” go to Mordor alone, then sets off to save the hobbits who (up until this point) have been Boromir’s responsibility.
And then Faramir takes over protecting Frodo and Sam for a bit on his brothers behalf
A warrrior with abundant osteoptimism and one more skeleptical re: bone toughness.