adding to my queue
Lint Roller? I Barely Know Her

oozey mess
Xuebing Du
Sweet Seals For You, Always

⁂

#extradirty
Mike Driver
One Nice Bug Per Day
DEAR READER
Claire Keane
RMH
will byers stan first human second
occasionally subtle
hello vonnie
todays bird

ellievsbear

izzy's playlists!
taylor price
Game of Thrones Daily
KIROKAZE
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seen from United States
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@theworldsownoptimist
adding to my queue
you can tell FIFA geniunely thinks it deserves to live
JENKINS: I feel like the first 80–85 minutes or so of the film is the telling of a story where the characters are advancing in age: eight, ten, twelve years of age at a time in each chapter. So we’re rapidly building this portrait. For example, the two longest shots in the film are when Chiron is in the parking lot outside the diner. He pulls up in his car, gets out, puts on his shirt, combs his hair, and then starts walking across the parking lot towards the door. Then there’s the shot of the door’s bell ringing that shifts to a gliding camera shot. It’s a very Hou Hsiao-Hsien–influenced shot that is a camera movement perpendicular to the action in one continuous moment. Then there’s that close-up when Chiron sees Kevin’s face for the first time and then we match it. From that point on the character has been built and now the character has to finally make a choice. He must decide who he is going to be as the film shifts into real time. I think the diner scene really resonates with people because you’ve grown so accustomed to the character advancing through time but now Chiron has to sit there opposite someone who’s actually allowing [him] the space. The world is always projecting this idea of who a black man is while there is always the performance of black masculinity. You see Chiron dealing with that over the course of the film. Then he walks into Kevin’s home, the diner, and Kevin dominates that space but in a very tender way, a very gentle way. So, you’re right. This is when the cycle of questions begins but they are never asked aggressively and there’s never really a single or direct answer to these questions.
one step ahead: a conversation with barry jenkins
me on my blog
CLAUDIA & WOMENHOOD | CLOTHING INTERVIEW WITH THE VAMPIRE (2022–)
I was talking about this with a friend but a really interesting cultural shift over the last ohhhhhh ten years maybe is that many people in fandoms view themselves as stakeholders and not audience members. Because of that, they think that the fandom should be running things, or at least have an acknowledged say in how something is run. And every reminder that they are not in control, no matter how small, bothers them.
ZENDAYA photographed for "The Drama" press (2026)
came across this image on pinterest and straight up almost burst into tears…. vibes for JUNE
they should link the fake lestat in ep 1 to the discarded proto lestat's magnus killed. that would be sick.
"it’s very Ursula LeGuin"
- Sam Reid, on the topic of omegaverse mpreg, 2026
Fernando Pessoa // Anaïs Nin
What me and jay saw on my hinge yesterday