more characters should be 30+ years old

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@thewritersalchemists
more characters should be 30+ years old
"You see, the Star Wars fandom is three raccoons in a trench coat. Only none of them realize theyāre raccoons or know there are two others. Each of them thinks theyāre a human in a trench coatā¦"
*ten minutes of me explaining this theory*
"ā¦and the problem is that the god of the trench coat keeps changing the color of the trench coat on them and itās hard for everyone to keep up."
~
Me rambling to my partner tonight about the Star Wars fandom. The analogy actually kind of worked all the way through the ramble?
A medieval unicorn phone wallpaper
You gotta write for funsies sometimes. Everything doesnāt have to be groundbreaking. Like. Who cares if itās a little silly it is made out of love
Youāre a story, that Iād happily spend hours reading. Honestly Iād do anything for just a page. And to be in your book? To be words intertwined with yours, through the scrawled scenes, thoughts and atmosphere⦠Well, Iād have to show my immense gratitude, Iād have to give you a brilliantly irresistible romance and make it a magnificently exquisite love story, wouldnāt I?
it slipped my mind...
WHY DOES THIS HAPPEN TO EVERYONE? HOW DO WE STOP IT?! ššš
AND THEN THE SPACE WHERE THE IDEA SHOULD HAVE BEEN HAUNTS YOU FOR THREE WEEKS UNTIL YOU FORCE YOURSELF TO FORGET ABOUT IT.
There is nothing more precious to me as a writer than the comments left on AO3. Whenever I get that email notification, I wonder what kind of comment was left. To have a little fun, I'm going to sort the typical comments into a few different categories and share my reactions to them as a writer.
If you feel I missed a comment type, please let me know. I'm curious to learn what other classifications you think exist (positive comment types only please - let's not make this negative). Also, if you wanted to tag yourself, I'd love you know what type of commenter you think you are.
The Polite Conversationalist - Your comment confirms that you read and enjoyed the fic or chapter. You offer praise for the author's efforts and encouragement for them to continue. - If this is you, please know that I'm imagining us holding a book club together. I brought us snacks.
The All Caps Reaction - You left the most unhinged comment. - You were screaming as you read it? I was screaming as I wrote it. Let's be friends.
The How Dare You - The angst is real. And painful. And I'm sorry but the story needed it. - This is a compliment of the highest order and I'm so glad you left it.
The Conspiracy Theorist - You are so invested that you are trying to figure out what comes next. - I'm so excited to read your ideas. They let me know the story tracks for you. And I'm either smiling because you guessed right and I'm excited for you to read what comes next, or I'm grinning because I know the plot twist is going to blow your mind.
The Catch-Up - You haven't commented in a while and are letting me know you are catching up. - I'm so glad you are back! I missed you. I know life gets busy and it means a lot to me that you took the time to read my story.
The Giggle - You laughed at my jokes and let me know. - Did we just become best friends? I'm already making you a bracelet.
The Callout - You found my favorite line in the chapter or fic. - I love you so much. You just made my day, my week, my month. Seriously, all the love for the reader. xoxo
To be fair, there are perfectly practical filmmaking reasons why cool guys don't look at explosions:
Most low to medium budget productions don't use compositing or CGI to put the actor in the same shot as the explosion ā they just put the actor much further away from the explosion than you think they are, and use forced perspective tricks to minimise the apparent distance. There are a limited number of camera angles those tricks permit, and most of them require the actor to be directly between the explosion and the camera.
In spite of the fact that the distance between the explosion and the actor is larger than you think, mistakes happen, and the best way to avoid catching a piece of flying debris in the eye is to direct your line of sight away from the explosion.
"Cool guy slowly walking away from explosion" happens to be a very obvious way of satisfying both of those safety constraints.
Example of #2: Seventh Doctor in classic Doctor Who not flinching when the fucking pyrotechnics department actually burned holes in his coat
(multiple clips from his era are now examples in the BBC's workplace safety training tapes)
Yeah, that's a fantastic example of how not to do it. The "correct" low-budget approach would have been to show him exiting the building, then quickly cut to a different camera angle for the walking away from the explosion part, using forced perspective to conceal the fact that he's teleported 30 feet between shots A and B.
Brandon Sanderson did make smart career choices, but they might not be what youĀ think.
(originally posted on a different writing blog in March 2022)
This is NOT another post breaking down āwhat you can learn!ā from Sandersonās massive Kickstarter earlier this month. Well, it kind of is, but itās the opposite of some of the others.
Buckle up, itās unpopular opinion time.
On March 1, 2022, fantasy author Brandon Sanderson announced a Kickstarter: pledge to help him publish four standalone novels heād secretly written during the pandemic. He and his team set a goal of one million dollars, and he estimated they would get two to four million total.
In three days, the Kickstarter had reached twenty million dollars, and it currently (as of March 27, 2022) sits at thirty-three million dollars.
The publishing world wasāand still isāstaggered.
In the last three weeks, Iāve seen a dozen indie authors and marketers try to break down that massive success and what lessons others can take from it for their own careers. Most of them write to various Amazon markets. Some of them made good points. One thing everyone keeps repeating is that Sanderson has made āsmart career choices.ā But every time, Iāve walked away from those articles shaking my head. Most of the articles seem to be missing the biggest and most important point. It's hard to talk about taking lessons from Sandersonās marketing before you talk about lessons from his WRITING career.
A few facts:
The four novels Sanderson will be publishing with the Kickstarter money are already written. He wrote them for his wife (and because he wanted to explore new stories) during the pandemic.
He will be publishing them through his own company: Dragonsteel Books. He created the company to publish special editions of his books, carry his book swag*, and have an alternative option for people to buy his books if Amazon ever stops selling his books again.**
Sanderson has a reputation for being reliable with his book publishing. If he says heās going to publish something, he does it, and he tries to keep fans updated as he goes.
*Book swag / book merch = special items created for fans of books. **Years ago, Amazon briefly stopped selling his books because of contract disputes. You can read more about it here.
And some facts about Sanderson himself, if youāre not familiar with his work:
His first book to be publishedāElantrisācame out in 2005. It was the sixth novel he wrote, and it was published by Tor. It took eighteen months for someone to read the book and then call him about it.
Before Elantris was published, heād written thirteen novels.
He now has so many novels out that Wikipedia has a separate article for his bibliography.
He was handpicked by Robert Jordanās wife to finish the Wheel of Time book series, and he was on the writing team for the Wheel of Time TV series.
So what were Sandersonās āsmart career choicesā as a writer?
He didnāt write to market. This is going to be the most unpopular opinion of all, but hear me out, please. Sanderson tried it. Back before Elantris was published, after a lot of people told him his books werenāt being accepted because they were too long and didnāt have the popular format and tropes of the time, he tried writing to market. Heās said those were the worst novels of his writing career. So he stopped. He went back to writing what he loved. That love and passion kept him writing books that have resonated with fans for almost twenty years now. If weāre going to talk about why his fanbase loves his BOOKS so much, let's start with how much HE loves what he wrote and how much that love spills over in how he talks about his books.
He constantly pushes himself to improve. He knew from the beginning that he needed critique, and he got it. Since college, heās been in critique groups and had alpha readers, and they keep pushing him to be better too. He himself says that some of his earlier books (yes, the published ones!) arenāt his best. Heās honest that he keeps wanting to do better and looking to improve.
When he made plans about publishing, he didnāt just think about it like a writer. He thought about it like an author. He figured out his writing pace and he tried to be consistent with that. You can talk for hours about how he finishes books and how that āmakes him better than Patrick Rothfuss and George R. R. Martin,ā*** but I donāt see many people talk about how Sanderson learned from them and others and FIGURED OUT what he had to do AHEAD OF TIME so he wasnāt doing that to his fans, intentionally or accidentally.
He also approached his published author career like a reader. He treated his fans like he would have wanted to be treated as a reader. He used social media to connect with them and to keep them posted. He was and still is actively involved in his fandom.
Heās given back to the community. Heās taught at university for years; heās talked at conferences; heās free with his advice on his writing podcast; heās given fans advice for years at cons and book signings and through his website, and he always has a smile for his fans.
***Iām not going to discuss Rothfussās or Martinās choices; I donāt know whatās going on in their lives, and I think thereās a difference between authors having a responsibility to finish a series and authors āowingā fans the way their particular fans claim. This is only about Sanderson and his decisions.
THESE were his smart career choices. THESE are the reasons his books are so popular and why his Kickstarter got to twenty million in three days. Sure, finishing Wheel of Time helped get his name out there to some readers, but the majority of Sandersonās fans donāt talk about Wheel of Time like they talk about his own books. Wheel of Time fans (some of them) talk about being grateful he finished the series, yes. But Sanderson fans talk more about Elantris, Mistborn, and the Stormlight Archive.
If weāre going to break down Sandersonās success, we have to go back further than his marketing. We have to look at his foundation and be honest about why and how he is where he is.
If you write to market, three things sell your books:
your ads
your other marketing (but mostly your ads)
and how well you followed the recipe for that market
Whether your plot and characters are objectively well written doesnāt matter as much. (I'm not saying it doesn't matter at all.) Why? Because the recipe is what the ads sell. So if youāre good at following the recipe, readers will keep coming back after their first few from you. Not so much if you like to change recipes a lot or canāt follow one well. You might get other readers, but you won't get that particular market's readers.
Iām not dissing writing to market. If you DO mostly write to market, you wonāt be able to take many lessons from Sandersonās Kickstarter success (or his career in general) because Sandersonās marketing isnāt what keeps his fiction selling. His writing is. His fan interaction is another huge part.
A note on consistency.
Sanderson is a prolific writer. He can sustain a publishing pace that many people canāt. I canāt, for sure. I would LOVE to be that prolific, but Iām not there, at least not right now. Being consistent doesnāt mean you have to publish every year or write every single day. It means finding what pace works for you and then being consistent with that. If that means publishing once a year, good for you. If it means once every three years, go for it.
Building a fanbase takes time. Sanderson has been publishing for almost twenty years, if you count how long the process took for Elantris. Heās been writing for twenty-five years. No one likes to hear that something they want right now takes time, but itās the truth. Building a consistent fanbase takes time, and it does tend to take more time for indie authors than traditionally published ones.
I've worked with a lot of competitive write-to-market indie authors. I know exactly how unpopular this opinion is. But for all the authors wanting to really understand the writing craft and find the path that helps them build their own consistent career of putting out good stories, this post is for you. If you're asking āWhy is Sanderson so popular that his Kickstarter reached twenty million in three days?ā and wanting to know what you can learn from it . . .
This is why. And this is what you can learn.
SONGSPIRATION: Off the Map
I personally need music to write. I'm listening to music 24/7, whether I'm writing fiction, editing, writing posts for The Writing Alchemist, or writing emails. When I'm writing or editing, I'm a huge fan of Two Steps From Hell / Nick Phoenix / Thomas Bergersen. This new one crossed my Spotify Release Radar a few weeks ago, and I'm now obsessed with it. It makes me want to drop everything else and write on my favorite space opera WIPs.
Does this song inspire you to write anything? If so, what?