Some good news for everyone today.
I went to a conference showing off this tech back in 2013 and I am so glad to see a TikTok because it means that the technology is getting more popular and ubiquitous
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YOU ARE THE REASON
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@this-cat-writes
Some good news for everyone today.
I went to a conference showing off this tech back in 2013 and I am so glad to see a TikTok because it means that the technology is getting more popular and ubiquitous
found this on reddit you know what i have to do
"I hate how American media will just make up a European nation rather than do any research, so I'm going to get back at them by writing a story set in a fake American state" like, do you have the slightest idea how much American media is set in a geographically impossible fictional small town located in no particular state and characterised entirely by some guy from Los Angeles' collection of half-remembered stereotypes about the American Midwest? They've already got the "lazily inventing fictional parts of America" bit locked down.
No, if you want to play the Uno reverse card on American media, what you need to do isn't to make up a fake state: you specifically need to wilfully misrepresent southern California.
The first step you as a thin person can do to start combatting fatphobia, both internal and external, even before listening to fat people and their stories, is start noticing it. Just work on yourself and play I Spy until you notice it.
Look around the streets of your city. Look at people, look at their bodies and sizes. Then look at everything else.
Look at the ads that exclusively show thin people selling everything - even things that have nothing to do with thinness. Toothpaste. Garden supplies. Jewelry.
Look at your social media feed. Are there fat people there? Do artists that you follow ever draw fat people? Are blorbos on your tumblr dashboard ever fat characters? Are your own ocs ever fat? Are comedians you watch on youtube fat? Do they make fat jokes?
Look at the seats in the bus you take to work. Ask yourself: Why are they this size? Look at the clothing sizes in the thrift store or regular store you go to for your socks and underwear. How big is the biggest basic t-shirt they offer? What about a basic blazer that one could wear to a job interview? Have you ever been to a plus size section? Does your store have one? What are the prices like there? Is the selection same as in 'regular' section?
Are you feeling extra curious? Open up a search engine, type in 'weight limit furniture' and click on a couple of top results. Just read. Ask one question: Why?
Why are there no fat people selling you toothpaste? This is not to endorse the amount of advertisement we are bombarded with, but it is representative of our current culture, however mad that makes you. Why is it only thin people are ever portrayed in any creation - be it something valuable like cinema or some forgettable trash like the latest cleaning supplies advert with an annoying jingle?
Why are fat people not in the art you view? Why are they not in your social media feed? Why are they not enjoying the same clothing and furniture options? Why?
And then, if you have fat friends, go and talk to them. If you don't have fat friends, ask yourself why you don't. Count the amount of fat people you see on streets every day versus the amount of fat people you see in any other medium. Recall the last time you saw a fat character in art AND that character was a positive one and treated with respect.
This is all before you get to know about medical fatphobia, struggle to build relationships both straight and/or queer. This is all before you go into statistics about employement and housing discrimination. That's before you read about 7 year old children on 500 calorie diets.
Just look around and for fucks sake, start noticing things.
Discworld book where the auditors hear about the phrase "it's not over till the fat lady sings" and hire someone to kidnap all the fat ladies in the world to find the One who will end the world when she sings.
Lady Sybil Vimes is one of the ladies, so Sam Vimes is on the warpath until he can find her, while the watch desperately try to keep all infrastructure from falling apart without all the fat ladies who keep it together on a daily basis
It ends when Sybil leads a hoard of fat ladies into battle, which ends up being so glorious an unrelated time traveler who witnesses it goes back to his native time starts the myth of the Valkyries
Sorry @mypunkpansexualtwin but you ain't leaving this one in the tags boss
introducing an audience to a game you love is always risky because obviously i believe everyone is entitled to their opinion but also if you guys dont love my faves i'll blow up this whole building
i guess there is overlap here yeah
honestly I'm very proud of how women-loving my fanbase is. I'm creating the first streamer audience that loves women
alright now
oh shit they did it
INVENTORY SPACE IS SAVED
WAIT HOLY FUCK
this means...... COLLECTING
wuk lamat was hated because she was a yuri girl in a yaoi game
when a male character becomes a central focus of the plot and has deep connections to other characters, this is referred to as peak fiction. the people love emet selch and thancred and even zenos. but when a female character does this, she is rejected. scorned. such injustice.... kicks a rock
Genuinely I think a big reason for wuk lamat hate is that she's a hrothgar. I think if everything was exactly unchanged but she was a cute little conventionally attractive mi'qote, there wouldn't have been half as much hate. But bc she's a muscular furry woman people flip their shit.
here are the three reasons i've seen people give as to why they hate lamaty'i
she's the main character. in dawntrail, your WoL accompanies wuk lamat as she goes through the trials, and only acts as a last resort when she gets into too much trouble (like valigarmanda). i give this reasoning a 6/10. dawntrail really does feel like her story, and if you can't enjoy it for what it is, i can understand coming to resent her.
she's a hrothgar. just as previously stated, people dont like big cat girl. they like their little anime nekos. god forbid a little diversity get into the game. 3/10.
she's a woman. 0/10 grow up.
her VA is a trans woman. -10/10 kill yourself now.
the thing is, I don't even understand the "Wuk Lamat took attention away from the WoL" argument. every single FF14 expansion is about anyone other than the player. Heavensward was about Estinien, Ysayle and Haurchefaunt. Stormblood was about Lyse, Hien, Zenos, Yotsuyu and Fordola. the beloved Shadowbringers was all about Ryne, G'raha Tia and Emet Selch. I'd honestly say Endwalker is the only expansion where you could really say that the WoL is the main character of the story, but even there it is still largely, almost primarily, about Fandaniel and Hydaelin. how these stories go is we watch the expansion's characters do stuff, and then when shit goes down, the WoL has to fight a big monster about it. that's how it's been going for the entire game's lifespan. anyone who claims that they suddenly had an issue with that just because it was Wuk Lamat's turn was honestly just lying.
Also like, people DO hate Lyse for the same reason. Not even did, still to this day; it was part of why people called Dawntrail "Stormblood 2.0." So no, I don't think making her a cute little Miqo'te would have improved her reception much among "critics" who are, by process of elimination, just a bunch of [trans]misogynists.
Anemone runs from starfish
Anemone song is NOT shitty, delete this 😡😡😡
It's a good song
its one line repeated over and over
amazing
It’s literally not one line repeated over and over lmao educate yourself
https://youtu.be/93wE-2E0b4Q
you know this one: https://youtu.be/YMcGLQ-RZ44
Nothing but bangers
the sky's kindest, most radiant star
It's done! I am so freaking thrilled with how this came out. It was immensely fun taking the old poster and trying to figure out a balance between the old art and a modern take on fire management, as well as how to make it my own while retaining as much of the original style and color as possible. And I'm not normally one to stick my whole logo on my illustrations, but I wanted to match the original poster which as the USFS logo there, so!
Shout out to @vaspider for helping me puzzle out better wording for the bottom chunk of the poster.
You can get prints and shirts with this design in my Printful shop! If there's another product you'd like to see it on, let me know!
Some more thoughts and ramblings about this piece below the cut, including a side-by-side with the original poster.
hey everyone "I" have something to show "you"
What makes this even funnier is if you’re a rich guy and do this the actual poker players will shower you with praise and stroke your ego (especially when you win hands through sheer variance) and say you’re great and to keep doing what you’re doing because they’re just siphoning money from you and want you to keep it up. Like, that’s the original definition of a “whale” in the gambling sense
It's not 'understanding something about risk that no one else does' it's 'is able to screw up constantly without facing any actual consequences, unlike every other player at the table.'
This is diabolical 😭
"They're fine now"
Okay, hear me out.
One of the quiet background realities of the Star Wars galaxy is that it is spectacularly bad at labor. Not just “late-stage capitalism” bad, but structurally, culturally, and institutionally allergic to the idea that workers should have enforceable protections. You’ve got child soldiers, child labor, debt slavery, corporate fiefdoms, and a Republic that can field a galaxy-spanning bureaucracy but somehow never gets around to standardizing “maybe don’t enslave people.” The Empire of course doesn’t fix this; it industrializes it.
So in that environment, formal labor law is either nonexistent, unenforced, or actively hostile. Which means if you’re operating in a sector where the state either can’t or won’t protect you, you get a classic historical pattern: workers build their own rules.
Enter the gray economies.
Groups like the Smugglers' Alliance (Legends) and the Bounty Hunters' Guild (new canon) look, at first glance, like professional associations for criminals. But if you squint at them through a labor history lens, they start to look a lot like early, proto-union structures — especially the kinds you see in maritime or extralegal industries on Earth.
Think pirate codes (yes actual ones, Pirates of the Caribbean didn't make that up). Think matelotage agreements. Think dockworker brotherhoods that predate formal unions.
Because what do these groups actually do?
They:
set norms for compensation and contracts
regulate competition to prevent destructive undercutting
provide a framework for dispute resolution
establish reputational systems (“you don’t honor contracts, you don’t get work”)
That’s industry self-governance in the absence of law.
Take bounty hunting. Without something like the Bounty Hunters' Guild, the field collapses into chaos: clients don’t pay; hunters underbid each other into oblivion; jobs get duplicated, interfered with, or sabotaged. And nobody trusts anybody!
The Guild steps in and says: here are the rules of engagement. Here’s how claims work. Here’s how you get paid. Here’s what happens if you break contract.
That’s basically a union crossed with a licensing board and a regulatory agency, just without any moral pretense.
Same with the Smugglers' Alliance. Smuggling is inherently risky, decentralized, and dependent on trust networks. If everyone is constantly betraying everyone else, the whole system stops functioning. So instead, you hash out agreed-upon routes and territories, informal protections against betrayal, mechanisms for information sharing, and consequences for breaking the code
Again: not altruism. Stability.
And the reason this emerges specifically in gray/illegal sectors is because they have to. The Core Worlds might pretend they have laws, but those laws don’t meaningfully protect the people actually doing dangerous, itinerant, high-risk work. So the margins of the galaxy — where enforcement is weakest and risk is highest — become the places where labor organization evolves first.
Which is very historically grounded.
On Earth, some of the earliest labor protections didn’t come from governments; they came from workers in dangerous, decentralized industries—sailors, pirates, miners—who literally wrote their own rules because no one else was going to save them.
Pirate codes, for example, often included:
compensation for injury
shared distribution of loot
limits on captain authority
Which is … shockingly progressive compared to a lot of contemporary working conditions (cough Amazon cough).
So in the galaxy far, far away, you end up with this ironic inversion:
The “legitimate” systems — Republic, Empire, megacorporations — are exploitative, inconsistent, or indifferent.
The “illegitimate” systems — smugglers, bounty hunters — are the ones building functional labor frameworks, because they need to survive.
And that feeds back into why the galaxy feels so unstable overall. There’s no universal baseline of rights. Everything is hyper-local, network-dependent, and contingent on whether you’re inside a system that has rules you can rely on.
If you’re a clone trooper? You are literally property.
If you’re a factory worker on a corporate world? Your protections are whatever your employer feels like offering.
But if you’re a smuggler or a bounty hunter?
You might actually have clearer expectations about your pay, your risks, and your recourse — because your “union” is the only thing standing between you and total chaos.
So yeah: the Smugglers’ Alliance and the Bounty Hunters’ Guild aren’t just flavor. They’re a glimpse of what labor organization looks like in a galaxy where the state has fundamentally failed to provide it.
Which is both deeply funny and a little too real.
#you're telling me han solo is a union man? (via @professorsparklepants)
Han Solo look SO MUCH like a union man.