sorry but look how silly drunk gaang is
hello vonnie
Xuebing Du
Peter Solarz
I'd rather be in outer space šø
No title available
i don't do bad sauce passes
Sade Olutola
cherry valley forever

izzy's playlists!

oozey mess
sheepfilms
let's talk about Bridgerton tea, my ask is open

JBB: An Artblog!
Cosmic Funnies
Aqua Utopiaļ½ęµ·ć®åŗć§čØę¶ćē“”ć
dirt enthusiast
$LAYYYTER

No title available
NASA
TVSTRANGERTHINGS
seen from United States

seen from Ireland

seen from United States

seen from Malaysia

seen from Türkiye
seen from Canada

seen from United States

seen from United Kingdom
seen from United States
seen from United States

seen from Canada

seen from United States
seen from United States
seen from United States
seen from United Kingdom

seen from United States

seen from United States

seen from Canada
seen from United States

seen from United States
@threwedaway
sorry but look how silly drunk gaang is
Weird Fantasy (1950) #18 written by Al Feldstein and drawn by Joe Orlando, with editor Bill Gaines
So he said it can't be a Black. So I said, "For God's sakes, Judge Murphy, that's the whole point of the Goddamn story!" So he said, "No, it can't be a Black". Bill just called him up and raised the roof, and finally they said, "Well, you gotta take the perspiration off". I had the stars glistening in the perspiration on his Black skin. Bill said, "Fuck you", and he hung up.
Al Feldstein, Tales of Terror: The EC Companion
Just to add context for those not aware of the impact of this story.
The reason it was so important for narrative purposes, was that the plot concerns the visit of the Astronaut, in his completely opaque spacesuit, to a planet populated entirely by self-aware robots (originally from Earth) who have built their own society and are petitioning to be allowed to interact with Earth again as equals.
They have a democratic government and free choice of careers etc. as the orange robot serving as guide tells the Astronaut.
The Astronaut notices that there are two different types of robot on this world; the orange ones, who are in charge, gifted access to all information and facilities. and the blue robots, who are seen as more limited in function, have less access to information and resources, and are not allowed positions of power or as wide a choice of employment opportunities. Even transportation is segregated.
The Astronaut investigates further and discovers that the blue and orange robots are actually structurally identical, there is absolutely no difference between their potential or capabilities, and it is only because the orange robots are instructed by their Educator system to consider themselves superior, that the difference exists.
The Astronaut tells the robots they are not ready for re-alignment with Earth, until they come to terms with their own unfairness, and how Earth had had to deal with this issue themselves. When that time comes, the robots will be able to ally with Earth.
Then he leaves in his spaceship, and it's only in that one final panel that we see the Astronaut is black.
Not subtle, nor should it be, but for 1950 this was a breathtakingly powerful statement, perhaps the first of it's kind in the genre.
The black character was not a caricature, or comedy relief, he was a main character in his own right, a human who "simply" was black.
Ok, but this story is sadly revolutionary even now. That is not just a human who happens to be black, as far as every other character in this story is concerned this is the most important, maybe even the only human they ever see, who happens to be black.
As depressing as that is, but a black person just casually representing the entirety of humanity is a breathtakingly powerfull statement even today, a quarter of a century later.
reblogging for Black History Month!
This is so good!
Sometimes things are your fault. Sometimes you are the one in the wrong. That's it. Internalize the fact that you are sometimes the bad guy in a given situation.
Salvage Zuko!!
My old pilot era rare pair was VoxAngel. Did not age well.
Oh god, do you remember when they used to be paired up as Val's victims escaping him?? The animatic to ParanoidDJ's old/first cover of "Valentino", for example (or even just the dialogue bits)
No wonder in the animatic Raphielle did all those years ago the guy was already Like That⢠xD
Yes, oh my God I loved that!! There was this one fic by. I think it was Sameko that I loved too.
My old pilot era rare pair was VoxAngel. Did not age well.
Recommending yāall block @/pibbzero. Theyāre very clearly a ragebait account pretending to be against sexual-harassment to make homophobic content.
Idc if you ship huskerdust or not or if you even like Hazbin hotel, using SA as an excuse to be homophobic is fucking vile and disgusting. Theyāre also tagging it to expose it to the agere community which is equally as fucked up as that isnāt even related to what theyāre posting.
Engaging with them is just giving them what they want so please just block them
Sorry if I sound rilled up, Iām an SA victim and itās just so fucking gross
I stumbled across some of this user's content while on the Angel Dust tag. Please stay safe.
Another cat zuko
An Archive of Our Own, a project of the Organization for Transformative Works
This fic was inspired by how Beelzebub could tell when BlitzĆø had a ānot okay vibe.ā I thought it would be interesting if the other Sins could do something similar within their own domains. I also really love the idea of the Sins kind of being Charlieās aunts and uncles, so I ran with that. Ozzie genuinely cares about consent, which we see in some of his appearances with him clearly stating lust shouldn't be about force. I like to think heād know how to handle someone like Angel (a traumatized, hypersexual sex trafficking survivor) in a way most people probably wouldnāt, even if they meant well.
Also semi-inspired by some fan art by @meandtheyeehaws
Any comments are truly appreciated!!
Summary:
Asmodeus agreed to give a talk on consent for his favorite nieceās latest passion project... Redeeming sinners. If heād known it was actually a thinly veiled intervention for one specific audience member, the one and only Angel Dust, he probably wouldāve declined. Honestly, it was bound to be a disaster.
But Ozzie knows how to pick up the pieces.
When I was early on in my transition I got in a Lyft, and the driver was this big country guy. I was a little nervous so I just sat quietly in the back.
After a moment he changed the music on his phone to what sounded like a Hatsune Miku song. Curiosity got the better of me, so I finally spoke up and said āis this Hatsune Miku?ā
And he said āYep. You looked uncomfortable, and I know Transgender women like Hatsune Miku, so I thought it might help.ā
I think about that interaction a lot.
This is my favorite rare pair. I'm right.
"Because I said so" straight up isn't as good an answer as you think it is.
They both make a good point! ⦠I think.
TW: SA, ABUSE
Someone said some victim blamer shit in my reblogs and that's an automatic no, but I needed to share... Because what the hell, man?
Reposting because it's important and another fact is that it, on average, takes seven times for an abuse victim to leave their abuser permanently.
"Giddy"
Late night doodles because the Morpherine brain worms are still going strong.
this is fucking sending me omfg
can't stop thinking about these dorks