Marc, all those horrible things that she said to you, she was wrong. It wasn’t your fault. I shouldn’t have brought him in the cave. Hey. Hey. You were just a child. It wasn’t your fault.
MOON KNIGHT (2022) Episode 5 | Asylum
Sade Olutola

Kiana Khansmith
Keni

blake kathryn

Love Begins
One Nice Bug Per Day
Lint Roller? I Barely Know Her
PUT YOUR BEARD IN MY MOUTH
TVSTRANGERTHINGS

#extradirty

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he wasn't even looking at me and he found me

Andulka

oozey mess

if i look back, i am lost
KIROKAZE
untitled
Not today Justin

@theartofmadeline

gracie abrams

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@throughtheruin
Marc, all those horrible things that she said to you, she was wrong. It wasn’t your fault. I shouldn’t have brought him in the cave. Hey. Hey. You were just a child. It wasn’t your fault.
MOON KNIGHT (2022) Episode 5 | Asylum
“My child is fine!”
Your child fantasizes themselves being a part of closely-knit, quirky groups of fictional people in the found family trope to feel something
will anything ever go as hard as the Anastasia stage musical integrating Swan Lake and 'Once Upon a December' into 'Quartet at the Ballet,' giving Dmitry and Gleb (the show's narrative foils re: their treatment of Anya) the harmony on the line "it's fate that brought us here!", and then giving all four mains overlapping parts to showcase the characters' emotional chaos, all as the dancers danced to Swan Lake below them?
Musicals and the Artistic Depiction of Revolution: an expansion on the Revolutionaries in Musicals Post by @paperandsong
Feel free to ignore my thoughts under the cut, lol.
Keep reading
Titanic (1997) / Anastasia (1997) (insp.)
The Darkling: hey, can you hold this?
Alina:
Alina: this is your hand
The Darkling: I know
Leigh Bardugo hugging Alina in the throne room destroyed me.
Leigh Bardugo rly saw the overwhelming two-guys-with-one-girl love triangle trend and said let's ✨spice this up✨
We got three guys in love with one girl, two guys in love with another guy, two guys and a girl except one of the guys is in the middle instead of the girl, two girls and one guy, two girls and one guy but a girl is in the middle, two girls and one guy again but with an arranged marriage twist, and whatever the fuck was going on with Zoya, Alina, Genya, and the Darkling. We got it all
The Darkling: my sun summoner must be top of the line, elegant, graceful...
Alina: hi, I'm Alina Starkov -
Alina: *trips over air, falls on her face*
The Darkling:
The Darkling: I want that one
I never said that darkalina were healthy. I said they were sexy and interesting and captivating and really that’s all the matters.
“You and I are going to change the world.”
That trailer killed and resurrected me at the same time. This show will be the death of me cuz my god, Ben Barnes and Jessie Mei Li are on fire 🖤
I’ve been doing some thinking about Darklina/Alarkling and why I ship it even though everyone dismisses it as some vapid fangirl bad-boy thing.
I’ve come to the conclusion that the reason so many of us like the ship isn’t because we’re “abuse-apologists”, but because of the inherent tragedy of the fact that Alina and Aleksander technically were soulmates and complimentary halves to each other, but by the time they finally crossed paths with each other it was too late. They were basically doomed from the start.
The Darkling had spent millenia walking the earth, living through and witnessing many things that shaped his ideals and beliefs. We can see in the short bonus story included at the end of Ruin and Rising that the Darkling was once a very human boy who tried to see good in other people and sought human connection and friendship, far from the ruthless villain in the books. But something consumed and buried that boy. Ironically, I believe that the Darkling’s immortality is what destroyed his humanity.
The human mind isn’t really built for thousands of years of life and isolation, and his solitary immortal life gradually wore down his humanity, empathy and ability to connect with other people. It’s like how the rolling ocean tides gradually and inevitably erode and wear away rocks. No matter how good of a person you are, I think that living through an unending passage of time would eventually wear down your ability to connect with the world and the people around you. That’s why in the short story from his POV as a child he thinks about how other people are basically dust—the connections he makes with them are futile because their lifespans start and end in a blink-of-an-eye of his immortal lifespan.
So if he’s removed from virtually every other living being on the planet, what does he have left? Power. So he dedicates himself to it for thousands of years because it’s the only thing he has, the only thing he can rely on. That pursuit of power ended up consuming him, his immortality eroded his empathy, which then all combined with his desire to make a world where Grisha could live freely unlike the world he lived in as a child. The sum of all these things is what made him into the complex villain that he was.
Then Alina comes along, a shining beacon of light, and the only other person who could understand him, the only other person in the world who is just like him. There’s a reason the series beats us over the head with “like calls to like.” Despite being fully entrenched in his own corruption and lust for power, there’s a deeply-buried part of him that genuinely yearns for her and that connection that he’s been searching for his entire life. People say he only loved her power and not her, but truthfully I think it’s a bit more complex than that. He genuinely believes that this person is destined to exist alongside him, and she is the only person who won’t turn to dust on him. After thousands of years you would be excited to finally meet someone like you too.
Underneath all that corruption and power he’s just a pathetic, isolated boy, and that’s one of the reasons he lost his sh/it and panicked when his mother died. His mother’s death leaves him significantly more frantic and unstable, because he’s now one step closer to being completely and utterly alone. He has a meltdown and lashes out when Alina loses her powers because it feels like he’s lost her too, that she’s going to turn into dust and slip through his fingers like everyone else. It sinks in that now he is completely and utterly alone in the world.
The tragedy really sinks in with Alina’s knife in his chest. He begs her to stay with him in his final moments (“don’t let me be alone”), and entrusts her with his very human dying wishes. No grave to be desecrated and to hear her say his name. Once all of that power and ambition crumbles away, all that’s left is Aleksander.
In that moment the thousands of years of his immortal lifespan are meaningless—he is fading and dying like every other man on the battlefield. Aleksander, the human boy who felt love and hurt and loss could only return when the Darkling died. His death affects Alina too, despite everything she can’t hate him because on a fundamental level she saw herself in him too, she understands and mourns Aleksander.
The true tragedy is that had they crossed paths thousands of years earlier, before the Black Heretic created the shadow fold, before Aleksander became the Darkling—I believe that they truly may have had a chance at happiness with each other. What could have been if that little girl who he tried to befriend when he was a child in the bonus short story had been Alina instead? If Alina had found Aleksander and not the Darkling?
It’s the tragedy of finding your soulmate but too late. He tells her at one point in the story “you could make me a better man” and what stings is that at one point that may have been true. There’s a cruel irony to finding someone who could have been your salvation and light, but only when you were too far gone to be saved.
A whole collection of Six of Crows art commissioned by Once Upon a Wick in 2019! Unreleased until now.
Inej, Kaz, Jesper, Wylan, Nina, Matthias, Ketterdam, and The Ice Court.
ɪ ᴊᴜsᴛ ʟᴏᴠᴇ ᴘʜᴏᴛᴏɢʀᴀᴘʜɪɴɢ ᴛʜɪɴɢs ᴀɴᴅ ᴘᴜᴛᴛɪɴɢ ᴛʜᴇᴍ ᴛᴏɢᴇᴛʜᴇʀ ᴛᴏ ᴛᴇʟʟ ᴀ sᴛᴏʀʏ. ——Christopher Nolan
Momento (2000) ‖ The Dark Knight Trilogy (2005-2012) ‖ The Prestige (2006) ‖ Inception (2010) ‖ Interstellar (2014) ‖ Dunkirk (2017)
This is bloody genius.
Movies turned into the covers of old books by an illustrator Matt Stevens.
Jack Sparrow was my first ‘hero’ and Johnny Depp was my first real actor obsession. Ever since I first saw Pirates of the Caribbean when I was about 6 or 7 years old, Johnny Depp has been one of my favorite actors ever. At one point whenever someone asked me who my favorite actor was, all I could say was Johnny, there was no one else I thought of.
My heart broke when the rumors about him abusing Amber appeared. I started questioning my looking up to him. I felt somehow betrayed, was it possible that my hero could be this horrible person?
When the recordings of Amber admitting to hitting him my heart broke once again, this time for Johnny.
The fact that people can’t seem to comprehend that men can be victims of domestic abuse is awful.