TOCA ME
Available artworks

❣ Chile in a Photography ❣
Show & Tell
Game of Thrones Daily

#extradirty
Sade Olutola
I'd rather be in outer space 🛸

No title available
TVSTRANGERTHINGS

PR's Tumblrdome

tannertan36
todays bird

Love Begins

Origami Around

shark vs the universe

oozey mess
cherry valley forever
Claire Keane
𓃗
official daine visual archive
macklin celebrini has autism
seen from United States
seen from United States

seen from United States
seen from United States
seen from Ecuador

seen from United States
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seen from Singapore

seen from United Arab Emirates
seen from United States

seen from Netherlands
seen from Bangladesh
seen from United States
seen from Malaysia
seen from Türkiye

seen from Brazil

seen from United States
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seen from Malaysia
@tocame-blog
TOCA ME
Available artworks
again and again
{2025/26} w h {❀} r e
Rites Of Spring
Rites Of Spring (1985)
1985 - Rites of Spring + Butthole Surfers
- 9:30 Club, Washington, DC
Black Flag punk hardcore flyer on Flickr.
Circle Jerks, 7 Seconds, the Descendents punk hardcore flyer on Flickr.
[from Raw4Life, not my collection]
Playing
Dinosaur Jr. GREEN MIND
{2024} wipe your mouth, babe
Fireflies by William Larson.
IG Y. Store
Bahrain I 2005 is a very large portrait format colour photograph by the German artist Andreas Gursky of the Bahrain International Circuit, a motorsport race track completed in 2004 that hosts the country’s annual Formula One Grand Prix. Taken from a helicopter and subsequently manipulated using digital software, the photograph shows the track curving in a snake-like fashion through the desert landscape, the black asphalt forming a strong contrast with the beige sand surrounding it. No cars or people are visible in the image, although a long horizontal grandstand with a white roof can be seen just above the centre of the composition. A cluster of distant buildings are also perceptible near the horizon underneath a hazy grey-blue sky.Gursky, whose father and grandfather were also photographers, was trained between 1981 and 1987 at the Arts Academy in Düsseldorf, the city where he continues to live and work.
During his studies he was taught by the German photographers Bernd (Bernhard) Becher (1931–2007) and Hilla Becher (born 1934). The objective and systematic approach to photographing industrial structures that the Bechers emphasised in their own work (see, for example, Coal Bunkers 1974, Tate T01923) proved highly influential on Gursky and a wider group of photographers at the Arts Academy, including Candida Höfer and Thomas Ruff, who studied alongside Gursky, and Thomas Struth and Axel Hütte, who completed their studies there in 1980. These photographers have become known collectively as the Düsseldorf School of Photography (Tate Gallery).
Antoni TAPIES