Demon Beavers from Grim Fandango
Claire Keane
ojovivo
Peter Solarz
Keni

Kiana Khansmith

izzy's playlists!

blake kathryn
No title available
Jules of Nature
tumblr dot com

titsay

roma★

if i look back, i am lost

ellievsbear
Sweet Seals For You, Always
AnasAbdin
art blog(derogatory)
Aqua Utopia|海の底で記憶を紡ぐ

No title available
KIROKAZE

seen from Malaysia
seen from United States
seen from South Korea

seen from Malaysia

seen from United States

seen from Venezuela

seen from United States
seen from United States
seen from Argentina
seen from Colombia
seen from Canada
seen from United States

seen from Russia
seen from United States
seen from United States
seen from United States
seen from United States

seen from Canada
seen from Qatar

seen from United States
@toniwilder
Demon Beavers from Grim Fandango
1980, Black Silk & Sequin, “Firework” Gown, ASU FIDM Museum
pet peeve that happens more often than you would both think and want
[image description: a four panel comic of a blank grey person, a blank blue person, and the artist's sona, doc, an axolotl with glasses. in panel 1, doc and the grey person are looking at the blue person, who is saying "hi i am male character with a complex about my identity. i am miserable and forcing myself to be something i'm not. transgender imagery keeps being associated with me especially in scenes where i'm most sad and/or angry about my identity, which is male. even if i hate it. even if it's painful." in panel 2, doc is thinking of an egg over a trans flag while the grey person says "omg transmasc king". in panel 3, doc's thought bubble pops as he quickly looks over at the grey person with a baffled expression. in panel 4, doc, still baffled, looks back over to the blue person, who is saying "i cannot stress enough that i am so unhappy with who i currently am and who i currently am is male". end id]
hey do you guys like my new outfit
[image description: three drawings of doc wearing an oversized shirt. in the first, he is showing the front of the shirt, which says "i did not nor have i ever said that you specifically are not allowed to ever headcanon any male character as transmasc and the fact that so many of you assumed that says more about you than it does me". in the second, he is showing the back of the shirt, which says "lots of you could benefit from taking a second to assess why you feel so threatened by the idea of a character that you enjoy being transfem and also consider how one's biases can bleed into all aspects of one's life including how they enjoy and engage with media". in the third, he is lifting up the shirt to show off short shorts that say "some of you are just misogynists though". end id]
its never gonna go away
🌿🐇 a mr james “sawyer” ford (for my mum’s birthday!)
Fear and Loathing in Las Vegas (1998)
birth of an angel (revisited)
Thunderbolts* (2025) dir. Jake Schreier
You Can't Get Help Like That Anymore - art by Tom Wright for Night Gallery (1972)
Sabrina Carpenter’s 2026 Met Gala look is more than just fashion - it’s cinema woven into couture. Wearing a custom Dior creation by Jonathan Anderson, her dress is crafted from delicate strips of tape taken from the 1954 film 'Sabrina', once starring Audrey Hepburn. A tribute that quite literally binds past and present, turning an iconic story into something you can see, feel, and wear.
"crime" for conservatives is basically just existing in public as a person of color
always thinking about that Oxford study that found half of adults define "young people hanging around in groups" as "anti-social behaviour"
>"anti-social behaviour"
>looks inside
>socialising
You actually just have to accept that it is possible for people in your social group to be abusers even if you are not literally Jeffrey Epstein and in fact even if you have no money and all of the odds stacked against you.
It is true that money and power enables abuse on a grand scale, but the converse is not true— having no money and no power does not make abuse less likely. I think many of us know this from experience. There is no special moral quality to being poor or being oppressed. Oppressed people abuse each other all the fucking time, in families and relationships and friendships. People of color abuse each other. Women abuse each other. Gay people and trans people abuse each other.
Cesar Chavez raped the women and girls of the labor rights movement throughout his career, using worker solidarity as a bludgeoning tool to ensure their silence.
If you say “people in my group don’t do this, it’s the powerful men that do it” then you harm yourself in several ways.
1. You signal to your social circle that you do not hold them to any standard of behavior. You have preemptively pledged loyalty, which means that if they behave objectionably, any objection on your part will mean a betrayal of your community.
2. You mark yourself as socially permissive. People in your social group know that you are, at baseline, unwilling to accept or act on allegations against them. To be frank, this makes you very easy to take advantage of, whether in service of abusing someone else or abusing you directly.
And you harm other people by telling a lie. What about all of the people who have been abused by a person within this oppressed group? They have it reiterated that their abuse cannot be spoken about, for the sake of solidarity.
Everybody on this earth has the potential to do immeasurable harm to another person just as they have the potential to do good. You can— and in fact I would say you must— advocate and fight for the rights of your people without making yourself into a useful tool for bad actors within your community.
Once when I was in undergrad, someone described something as “problematic” in class and our professor was like, “That’s cool, but ‘problematic’ doesn’t really mean anything. It means that the thing you’re describing has a problem, and in and of itself that’s not bad. Art, especially, should always have problems, or else it’s not interesting and not art, either. It sounds like you’re trying to say that this is bad, but you don’t want to say ‘bad.’ Is that right?”
So from then on whenever one of us called something problematic, he would make us talk it out until we could name the “bad” thing we were hinting at. In this particular class, 7/10 it was some type of oppression, and the remainder was like, “I’m uncomfortable because this is very new/confusing/pushing boundaries that made me feel safe.”
Once we stopped calling things “problematic” and stopping at that, class got way more interesting and... we all had to say, like, “that’s racist” or “that’s misogynistic” or “ew capitalism gross” out loud, which a lot of us had never done in a classroom before. Or we had to be like, “Uhhh... I’m not sure what’s so bad?” and confront our own beliefs and that was maybe even more useful.
Anyway. Whenever I see the word problematic, I can’t help but think of this professor being like, “Good starting point, now let’s get specific.” I think when we have to commit to saying “that’s ___” it requires a lot more careful thought about the truth and impact and complexities of whatever we’re claiming. Sometimes there really is some bullshit afoot, and also sometimes it’s art, and it should be full of problems, because that’s what art is.
favorite movies ❤ Once Upon a Time in Mexico (2003)
THE BABADOOK (2014)
Excess Baggage (1997)