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Stained glass
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Si sabrá mas el discipulo?, Francisco José de Goya y Lucientes, 1797-1798, Minneapolis Institute of Art: Prints and Drawings
binding: mottled calf, gilt tooled with a green panel on spine lettered: CAPRICH DE GOYA; endpapers: contemporary Spanish marbled papers Francisco Goya’s series Los Caprichos contains layers of meaning that even today challenge the modern viewer. Mia’s copy is a rare presentation proof containing early printings of all eighty images. In the first half, Goya explored themes of superstition, sensuality, greed, and violence with scenes set in Spanish brothels, salons, and prisons. The second half is given over to fantastic images from the artist’s dreams and nightmares. Even though Goya tried to disguise his attacks on Spanish society, he withdrew the set from sale because he had been reported to the Inquisition, a tribunal that ruled with lethal authority. Size: 8 ½ x 6 in. (21.59 x 15.24 cm) (plate) Medium: Etching and aquatint
https://collections.artsmia.org/art/80347/
Head of the girl, 1923, Martiros Sarian
Medium: oil,canvas
The Elders weared in bear hides, 1944, Nicholas Roerich
The Girl with the Mushroom under the Rainbow, 1922, Konstantin Somov
https://www.wikiart.org/en/konstantin-somov/the-girl-with-the-mushroom-under-the-rainbow
Äiti Ja Lapsi, Elin Danielson-Gambogi
To Bed, 1897, Elin Danielson-Gambogi
Medium: oil,canvas
July Night, 1898, Childe Hassam
https://www.wikiart.org/en/childe-hassam/july-night
Woman with a Black Hat, 1908, Felix Vallotton
Medium: oil,canvas
Helena Sparrowhawk, Jan Matejko
Kiss, Edvard Munch, 19??, Finnish National Gallery
http://kokoelmat.fng.fi/app?si=C+I+B+II+74%3A5
Self-Portrait in Hell, 1903, Edvard Munch
Medium: oil,canvas
The Colossus, 1812, Francisco Goya
Medium: oil,canvas
Witches Sabbath, 1789, Francisco Goya
Medium: oil,canvas
Witches in the Air, 1798, Francisco Goya
Medium: oil,canvas
Moth Soft Sculptures
Larysa Bernhardt on Etsy