Queer Analysis of ABC Family's "The Fosters" (Queer Studies 262)
ABC Family's "The Fosters" is a drama unlike any other on national daytime television. Produced by Latina singer/actress/executive producer Jennifer Lopez, The show profiles Stef and Lena Foster, an interracial lesbian couple raising a mixture of biological and foster children. Their oldest son, Brandon is Stef's son from a previous marriage with a man, and is the only biological child of the Fosters. They have opposite-sex latino/a adopted twins and the plot begins as they take in Callie, a troubled young teen thrown around from foster home to foster home, as well as her younger brother Jude. The show chronicles many hardships and celebrations of life and touches on a wide range of topics such as sexual identity, gender expression, being a person of color in a white family, high school relationships and friendships, etc. This show is one of the most intersectional approaches of a show that I've yet to see in modern American media. This show is filled with characters, story lines, and scenes that one could endlessly analyzed, however I'm going to solely focus on the four pieces of The Fosters that screamed queer to me.
1. Lena Beautifully Represents Intersectionality Within a Queer Character.
Lena often talks about black issues that are not often mentioned in pop culture. In an early episode, she talked about disliking her big, curly hair as a child and all of the things she would do to it to attempt to make it straight (this represents assimilation into a white dominated culture). Black women are often criticized for their natural hair, and further ostracized for not straightening it. Lena acknowledges this and then speaks of her newfound love of blackness and of course, her hair. This stuck out to me because in contrast to the âQueer in the Choir Roomâ queer analyses we read in Queer Pop Culture about televisionâs Glee, Lenaâs identities both as a lesbian and as a black woman are acknowledged in a way that is progressive instead of oppressive.
2. The Youngest, Jude, Callie's brother, is Probably the Queer-est of Them All.Â
. . .and his best friend Connor is the ultimate ally, he just doesn't know it yet! The Fosters take Jude and Callie in after she is released from juvenile detention (bashing in her step-dadâs carâbut only after he physically assaulted Jude for wearing a dress). Jude likes to paint his nails, and gets picked on for this when going to school. A meek boy, he ignores the bullies instead of standing up to them, and his best friend Connor comes to school the next day with painted nails. Yeah!
Additionally, Stef and Lena explain to him that wearing nail polish has nothing to do with whom you are attracted to and love. Additionally, they explain to him that even if he were gay, it would of course be okay. They also explain that itâs not always necessary to put a label on it either, touching on important issues of gender identity and gender/sexual fluidity, and through the education of a young, possibly queer boy.
3. Stef and Lena's Relationship is Painfully Stereotypical
The ever-so-popular stereotype that is the relationship between butch-femme lesbians and the gendered stigmas and stereotypes that correlate. Lena is the more physically feminine, and the principle of a middle school. Though she works, she is often at home cooking and tending to the children and their problems while Stef is at work. She is often more lenient with the children and less impulsive than her partner. Stef, being the more masculine appearing of the two, is a police officer, and the hard-ass of the family. She is emotionally regressive and tends to make more firm decisions when it comes to punishment with the children.Â
Additionally, there are no conversations about issues of the LGBTQ+ community between Stef and Lena (or the kids) other than marriage. This is a major let down. C'mon, it's about time.Â
In an extremely gendered example, Stef is also the one who ends up proposing to Lena (the butch to femme, or âmanâ to the âwomanâ), bringing me to my next point . . .
3. A Queer Couple Meets Heteronormativity at the Altar?
Since this is a queer analysis and not a gay analysis, I must mention the heteronormatizing of Lena and Stefâs relationship through marriage. I am in no way looking down upon marriage, however there have been some queer critiques that link the institution of marriage to heteronormativity, and denying the correlation is impossible. The couple doesnât start out married; in fact, theyâve been together over 10 years without speak of it. Of course, Stef, being the more masculine figure of the two, is first reluctant and sarcastic about the idea of getting married, which is something often associated with masculinity. Â
However . . .
There is a part of this storyline that has impact. Stef, though having sour feelings about the wedding, realizes that she has internalized her fatherâs homophobia. This is especially important because we see a queer character recognizing the bias that is her own, acknowledging it, and then moving forward. It also shows that anyone can harbor homophobia, even those who may identify within the community.
4. Last--But Certainly not least--Cole!
Cole is the only transgender character on the show, and The Fosters does it well. For starters, the actor Tom Phelan is a transgender boy in real life. This is wonderful for queer representation because it isn't always this way. Cole also represents the hardships that trans* and other gender non-conforming people face: homelessness from family after coming out. Additionally, we see Cole struggle to fit into a group home for girls, as he is identified by the state biologically only. We see him experience a conundrum of transphobia within the home, as his counselor works hard to get him into an LGBT group home.
A few episodes into meeting Cole we find that his doctor is going to take him off his hormones because he is no longer able to afford them. He then is forced to turn to the black market, and ends up accidentally overdosing on whatever he is given from a back-alley drug dealer. Cole lives, but the scene was incredibly horrific and terrifyingly realistic. I appreciated the brutal honesty of Cole's story, because it is often the reality of many trans* folks' experiences.
That being said, The Fosters is filled with queerness--both beautifully and disastrous. However, when it comes to it as a whole, it's one of the most intersectionally inclusive TV shows centering queer characters. All in all, it's definitely worth the watch, and with a few minor tweaks, the show could be even better.
What do y'all think the queerest parts of The Fosters are? What do you think needs to be worked on?














