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there's something familiar here..
everyone post your biggest hear me outs my friend just showed me two conventionally attractive white men in a row i need to teach him what a real hear me out is
.world's largest excavator- nay, world's largest vehicle- the bagger 288
.also, scale reference! just the wheel is 70 feet in diameter
'here's a real hear me out' >>posts world's most conventionally attractive piece of machinery
For context,
Torment Nexus : "an idea that is so bad and dangerous in theory and practice that its indistinguishable from capitalist satire".
Luddite event : After the creation of textile machines (which produced fabric at a lower quality but faster rate while being dangerous to operate), textile mills fired a huge amount of their workforce leading to the remaining workers becoming overworked. A Luddite event thus in this context is "an innovation that is exaggerated to excuse mistreatment of the workforce".
it is actually my goal to get every repressed motherfucker to be as crazy and unethical and unburdened by social bullshit as possible. WHO CARES, ITS ALL FAKE! DO WHOEVER, WHATEVER YOU WANT
Traditions in transition: cinematic perspectives on the modernization of post-war societies (4/4)
Before concluding this four-part series, I want to examine how Lee Chang-dong’s "Peppermint Candy" (1999) portrays post-war South Korea’s transition from a military dictatorship to democracy. The film not only encapsulates the essence of societal transformation but also serves as a poignant reminder of history's lasting impact on individual lives.
As usual, you can find my previous articles HERE.
Part 3. Peppermint Candy (박하사탕, Lee Chang-dong, 1999)
Peppermint Candy's Trailer
Directed by Lee Chang-dong, an influential auteur of Korea’s New Wave of cinema, Peppermint Candy (1999) reflects on South Korea’s turbulent journey to democratization and modernity in the decades after the Korean War. Through its non-linear structure and powerful performances, Lee Chang-dong's film delves deep into themes of lost innocence, the impact of political and social change, and the haunting effects of guilt and regret. By revealing Yong-ho’s life in reverse, Lee Chang-dong juxtaposes personal memories with historical events, emphasizing the interplay between individual trauma and collective memory. In this way, he also effectively highlights how past experiences shape present identities.
The film begins with the suicide of the protagonist, Kim Yong-ho, who throws himself in front of an oncoming train. This haunting act serves as the catalyst for a reflective journey into the events that led to his untimely death. We see him in the 1990s as a broken middle-aged man, jobless due to the economic crisis and struggling with the consequences of his actions. His relationships deteriorate, including his failed marriage. Further back, he is depicted as a corrupt police officer and a disillusioned soldier witnessing the violent suppression of the “Gwangju Uprising”, also known as the “Gwangju Democratization Movement”. A tragic and pivotal incident in South Korean history that took place from May 18 to 27, 1980.
Peppermint Candy, Lee Chang-dong, 1999
Triggered by widespread discontent with the authoritarian regime of Chun Doo-Hwan, thousands of students and civilians in the city of Gwangju protested against martial law and demanded democratic reforms. The military’s brutal response led to the death of hundreds of protesters and left a deep scar on the national consciousness. To this day, the Gwangju uprising remains a significant historical event, reflecting the nation’s turbulent journey towards democratization and the enduring impact of state violence on collective memory.
Peppermint Candy, Lee Chang-dong, 1999
Peppermint Candy critiques political oppression and the abuse of power by depicting this military and police brutality. Its protagonist, Kim Yong-ho, is profoundly affected by the 1980 events. In a heart-wrenching scene, he accidently kills a high school girl during the chaos of the uprising, a moment that haunts him throughout the film. The title “Peppermint Candy” serves as a powerful symbol of innocence and nostalgia, contrasting sharply with Yong-ho’s despair. Initially, we see him as an idealistic young man with dreams and aspirations. However, as he becomes embroiled in the corrupt and violent system, his innocence is gradually stripped away, leaving him a hollow shell of his former self. Ultimately, Lee Chang-dong paints a harrowing portrait of a man haunted by his actions and struggling to reconcile the past with the present. Yong-ho’s identity crisis mirrors the broader societal identity crisis during South Korea’s transition.
Thank you for accompanying me on this journey. Your support has been truly invaluable.
Ruth Sarfati
Peppermint Candy dir. Lee Chang-dong (1999)
peppermint candy (1999) directed by lee chang-dong
Lan wangji is so Anne Kone coded, like why did he fall in love with the first guy to give him attention
Apple has announced a new emoji of a little gay guy getting fucked in the butthole by a big gay guy and an emoji of a big gay guy getting fucked in the butthole by a little gay guy
please read this even if you're not indian. especially if you're not indian.
you've seen the jokes. india is "dirty", indians are "everywhere", why don't they fix their own country. ok. let me tell you why, and what's happening right now while nobody's watching.
first, the history you skipped: britain ruled india for two centuries and drained it. economist utsa patnaik's research estimates around $45 trillion in today's money was taken. the india that got independence in 1947 was one of the poorest countries on earth. every "why is india like this" question starts there. you don't get to profit off a robbery and then mock the crime scene.
now, what's happening RIGHT NOW:
in may the question paper for NEET leaked. that's the national medical entrance exam. over 2.2 million students took it. cancelled. years of studying, families' savings poured into coaching, gone overnight because someone sold the paper. students died by suicide after. these were kids who wanted to be doctors.
and out of that came a protest movement. a gen z group called the cockroach janta party, started by a 30 year old named abhijeet dipke, got 22 million instagram followers within DAYS. they've been doing a sit-in at jantar mantar in delhi demanding education minister dharmendra pradhan resign.
and then there's sonam wangchuk. if you've watched 3 idiots, he's the real engineer the character was based on. built solar schools in ladakh. invented ice stupas so himalayan villages have water. spent his whole life on education. he's 59 and he's been on hunger strike for 17+ days now. reporters went to see him this week and he was too weak to talk. and the troll armies are calling him "anti national" and "foreign funded". a man starving himself for other people's children. that's the thing here, anyone who asks a question is suddenly a traitor.
it's not one incident, it's everywhere you look:
• infrastructure worth thousands of crores failing within months of the ribbon cutting. tunnels collapsing in regions where heavy rain is a guarantee, not a surprise.
• youth unemployment near 10% for ages 15 to 29, 13.6% in cities. in a country of 1.42 billion where more than half the population is young.
• only about the top 3% of indians earn above 10 lakh a year. meanwhile billionaire wealth keeps ballooning and the headlines celebrate it.
• manipur burned for over two years. an ethnic conflict, tens of thousands displaced, and the prime minister barely said the word manipur while it happened.
• journalists raided. critics' houses bulldozed. activists sitting in jail for years without trial under laws like UAPA. our press freedom ranking has cratered.
• even the petrol is a fight now, ethanol blending pushed through while drivers complain about their engines and get no straight answers.
and through all of it, the PM, who came to power on religious polarisation (americans, sound familiar?), travels abroad for photo ops and has not held one single open press conference in over a decade. not one.
what i'm asking:
if you're not indian: share this. our media mostly won't cover any of it because the big outlets are owned by the same billionaires the government serves. the only reason wangchuk's fast is getting any coverage is people refusing to look away.
if you ARE indian: speak up even if you're comfortable. especially if you're comfortable. join the protests. add to this, correct me, translate it. staying quiet is a choice when nothing in this post touches your life.
india is not "dirty". india was robbed, and it's being robbed again, from the inside this time. but it's also the country where a 59 year old will starve for strangers' kids and 22 million young people will rally behind a party literally named after cockroaches, because cockroaches survive everything.
we can still save her. but only loudly.
reblog. share. don't scroll past.
The movement, which began as a satirical protest, has evolved into a nationwide challenge to Prime Minister Narendra Modi's government.
Supporters of India's youth-led Cockroach movement said Tuesday they will continue their protest in New Delhi, refusing to leave their sit-in site a day after police used tear gas and batons to disperse thousands of them as they tried to march toward Parliament. Hundreds of protesters camped at Jantar Mantar, a designated protest site, under heavy police presence, saying they would stay until Education Minister Dharmendra Pradhan resigns over alleged failures in India's examination system. "We are going to continue our protest," said Abhijeet Dipke, founder of the Cockroach Janta Party, which emerged just two months ago. The movement, drawing students, professionals and families, marks a rare public challenge to Prime Minister Narendra Modi 's government in its third term, reviving criticism over its handling of dissent and its use of force to respond to protests. [...] Sona Bisht, a 20-year-old student who was part of the protest, said the confrontation strengthened her resolve. "If the government thinks that doing this with Gen Z, they can stop us, then that won't happen. We are here talking about education, talking about securing our future. And till the time our demands are not met, we will not move from here," she said.
"Definitions developed thus far about youth, like the Gen Z narrative, have largely been linked to roles attributed by the dominant system. The rulers have invented a whole range of terms — rebellious, irresponsible, apolitical, extremist, consumerist — not to understand youth, but to neutralize it. They know as well as we do that whoever wins over the youth wins over society. [...] Thus the question is not whether youth is powerful, but in whose interest this power is directed. Today’s uprisings — such as those in Nepal, Bangladesh, Madagascar, Indonesia, Kenya, Morocco, and beyond — demonstrate that youth continues to emerge as a decisive actor. Young women like Deniz Ciya have proven this with their lives. These uprisings are not expressions of generational temperament. These „Gen Z uprisings“ are expressions of a social force confronting structural crisis inherent in the current system. [...] Recent youth uprisings — whether in the form of environmental justice protests, labor movements, or uprisings against authoritarian governments — are proof that youth worldwide are not only responding to a set of circumstances; they are consciously and collectively rejecting the narratives that seek to define them. Thus, it is crucial to analyze what transpired, and draw lessons from these uprisings, particularly in the context of building a global youth democratic confederalism. For the power of youth movements is interconnected, despite being geographically distant." — "Beyond "Gen Z": Defending Revolutionary Youth Spirit" by Lêgerîn
"The youth in general, and especially the young women, are the spark of every revolution.We can’t look at the history and found a revolution without the youth. We are a fundamental factor. We should be aware of this reality, we should take conscience of our historical role. By doing this we will provide ourselves with a plan that will allow us the unity of action and objectives. The Youth should not be condemned to be a slave of the capitalist system. [...] If we reject the labels and mentalities imposed by the system, taking consciousness as Internationalist Youth in a global level and organizing ourselves, is there someone who can stop us?" — "The youth is the spark of every revolution" by Lêgerîn.
PEN15 is the worst comedy show ever. It baits you with the cringe age of adolescence then BAM real drama
“People should pass a test before being allowed to have kids.” “Isn’t it scary how white people have this inborn capacity for evil?” “I’ll never pass because males and females have different skull shapes.” “Autistic people have a stronger sense of justice than anyone else.” “I don’t want AMABs in my space because they’re dangerous.” “You shouldn’t have access to hormones if you dress like THAT.” “Anyone who does something that awful isn’t human.” “Some people really shouldn’t be allowed to vote.”
This is eugenics. This is phrenology. THIS IS NAZI SHIT, YOU ARE A LEFTIST BUYING INTO NAZI SHIT. YOU ARE NOT IMMUNE TO NAZI SHIT.
(getting my reactionary views mixed up) how could you get top surgery... that breast could've grown up to solve cancer
The whimsy of it all.. This got me giggling and gaggling 🥰