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[part 1] [part 2]
rocky learns about the Denmark incident :]
In Pride month, I think it's important to remind you of this iconic dialogue. You don't have to talk about who you are if you don't want to❤️
Still one of the finest, funniest scenes in any comedy, ever, made even better by the fact that it seems largely improvised and Jonno can barely keep a straight face.
He was so heartachingly beautiful when he was clinically depressed, what the fuck is wrong with me-
you don't even have a dog
If you are a queer Good Omens fan... *hugs* I feel you. I feel your anger, your frustratation, your grieving and sadness for a space and media that was meant to welcome us, that was meant to make us feel safe.
If you are deeply upset about the ending, you aren't alone, and you shouldn't feel ashamed for feeling this way. You have every right. Us people of the queer community, we are tired. We are tired that our stories never are fully heard, that our queer representation in media always ends in some form of cosmic tragedy. So many queer couples or characters we see ourselves in end up dead, separated, or we were led to believe their relationship would matter only for it to be treated like bait. It's as if people keep telling us we don't deserve love, that we don't deserve joy. That we should be greatful for the crumbs they give us, and we are so tired.
Good Omens wasn't suppoused to be like this. Aziraphale and Crowley's love for each other was meant to be taken seriously, it was building up for emotional cathartic moments follwing reflective messages. This show means a lot to queer people specifically,because we barely get stories where a relationship like theirs is allowed to exist with that much complexity and sincerity without being reduced to a joke or treated like an afterthought.
And some of us really did get to see ourselves in them: in the longing, in the restraint.
There's many queer people who feel connected to Crowley, with his rebellion, with the way he exists outside of every system that tried to define him, and with how alienated he often feels while still refusing to give up on what he believes is right. It's admirable to see a character whom has been cast out, labeled as wrong but still chooses love, still strives to stand up for his personal beliefs no matter what it costs him.
A lot of people in the LGBTQ+ community know what it feels like to be made to feel “other,” to live with that distance between yourself and the systems or communities that were supposed to welcome you, and to still keep searching for a place where you can exist honestly. Crowley carried so much of that.
I personally saw myself so much in Aziraphale, his character arc meant so much to me as someone who has a complicated relationship with religion and my queerness. Watching him wrestle between duty and desire. The way he tries so hard to do “good” while loving someone he wasn’t supposed to love felt painfully real. As a queer person who grew up trying to reconcile love with systems that taught us that love was wrong, and Aziraphale embodied that conflict with so much compassion and humanity. His journey mattered so much to me, to see him unlearn fear, to see him keep trying to choose love despite everything he had been taught.
Aziraphale, to me personally, represented that deeply human conflict of wanting to believe in goodness and belonging while also trying to make peace with parts of yourself you were taught to fear.
So it hurt deeply to see how unresolved his arc felt in season 3. Because for so many of us, his story was never just about whether he and Crowley would end up together. It was about watching someone who had spent so long carrying shame and trying to earn his place finally reach a point where he could choose love without fear.
And what do we get? instead of finally giving Crowley and Aziraphale the honest emotional payoff their story had been building toward, We get half-assed conversations between Crowley and Aziraphale that don't go anwhere. After everything they had been through together, it felt like they were still being kept at a distance from the very truth the story spent so long asking us to invest in.
And then the ending asks us to accept a sacrifice where they reboot the universe into one without angels or demons, without the versions of themselves we followed and loved. It's like they straight up ripped everything we saw ourselves in and loved apart and laughed in our faces.
These two characters loved each other so much, and the story's direction was never aimed for them to just disappear. These characters suffured so much, longed so much and chose each other over and over again just for the ending to make all of this feel futile.
Not just to the characters, but to us viewers who felt emotionally invested. Especially queer viewers who found something deeply personal in their story. For a lot of us, their relationship felt safe. It felt like seeing pieces of ourselves reflected back with tenderness. And when a story spends years building that trust, asking us to care, , to believe in where these characters are headed—only to make that journey feel like it led nowhere, the hurt goes beyond simple disappointment.
And then, the political climate we are living in makes the ending even more grim. At a time when queer people are still having to defend our right to exist openly, stories like Good Omens matter in a very real way. This story become more than entertainment. They become places where people feel seen, understood, and safe.
That’s part of why this ending feels so heavy. A story about two characters who spent centuries resisting rigid systems and finding home in each other ends without that love being fully honored, instead it ends with their disappearance. With sacrifice. With the versions of them we loved no longer getting to exist at all.
And this just, adds wound to the salt. Because queer people are constantly being told, in ways both subtle and explicit, that our lives, our love, and our futures are still up for debate. So for Good Omens, a show that lets be honest, has a major queer audience, erase Aziraphale and Crowley's romantic history and the thematic messages along with it.
We were genuienly left with nothing. The alternative versions of them didn't even feel authentically like Aziraphale and Crowley, so it doesn't hit. They get married yes, but we didn't really get to see the progression of their love or get to know these new versions on a deep level, so does it matter?
Aziraphale and Crowley didn't even get to kiss. And if you read them as aroace, that’s genuinely valid—people connect to these characters in different ways, and that interpretation matters too. A lack of physical romance can feel meaningful and affirming to a lot of people, and that deserves respect.
Howeveeer: they have kissed before.
But narratively, that’s also why this feels so frustrating for many viewers, because the story itself had already crossed that line. By season 2 especially, the emotional and romantic buildup was no longer subtle implication or fandom projection. The story intentionally framed their relationship as romantic, built around confession and choices neither of them could keep avoiding.
So the frustration isn’t “they needed a kiss or the story failed.” It’s that the narrative itself spent years building up so much intimacy and love between them in a way that clearly pointed toward resolution.
Which is why ending their story without ever letting them truly reach each other feels so painful. Not because every love story needs romance expressed the same way, but because their story was written around longing and around finally crossing emotional boundaries they had spent centuries avoiding.
The only kiss we have of them is genuienly emotionally devastating. It's a desperate declaration of love. It happens in the middle of fear and the unbearable realization that they want the same thing but can’t reach each other in that moment. And that’s exactly why so many people hoped the story would eventually let them have more than that.
And then, their love doesn't necesarly need to be translated with a kiss in season 3, sure. But it's not like we got any straight forward confession that mattered, and even if we had a semblance of one, it doesn't end up being relevant BECAUSE THEIR ENTIRE EXISTENCE AND HISTORY GETS ERASED.
Also, Crowely and Aziraphale are non-binary, and in the reboot version of them that gets erased too. Which also fucking sucks.
LGBTQ+ good omens fans, I love you, I hear you and you have every right to grieve this show. Please, keep creating fanarts, comics, and fanfics for our voices to atleast still exist in this media and fandom. You guys are amazing and what keeps this space alive with so much love and passion.
finished reading the house in the cerulean sea
Oops another person’s hand slipped
actually im doing really well except for the fact that everything makes me sad and the things that dont make me sad make me angry. but other than that im fine
—Good Omens fans thinking about the finale
The end of good omens 3 except instead of Satan and God showing up in the bookshop it’s the delivery man from s1 to pick up the backup copy of the Book of Life that has been there all along.
it's been a week. 'angel' and 'demon' were job descriptions. heaven and hell weren’t supposed to be an immutable destiny, they were a satirical bureaucracy sharing an office building inspired by a KitKat commercial. upper management couldn’t tell if the ineffable plan and great plan were the same slide in the mission statement deck. south downs was supposed to be retirement. have a watch, bugger off and tend to your marigolds. they never stopped armageddon because it wasn't their job description, the humans had that covered with their choices and their ineffability and their humanity. they were the romcom supporting cast, narratively useless save for being the lens through which the audience sees the story
and then suddenly they weren’t
you know what fucking kills me? all major historical events that happened in our universe (the supposed new universe) also happened in the original universe.
we know that covid happened because the lockdowns were the reason Maggie was behind on rent (+ the whole lockdown audio bit, if you want to treat that as canon). the French Revolution, WW2, the Spanish Inquisition, climate change all happened. Shakespeare, Queen, the Velvet Underground, Shostakovich and David Bowie happened. hell, even on a much smaller-stakes scale, our version of the M25 still looks like Crowley's version.
the universe still worked out the same exact way. what was the point of their sacrifice then? no more cosmic meddling? we've ended up with the same exact thing anyway, so either Heaven and Hell were never that important because it's all humanity's doing (oh hello Book Omens/S1) , or the universe is just so inert that the whole "once you get rid of God you gain free will" thing is just blatantly Not True
"but humanity is now free to exist without the influences from Heaven or Hell!!!" yeah and everything still worked out the same way so ultimately Heaven and Hell never had much of a hand in anything
"but humanity being in control is very Pratchett!!!" yes, but killing the whole universe just to prove that point isn't. the death of 8 billion people was just a device to prove that humanity is capable of both beauty and horror? "sin, young man, is when you treat people like things."
I dunno man, this ending is fucking bleak
Just now realising that Crowley took care of the bookshop for years... without any demonic miracles. He went in, did the dusting, warmed the place up, turned the lights on, kept it running the human way, and then slept in the alley. I'm broken 💔
demisexuality can be so hard to explain because it’s misconstrued as you just wanting to trust the other person before you have sex with them. and I get why the misconception happens. But demisexuality differs in that there isn’t sexual attraction at all before that bond forms.
I think what people have difficulty with is the idea that there are people out there who aren’t experiencing sexual attraction at all until a certain point, if ever, because we’re taught that sex, libido, and sexual attraction are all the same, both in and out of queer spaces.
And when you’re learning about asexuality and demisexuality, you may learn that people have romantic and aesthetic attraction separately from sexual attraction, and that sexual and romantic attraction aren’t necessarily intertwined, and that may challenge your worldview on sex.
But “I trust you enough to have sex with you” isn’t the same as “I’m not sexually attracted to anyone but you, and the reason I’m sexually attracted to you now after we’ve established this close bond is literally because of the bond of trust we’ve been able to form”.
It’s easy to see how those can get conflated. On the surface, if you’re unfamiliar with asexuality, they may sound the same. But it’s important to acknowledge the difference between “no sex until I trust you” and “no sexual attraction unless I trust you and maybe not even then”.
Demisexuality is housed under the asexuality spectrum. It’s part of the gray area between being allosexual and asexual. It’s part of why the definition for asexuality includes “little to no sexual attraction”. It’s a mostly asexual experience with an asterisk.
While being demisexual may have impacts on a persons sexual activity, even demisexuals have a varied relationship to the act of participating in sex. Libido and sexual attraction are not always intertwined either, which can make telling the difference tricky.
I think of sexual attraction as libido that has a compass. Since I rarely ever experience sexual attraction, but do have libido, it’s noticeable for me when that libido actually has a direction to go, rather than being a floating, nebulous, independent thing.
Remember, not everyone is demisexual. There’s a difference between waiting to have sex and not having sexual attraction at all until a certain point. This also inherently ties demisexuality to romantic attraction and relationships, and not all demisexuals are alloromantic.
But if you read what demisexuality is and think “everyone is like that” or “that’s just being a woman”, you either 1) are demisexual 2) don’t understand what it is or 3) both. And it’s okay to not know. Just as long as you’re willing to try to learn.
I wish I was as eloquent as you OP many years ago when people were constantly clowning on demisexuality. I was always nervous about reblogging demisexual positive posts because of how angry people got at them. It was absolutely ridiculous
Character sketches of the House in the Cerulean Sea!
Remember when joining fandom as a younger person meant lurking for a bit and figuring out the vibe and etiquette instead of coming in on day one and calling people weirdos for liking weirdo shit in the weirdo factory.
He took me to New York last week.