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Janaina Medeiros
Cosimo Galluzzi
wallacepolsom
dirt enthusiast
PUT YOUR BEARD IN MY MOUTH

ellievsbear
Aqua Utopia|海の底で記憶を紡ぐ
sheepfilms

Product Placement

Kaledo Art
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🪼
will byers stan first human second
hello vonnie

Andulka
noise dept.
Today's Document
todays bird

Discoholic 🪩
Show & Tell
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@tsumikicity
brushie brushie brushie
doodle
Hey, hey, look me in the eyes when I tell you this okay? The whole "do trans women or trans men have it worse?" debate going on right now is the most obvious CIA bullshit on earth cause honestly we've both got it pretty shitty and fighting each other isn't helping anyone
"errm actually not all ai is bad" bro the internet is fucking unusable you know what ai i'm talking about
NEKOSOFT.exe
the she-ra reboot makes this video relevant again which means we are in the best timeline
the kids these days dont know this masterpiece…they will learn
the Masters of the Universe remake makes this video relevant again which means we are in the best timeline
Now I didn't expect them to go this far.
oh my god they really acknowledged that ribombee is based on a brood parasite!?!
linked tree (includes options to donate to Ghanaian projects)
petition to show support
media literacy includes understanding why a media product was made, to whom it's being sold, and the assumed preferences of its marketing demographic. narrative is not produced or sold in a vacuum.
you might be totally correct that your ship would be narratively satisfying. I don't know, I'm not watching your show. Whether your ship is likely to happen on the show is a whole different question to whether it's satisfying, because the show is being sold to Netflix or Amazon or the BBC, and they are purchasing a show they think they can market to a particular demographic and that demographic isn't you, the nightmarishly online tumblr user. The show is being made for marketability to a constructed average viewer. It is being funded with that audience in mind. This art is being made to commission, and commissioned art is art, but at some point you have to stop expecting the Church to commission a statue of Lucifer fucking St Michael. It might be narratively satisfying, but that's just not what they're paying for.
In 2026, the chicest thing a gay actor can do is never explicitly come out as gay but also make it abundantly clear that he is. Coming out is too modern. Staying closeted is too old fashioned. But this method merges contemporary freedom with Old Hollywood glamour and allure, and it weeds out the dumbest people who truly don’t get it. I call it the Pascal Method.
Taylor Swift does this
no she doesn’t
You clearly don't go here or to queer history and signaling, or both, enough to have this conversation and I'm not going to explain it to you. You could have asked questions, you could have done even a modicum of research. You didn't and you made yourself look ignorant. Goodbye.
#I'm fucking crying#this is an instant classic#this is the next meme#i can't believe I'm here to see a baby copypasta nary two hours old#I can't#lol#i laughed way too hard#iconic
It lives in the arcade and leaves sticky little footprints on the linoleum. Naming it Gumble
2-YEAR CHEDDAR
from GRAFTON VILLAGE
I usually try to review cheeses virginally - that is, ones that I’ve never had before. In this case, this is a cheddar I’ve had many times before. But I couldn’t leave it off the blog, what with its obvious appeal to leather and rubber fetishists.
As far as cheddars go, Grafton’s 2-year aged isn’t going to shock you. It’s mild, light on the salt, with a slightly sweet and grassy flavour. It’s got a nice texture. It’s dense, more moist than I expected, and smooth.
So what is the deal with the gummi suit on this cheese anyway? Well, cheese has obviously been around a lot longer than fridges. Fresh cheeses like mozzarella are too moist to last very long outside of a cold place (bacteria and fungi do so love damp places), though I don’t think anyone was too mad about eating that stuff quickly. But cheeses that have been aged (and dried) more have some more preservation options, which is where cheese wax comes in. The wax is a physical barrier, stopping fungal spores from landing, and also blocks moisture and air, making the cheese a pretty unfriendly place to grow. Even drier cheeses can be bandaged in cheesecloth and then slathered in lard to preserve them while allowing some ventilation.
I gotta admit: hot wax isn’t really my thing. But cheesecloth bondage and grease… it has potential.
this site used to be awesome
Once when I was in undergrad, someone described something as “problematic” in class and our professor was like, “That’s cool, but ‘problematic’ doesn’t really mean anything. It means that the thing you’re describing has a problem, and in and of itself that’s not bad. Art, especially, should always have problems, or else it’s not interesting and not art, either. It sounds like you’re trying to say that this is bad, but you don’t want to say ‘bad.’ Is that right?”
So from then on whenever one of us called something problematic, he would make us talk it out until we could name the “bad” thing we were hinting at. In this particular class, 7/10 it was some type of oppression, and the remainder was like, “I’m uncomfortable because this is very new/confusing/pushing boundaries that made me feel safe.”
Once we stopped calling things “problematic” and stopping at that, class got way more interesting and... we all had to say, like, “that’s racist” or “that’s misogynistic” or “ew capitalism gross” out loud, which a lot of us had never done in a classroom before. Or we had to be like, “Uhhh... I’m not sure what’s so bad?” and confront our own beliefs and that was maybe even more useful.
Anyway. Whenever I see the word problematic, I can’t help but think of this professor being like, “Good starting point, now let’s get specific.” I think when we have to commit to saying “that’s ___” it requires a lot more careful thought about the truth and impact and complexities of whatever we’re claiming. Sometimes there really is some bullshit afoot, and also sometimes it’s art, and it should be full of problems, because that’s what art is.