sitting on the sidewalk like a baby

alissa // 27 // she/her icon by my partner everywhere @redstoneofaja

[ufonaut]

[gaybichon]

not even funny how true this is for me

[genderoutlaws]

Gilbert Baker helps hoist one of the two original rainbow flags created by the decoration committee for San Francisco Gay Freedom Day | 1978 | ph: James McNamara, lead seamster of the flags

[queer-as-city-folk]

Anti-city people are just plain fascinating to me

[ufonaut]

She was always a great one for encouraging sin. Blue sin, red sin, fabulous purple sin.

Secret Ceremony (1968, dir. Joseph Losey)

[souvenirs]

[ufonaut]

You have to lean how to clean everything. Everything that was used.

Les Félins (1964, dir. René Clément)

[ufonaut]

Richard Stark’s Parker: Snapshots from the Road — A Postcard Collection

This project is something I've wanted to put together for quite a while, and you may look at it as a roadmap of Parker's and Grofield's travels presented here in postcard and collage form. For fictional cities, I've opted to use the state instead, and for Slayground and Butcher’s Moon all available hints have been used to roughly determine the location of Tyler — a Midwest city with a hotel called Ohio House and an amusement park that may have very well been somewhat inspired by Cedar Point. Although many of the novels do feature multiple locations, I've only taken a few into consideration and expanded across several postcards for the ones where it is thematically or narratively relevant. The cover of the album where these postcards now reside has also been included, and the collage is presented in chronological order with one exception. (x)

Read my full thoughts and the concept behind this art project right here on rough Richard Stark's Parker website, Tough Business.

[ufonaut]

Richard Stark’s Parker: Snapshots from the Road — A Postcard Collection

This project is something I've wanted to put together for quite a while, and you may look at it as a roadmap of Parker's and Grofield's travels presented here in postcard and collage form. For fictional cities, I've opted to use the state instead, and for Slayground and Butcher’s Moon all available hints have been used to roughly determine the location of Tyler — a Midwest city with a hotel called Ohio House and an amusement park that may have very well been somewhat inspired by Cedar Point. Although many of the novels do feature multiple locations, I've only taken a few into consideration and expanded across several postcards for the ones where it is thematically or narratively relevant. The cover of the album where these postcards now reside has also been included, and the collage is presented in chronological order with one exception. (x)

Read my full thoughts and the concept behind this art project right here on rough Richard Stark's Parker website, Tough Business.

[sabertoothwalrus]

I hate the videoification of everything. If I have to hear one more video of someone speaking closely into their shitty mic and I have to have all their yucky wet mouth noises and plosives and nose whistles and throat clearings and sniffles I am going to dig a vertical hole the exact dimensions of my body and I’m going to slither in head first

[sabertoothwalrus]

as someone with misophonia, the widespread popularization of asmr audio editing + people that are being pushed to make video content with no formal training and have no idea how to edit their audio (ex college professors, average joe tiktokers, etc) is literally my nightmare scenario. this is hell I am in hell

[sabertoothwalrus]

this is actually the last straw for me I need to start sending people emails

[ufonaut]

well the thing about richard stark's parker is that parker is always thinking about how no one's coming to save him, it's up to himself to get himself out of any situation he's ended up in. and grofield's always thinking he's not meant to be alone, he has to have people to depend on, his life is among other people, his living is with parker. and despite parker's own beliefs about his own life & the way he carries himself, leaving grofield alone is never even an option to him, there's no alternative to saving grofield and staying with grofield. thank you & goodnight (the handle 1966/the dame 1968/slayground 1971/butcher's moon 1974)

[ufonaut]

This was supposed to be my last job.

Touchez pas au grisbi (1954, dir. Jacques Becker)

[ohmovie]

THE PIRATE (1948) dir. Vincente Minnelli

[speedlimit15]

cherry bomb voice Hello tumblr hello blog

[ufonaut]

A man who works for no one is on the loose.

Three Men to Kill (1980, dir. Jacques Deray)

[mtsodie]

moodboard

[redstoneofaja]

seasonally appropriate parker