Gifs aren't enough. We need the full scene on here right now. I am going to be watching this on a loop until season 3...

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Misplaced Lens Cap

oozey mess
2025 on Tumblr: Trends That Defined the Year

ellievsbear

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Cosimo Galluzzi

blake kathryn

izzy's playlists!

roma★
Monterey Bay Aquarium
Cosmic Funnies
TVSTRANGERTHINGS

Love Begins
untitled
Xuebing Du
$LAYYYTER
cherry valley forever
RMH
KIROKAZE
seen from Argentina
seen from Ukraine
seen from Indonesia
seen from Iraq

seen from Canada
seen from Saudi Arabia
seen from Türkiye

seen from Canada
seen from United States

seen from Dominican Republic

seen from United Arab Emirates
seen from India

seen from Malaysia

seen from Malaysia

seen from Canada
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seen from United States
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@untouchedsoap
Gifs aren't enough. We need the full scene on here right now. I am going to be watching this on a loop until season 3...
Modric truly is people’s princess
Listen, that was the least of it:
Nicko Cecchini (Canadian, d.o.b. unknown) - Castle Walls Lead Me to Despair (2026)
まとめ
I came here bearing data, for the folks who, like me, need numbers to help them wrap their head around stuff.
This started with me getting dopamine hits whenever I heard Henry call Hans just "Hans" because it reminded me of how in KCD1 someone (was it Divish?) clocked that Erik was someone special to Istvan because he called him "Istvan" and not "Sir Istvan". So of course I had to investigate how Henry calls Hans in KCD2.
This is definitely not an exhaustive list of all the times Henry has talked to/about Hans in the game. I mostly got the data from the cut-scenes and main quest moments where Hans was there. This is probably missing a ton of dialogue with Henry talking about Hans during side quests and/or outside of cut-scenes.
With that in mind, here's the data:
First graphic: What name Henry used to address Hans, either while talking directly to Hans ("Hans"), to a friend or an ally ("Friend"), or to someone else -- a stranger or an enemy ("Other")
Second graphic: Same thing, but differentiates between when they were just the two of them ("private") or with other other people ("public")
Third graphic: What name Henry called Hans, depending on what the context was. This is specifically for the times Henry was addressing Hans directly. I made a distinction between him teasing Hans ("teasing") and him just talking to him while he was just in a good mood (positive). Also made a distinction between him being mad at Hans ("upset") and worried for his safety ("worried)
So I have a few comments:
Henry mostly calls Hans "Sir Hans", which is to be expected, but interestingly enough, he still does call him “Hans” a lot.
Actually, when it’s just the two of them, he calls him just “Hans” more often. And I noticed that he calls him just “Hans” more and more often as the game (and their relationship) progresses.
The times he calls him “Hans” in public, it’s almost exclusively with allies. So he is careful about how he calls Hans.
In fact, the majority of the times he calls him Hans “with” in front of an audience is with Bozhena, who didn’t really believe that Hans was a noble until later in the conversation. Like it would have sounded weirder for Bozhena to hear him call him “Sir Hans” than just “Hans”.
Most of the time he calls him “Hans”, it’s when he’s worried about his safety. As if he slips when he’s desperate and betrays the fact that his Lord is just “Hans” in the privacy of Henry’s head. Like he's his best friend first.
The other time he calls him just “Hans” with an audience is with Brabant, when he takes Hans’s side when they talk about war after the escape. Which is also interesting because there were times when I had the impression that Henry was lowkey jealous of Brabant. A little like with Hans with Samuel, but less intense, obviously lol.
He doesn’t call him "Hans" when he’s teasing him or when he’s upset with him. Like he knows that a squire has no business teasing, and let alone reprimanding his Lord. He also has no business calling his Lord by his first name. The line between their positions and their friendship is blurred enough as is, so combining the two feels like crossing the line completely, irreparably. Like calling him "Hans" when he’s flirting with teasing him is too provocative. And when he’s reprimanding him, maybe using his Lord's first name feels like overstepping too much? Like it would feel like abusing their closeness to completely dismiss Hans' status with the objective of hurting him, which Henry would never do imo, because ultimately, he does respect Hans as a noble.
That actually brings me to my last point. I started this little research obsessing over when Henry just calls his Lord “Hans”. However, I've found that my favorite thing he’s called Hans is “your grace” at the very beginning of the game. Like using those two words was void of sarcasm and just felt so matter of fact. And it illustrates what I said about how Henry genuinely respects Hans as a noble. Like serving him may have been imposed to him, but he does think Hans worth serving. It may be his duty to protect him, but it’s a duty that he’s carrying happily.
Why the hell can't I save you once for a change?!
little bashful head shake Henry makes when he is embarrassed (◕‿◕)
Basil Clavering (1910-1973)
Studio Royale Hussar
Queen's Guard
Colville Gallery
Clavering was a successful businessman, and owned the Gala-Royale cinema chain. More as a hobby than anything else, he established a photographic studio in the basement of his Pimlico home, with his friend John Charles Parkhurst (1927-2000). Both men had served in the Navy, and they were drawn to the military men around the Hyde Park and Chelsea barracks, whom they paid to model for them.
Imagine for a second that you're an interstellar microorganism. I'm not doing that.
Project Hail Mary (2026) dir. Phil Lord & Chris Miller
The Groom and Best Man are gonna need a minute. Boys will be boys amirite/?
saw the cutest wedding photobooth-esque pic and had to draw it as spirk :,)
hi hello now's a great time to read umberto eco's essay on ur-fascism if you haven't already
also a great time to stop throwing around 'degenerate' as a funny lighthearted insult on the internet, especially wrt art/writing
tl;dr (though it’s not long and you should absolutely read it): eco’s thesis is that unlike nazism or communism, fascism is not a coherent ideology, just rhetoric and constant appeal to emotions. despite having no clear philosophy, there are several characteristics of what he terms ur-fascism (or ‘eternal fascism’) that can be adapted to different circumstances. eco discusses 14 characteristics of ur-fascism in his essay, but in summary:
the cult of tradition and rejection of modernity: all wisdom comes from the past and contains an ‘original truth’ that we must keep interpreting. there can be no advancement of culture, science and learning because nothing that’s new is worth learning. modernity is depravity.
the cult of heroism, machismo and action for action’s sake (aka 'move fast and break thing'): everyone should aspire to become a hero. action is beautiful in itself and therefore must be taken before any form of reflection. reflection and critical attitudes are by nature emasculating, and pacifism is collusion with the enemy.
fear of differences/dissent is betrayal: critical attitudes also encourage distinctions and dissent. to deal with this this, fascism encouraging unity among its followers by positioning them against intruders that must be fought against.
the enemy is both too strong and too weak: followers must feel threatened and humiliated by the enemy’s power, wealth or status. they must feel like they are under constant siege (which is usually achieved through conspiracy theories anchored in xenophobia and racism), but at the same time believe that they’re capable of defeating the enemy.
the paradox of populist elitism: on the one hand, every individual belongs to the best nation/race in the world and should be proud of it; on the other hand, there are no individual rights and no citizens, but a monolithic ‘people’ and their ‘common will’ that only their leaders are capable of interpreting.
control over language: fascism uses newspeak and a limited vocabulary that in turn limits the intellectual instruments needed for expressing complex and critical ideas.
eco proposes that it's enough for just one of the 14 characteristics of ur-fascism to be present to set the stage for a fascist regime to develop.
anyway world cup over what a fantastic final match between england and france with england winning! no other important matches happening and no other teams are still in the game
i love when people say michael’s existence is a plot hole because spock obviously has such a good track record of telling jim about his family members
part 2 of 2 of what happens if you don’t choose the “kiss him” option when saying goodbye to hans because oh my lord he’s so sad (especially this one)
(part 1)