Artist Arranges Scrolls of Hand-Dyed Paper into Kaleidoscopic Relief Sculptures
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Love Begins
Cosmic Funnies
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Sweet Seals For You, Always

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shark vs the universe

Origami Around
Noah Kahan
The Stonewall Inn
$LAYYYTER
PUT YOUR BEARD IN MY MOUTH
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RMH
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trying on a metaphor
Monterey Bay Aquarium
icyghini twinkie
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@verysherry
Artist Arranges Scrolls of Hand-Dyed Paper into Kaleidoscopic Relief Sculptures
🌼🌻🌼🌻🌼
Rami Malek for Mandarin Oriental Hotel in Barcelona
“Ever loved someone so much you would do anything for them? Yeah, well, make that someone yourself and do whatever the hell you want.”
Harvey Specter, Suits
Hello, tumblr, WTF
And hello lovelies that still happen to be here, how the hell are you?! It's been a while ...
Apparently I have a lot of posts that have been flagged for adult content?
Umm okay? I guess I was running a porn blog all along and didn't know it...?
New York a couple weekends back.
A philosopher once asked, “Are we human because we gaze at the stars, or do we gaze at them because we are human?” Pointless, really… “Do the stars gaze back?” Now, that’s a question.
- Stardust (2007), dir: Matthew Vaughn.
David Harbour © Benjo Arwas
https://typg.co/2ntxvNv - Seasonal crossroads
A singer in a smoky room Smell of wine and cheap perfume For a smile they can share the night
Baker Tops Nature-Inspired Cakes with Realistic Buttercream Botanicals
Jury president Cate Blanchet and jury member Lea Seydoux attend the photocall for Jury during the 71st annual Cannes Film Festival at Palais des Festivals on May 8, 2018
Kristen Stewart attends the 71st annual Cannes Film Festival at Palais des Festivals on May 8, 2018 in Cannes, France
Julianne Moore attends the screening of "Everybody Knows (Todos Lo Saben)" and the opening gala during the 71st annual Cannes Film Festival at Palais des Festivals on May 8, 2018 in Cannes, France
Jolene (33 R.P.M) - click for .mp3
Unsure where this came from, if not the palsied hands of the good Lord himself.
Simple premise: Dolly Parton’s “Jolene” slipped from 45 to 33 rpm. Nothing more; no studio trickery, no trip hop drum breaks. The guitar lopes back in and around itself. The bass becomes elastic, hot rubber. The violin stabs become sustained cello lines. The backing choir’s split harmony rattles around, slinking ghostly into the corner. And most importantly, Parton’s once-frantic vocal is transformed from bubblegum country scrawl into something approximating field holler reverence.
An already perfect song made transcendental..