Love Begins
Not today Justin
titsay
⁂
Kaledo Art
KIROKAZE
Game of Thrones Daily
d e v o n
RMH
No title available
Sweet Seals For You, Always
Misplaced Lens Cap
if i look back, i am lost
izzy's playlists!
ellievsbear
Mike Driver
wallacepolsom
No title available
DEAR READER
taylor price
seen from United States
seen from France
seen from Malaysia
seen from United States
seen from United States
seen from United States
seen from Brazil
seen from Malaysia
seen from United States
seen from Japan
seen from North Macedonia
seen from Pakistan
seen from United States
seen from Malaysia
seen from United States
seen from Malaysia
seen from North Macedonia
seen from United States
seen from United States
seen from United States
@viciousvenison
FaerieTales is on Tumblr!
A lost queen. A rejected princess. Rebellion, civil war, and the blurry line between hero and villain. Updates weekly!
Now, in addition to Fables and Patreon, you can read the comic right here on tumblr! Read the Comic »
Update is up on Patreon and
FaerieTales is a long-form mythic fantasy webcomic about magic, memory, and mistakes in a world of frayed crowns and waking mists.
! Gonna be doing some tinkering with the front page of the site this evening, but hopefully nothing that should interfere with readers.
Learning this was an intentional genocide changed me.
I know most of those following me know this, but just to make it super clear. An Gorta Mór (The Great Hunger/the Great Famine) was a deliberate genocide of the Irish people. There was enough food grown in Ireland to make sure everyone was alive and healthy and survived. Instead it was exported, sent to England and elsewhere for profit while men, women, and children starved in the streets. While the English landlords fucked off and evicted starving families who couldn’t afford rent. While babies were too weak to cry and died at the side of the road.
They tried to kill us, but they did not succeed. And we owe so much thanks to the other oppressed peoples, in particular the Choctaw Nation and the Masai, who sent money and grain to us.
Let me repeat that. The Choctaw Nation who had just gone through the Trail of Tears sent us money to try save Irish lives. It’s led to an understanding between Irish people and Native American tribes, most recently when we donated to the Navajo and Hopi fundraisers for COVID-19 relief, because while it may be a different tribe, Irish people will never forget those who helped us and we’ll help back.
The entire population of the island is less than seven million people. We’re still a million less on this island than pre famine. And it’s not that long ago. My grandmother’s grandparents lived through it. We’ve told the stories, it literally changed the DNA of the country. We have a national fear of renting, because so many people were evicted. People joke about Irish people always offering loads of food, but it’s because there’s that cultural memory of not being able to.
They tried to kill us, but they did not succeed. We will not let them take our lives, we will not let them take our language. We lost so much, but we will not lose it all.
This is why I get so angry when people say “it was the potato famine, it was because of monoculture/microbes.”
Nope. The potatoes were the only thing Irish people were allowed to fucking eat, because as pointed out, the rest of the crops they were growing were for their landlords to ship to England. So when the one “worthless” crop they were allowed to eat rotted in the field, the English crown, empire, landlords, all shrugged and carried on. People starved to death lying next to productive fields.
clingy
"One of my favorite encounters, a peaceful giant roaming the local beach. The fun thing is that he is invisible to the naked eye, so it was only seen with cameras, though the photos taken of him tend to have some distortion. I don't know what it is, but so far it looked just curious, as it was completely harmless, just floating a bit until it disappeared into the distance."
A new personal project made just for fun. ☺️
I'm really gonna need these to be a book!
Patreon and the website are updated!
https://faerietales.net
The good news here is that my garden, so far, has not been washed away. My future supply of cider and salsa is safe for now!
The page is gonna be a few hours later than usual on the site and Patreon today! I had to spend most of yesterday unexpectedly harvesting mulberries and strawberries before the birds got them, and making sure the rest of my garden wasn't going to wash away!
Frantically googling bat sanctuaries.
I laughed so fucking hard at this
Where do I buy this so that the people deserving of credit get my funds, pls and thx
The Shuttered Garden: How the Good Omens Finale Betrayed its Humanistic Roots
Text: Aivelin Illustration: a-ida
The series finale of Good Omens dropped this Wednesday, leaving the fandom shaken and in absolute distress. The audience reaction was immediate, driving the Rotten Tomatoes score for Season 3 down to a disappointing 36%. The online debate grew so heated and overwhelmed with grief that numerous fan accounts faced 24-hour social media bans for their highly emotional confessions.
Viewers are highly divided. While a fraction accepts the heavy ending as a necessary evil, the overwhelming sentiment across platforms is utter bewilderment and heartbreak: "These characters do not feel like the ones we grew to love in previous seasons!"
This raises painful, critical questions: Is this sudden shift in characterization a narrative misstep? Is the tragic, suicidal ending a harsh subversion of the original book, which famously promised a comforting happily ever after?
To find the answer, one must look closely at who held the creative reins for the scripts of Seasons 2 and 3. By analyzing the writing credits, clear and undeniable patterns emerge, linking these distressing plot choices directly to Neil Gaiman’s broader, often dark and subversive, body of work.
The Solitary Vision and the Realigned Mold
While the first season captured the shared spirit of Terry Pratchett and Neil Gaiman’s 1990 novel, the subsequent seasons belong to Gaiman’s solitary vision. When viewed alongside his wider world of storytelling, such as The Sandman, American Gods, and Stardust, the tragic fractures in Aziraphale and Crowley’s bond lose their surprise. Gaiman’s worlds are populated by immortal beings who are deeply fractured at best and cruel at worst. In these narratives, it is almost a rule that celestial entities will take advantage of the hearts that love them, turning devotion into a tool before abandoning those souls to a devastating fate.
Crucially, Gaiman always veils this emotional cruelty behind high-minded dilemmas. The act of abandonment is never framed as simple coldness; instead, it is masked as a profound moral crisis ("We cannot be together because I am a god and you are human"), a sacrifice of monumental importance ("I must leave our future to save my kingdom"), or an unyielding divine necessity. Even when Gaiman’s romances lack outward malice, they are consistently denied peace. In Stardust, the mortal husband passes away, leaving his immortal, celestial wife to endure eternity in silent, isolated grief. By transforming Aziraphale into a colder, more emotionally distant figure who abruptly leaves Crowley for a heavenly promotion, Gaiman is merely reshaping Good Omens to fit his favorite creative blueprint.
Deeply Pessimistic Parallels
Ultimately, the ending of Good Omens Season 3 and the conclusion of The Sandman reveal deeply pessimistic parallels. The Sandman closes with its protagonist suffering the consequences of his own rigid nature, forced by higher powers into self-destruction so that his kingdom might survive. In the wake of this death, the universe offers a surrogate replacement - a new entity stripped of the original’s memories, whom the remaining characters are forced to accept despite their lingering grief.
Aziraphale’s sudden, illogical decision to leap at Heaven’s offer mirrors this exact brand of narrative cruelty. Neither Aziraphale nor Crowley deserved to have their hard-won autonomy stripped away for the sake of a grandiose self-sacrifice.
A Profound Departure from Terry Pratchett
This shift represents a profound departure from the late Terry Pratchett’s fundamental worldview. Pratchett harbored a deep-seated aversion to suicide tropes and grand, sacrificial violence in fiction. His works respected the dignity of both life and death. In his narrative, the Apocalypse is defeated not through self-sacrifice or bloodshed, but by the quiet resilience and stubborn pragmatism of ordinary people. The first season beautifully honored this philosophy, as the Antichrist and a group of children stopped the Apocalypse through sheer, down-to-earth humanity.
The subsequent seasons discard this logic entirely, altering the very cosmology of the universe. In Season 1, God was an infallible, detached observer whose ineffable plan quietly empowered the right people at the right moment to prevent ruin. By Season 3, God is reframed as a petulant, semi-malicious entity capable of erasing existence on a whim.
Furthermore, while Pratchett and Gaiman likely brainstormed the concepts of the South Downs cottage and the conflict between Heaven, Hell and Earth together, Pratchett would never have designed an intentionally suicidal and destructive endgame. In his philosophy, survival is achieved through an attachment to mundane, earthly joys. In the first season, Crowley is saved from hellfire by his love for his car and his human-like imagination, while Aziraphale survives because of his eccentric, earthly devotion to collecting rare books.
Conclusion: Fanfiction or Harsh Reality
A true thematic continuation of both authors' visions would look radically different. It would find Aziraphale and Crowley left alone in a quiet bookshop for eternity, weaving their magical memories and shared love for humanity together to rewrite every lost book back into a brand-new universe. If that choice ultimately stripped them of their divinity and left them mortal, it would be a logical, bittersweet happily-ever-after within the sanctuary of a beautiful, earthly garden.
Instead, Gaiman has opted for character regression and profound emotional devastation. To pretend that Aziraphale's betrayal of Crowley and their martyrdom makes narrative sense within the established logic of Season 1 is an exercise in denial. Audiences are left with a stark choice: either view everything past the first season as high-budget, angst-driven fanfiction, or accept a harsher reality. The original, humanistic spirit of Good Omens died with Terry Pratchett, leaving behind a cold universe engineered for heartbreak.
A scene of an upcoming page of my webcomic Espero. I missed doing fake screenshots of my favorite frames. ❤️
She is an avatar of Great A'Tuin
Friendly reminder that the intro to Lion King….the non english bits leading up to the “circle of life” is not random yelling in *Africa voice* it is an actual language, Zulu, spoken by 10 million people, it is the most widely spoken language (out of 11) in the country of South Africa (1 out of the 54 countries in the continent of Africa, the continent home to somewhere between 1500-2000 languages and around 3000 distinct ethnic groups)
this isn’t to say that you have to friggin learn the language to sing along with a disney film, it just means that you should be mindful, respectful, appreciative and respectful. don’t be yelling out whatever noise comes in to your head when you hear it
Ok but someone knows what does this say?
The lyrics before the english comes in…in “circle of life”
Nants ingonyama bagithi baba [Here comes a lion, Father] Sithi uhm ingonyama [Oh yes, it’s a lion] Nants ingonyama bagithi baba [Here comes a lion, Father] Sithi uhm ingonyama [Oh yes, it’s a lion] Ingonyama [It’s a lion] Siyo Nqoba [We’re going to conquer] Ingonyama Ingonyama nengw’ enamabala [A lion and a leopard come to this open place] (repeats) [queue English lyrics]
I would like to further add that language has there own cultural nuances so something that can sound extremely meaningful in one languages may not sound as majestic when translated to another (I know this as someone who has an understanding of 5 languages and speaks 3 of them fluently) so if you are thinking “oh it ain’t that deep they are just yelling: the lion is coming!” dial it back
Worth noting that “lion” and especially the word Ingonyama is a very respectful word to talk about a Zulu king, especially in praise. It’s so heavily associated with royalty in isiZulu that a different word is used for an animal lion - Ibhubesi. This isn’t just announcing the arrival of an animal, it’s celebrating the arrival (or coronation?) of the king
/\ Whoop, I didn’t know this
This is so informative thank you so much
Lemme tell you, I was not dividing those syllables into words in the right places AT ALL
I would also like to state that the song “The Lion Sleeps Tonight” is an extremely washed out version of the original song “Mbube” by Solomon Linda, a South African musician. It was appropriated by the west and he never received credit or money for what became an extremely famous song. His family eventually received a small sum from Disney for the song but again, not much considering the history of the song. There is a documentary about it right now on netflix.
full article here
This is one of my most favourite posts I’ve made but I hate all of the typos on my part….but I’m grateful it landed with people
Learned something new 👍👍👍 today
And The Lion King is the only Disney film officially dubbed in Zulu! https://disneyinternationaldubbings.weebly.com/the-lion-king–zulu-cast.html
you know the drill.... put that gayass character in a little oufit!!!!!
Something made for a challenge about redrawing album covers using my own OCs. For my OC Yolanda I had other cover in mind, but then I came across a song that pretty much sums up her problems.
Hehehe, this was quite an interesting color use indeed.
The original cover is by Autoheart. Here's the cover and song if you are curious 👇🏻
Original cover is by Autoheart
when two musicians sing into the same microphone and lean in very close to each other… like omg are you guys gonna kiss now to relieve the homoerotic tension?😳
THIS IS NOT ABOUT ONE DIRECTION I DON’T KNOW WHO THIS “HARRY” PERSON IS GO WATCH BRUCE SPRINGSTEEN AND CLARENCE CLEMONS KISS ON STAGE RIGHT NOW
op is the only valid person i’ve ever met. everyone else needs to come to the light
Okay, but this is really important: Bruce Springsteen occupied this really weird place in music history. His songs were all from this pessimistic, nihilistic view of an America that had let him down:
Just like the anti-Vietnam War protest songs that we associate with the 1960s, or the early nihilism that spawned punk music in the 1970s. But he didn’t *sound* like a punk anarchist; he sounded like a country rock singer. When he released Born in the U.S.A. people completely misinterpreted (or possibly ignored) the lyrics in favor of the tone of the music.
Politicians used his music to promote their ‘Murica Yes! brand, and he had to literally explain that that was not what he was about. He’s over here asking when we’re going to have jobs and heathcare, not stanning the politicians who weren’t helping the people.
It was also kind of a big deal that he had an integrated band, because even as late as the 1980s music was still kind of segregated and MTV was straight up racist. They refused to play and promote black artists and then claimed that were no black artists in the first place. Michael Jackson’s record company had to threaten a boycott of their white artists to get MTV to play his Thriller video.
Plus, the first black/white interracial kiss on TV was in 1968 (OG Star Trek). Also it took us until the 70s to get sympathetic gay characters on screen, and the 90s to get gay characters to kiss onscreen. And all of those firsts were met with outrage.
So keep that in mind when you see Bruce Springsteen not just playing with an interracial band, but engaging in an interracial, gay kiss on stage repeatedly.
Passages from American Popular Music by Larry Starr and Christopher Waterman
I used to think that Bruce and Clarence kissing onstage was exuberance, showmanship, and telling racist homophobes to fuck off. Like, they picked up a certain kind of audience and went “Racist homophobes? Not in our house!” And started the kissing then but then I actually looked it up and
https://www.gq.com/story/this-fucked-me-up-bruce-springsteen-singing-about-clarence-clemons
It was a story where… we remade the city. We remade the city, shaping it into the kind of place where our friendship and our love for one another wouldn’t have been such an exceptional thing. - Bruce Springsteen
It wasn’t about showmanship or rejecting bigots or anything it was just. Damn right that was one of the loves of his life and damn right he was going to kiss him onstage
It gets me a little that Bruce has had a divorce, that he’s been married twice, but he loved Clarence for the rest of Clarence’s life and will presumably love him the rest of his own
Clemons said in one interview. “Bruce and I looked at each other and didn’t say anything, we just knew. We knew we were the missing links in each other’s lives. He was what I’d been searching for.” In another version of the story, Clemons says “He looked at me, and I looked at him, and we fell in love.”
I’m having some emotions about it!
“He was elemental in my life,“ Springsteen adds, “and losing him was like losing the rain.”
Not just! I love you pure and deep and true but! I am going to love you like that in front of the whole damn world!
We have fewer narratives about taking risks and making statements for platonic love rather than romantic and supposedly it would be easier to downplay this onstage than romance and! They refused! They fucking refused! In front of hundreds of thousands of people, over the course of years! In the spotlight, in word and deed, I love you!
God I’m not okay about it
Now I’m mad that this is not among any of the things I was ever told about this artist.
I knew about this in general (& via all those fabulous photos), but this just adds even more beautiful context <3
Just to add to the pile: this was the cover of Springsteen’s break-through album Born to Run, in 1975:
I mean, will you LOOK at this:
This was the pic chosen for the album cover from an extensive photoshoot, too. A few others:
There’s a lot more online if you search. They’re all pretty amazing. But the photographer is right, the one chosen for the album cover just pops.
I'm not sure if people really get what a risk this was back in that time period. I could hate Springsteen's music (I don't!) and I would still love both these men for this.
