She Even Poked The Holes So I Could Breathe

I write about whatever goes through my peanut head. But, beware: it speaks in riddles! 🍩

[creamyypeach]

Here's the post-Mickey 17 knee jerk FAQ:

Fans of largely ignored and deeply beloved previous film Okja rejoice

"what, you think you're too good for sauce from off the floor????"

Guns are only sexy when women are holding them

Bong Joon Ho knows I love it when he makes one guy hit another guy with a blunt object from behind

Parasite house jumpscare

The revolution WILL be televised via Google Glass

Robert Pattinson Clone-cest ALMOST happens (and that's close enough)

Thank you that will be all for now

[fruitblr]

Okja (2017) dir. Bong Joon-ho

[rob-pattinson]

ROBERT PATTINSON 2026 | Alex Prager ph. for GQ: Inside the Making of The Odyssey Issue

[ilywtf]

>settings

>world settings

>set to "your oyster"

[video-obsession]

I wonder how my internet activity during my teenage years would have looked like if I stuck around a little longer and jumped on the girl blogging/ lizzy grant wagon (not sure if it was a thing under these exact tags back then, but yk).

Actually, I don’t have to wonder. I know I would have ate that shit up. Would have been all queen of the gas station on this page.

[bikefuckersoftheworldunite]

Heat (1995) dir. Michael Mann

[cosmicretreat]

Al Pacino, Robert De Niro, and Michael Mann on the set of Heat (1995)

[depsidase]

[miss-mollys-ballet-blog]

Ray’s harmonizing with Gerard in Thanks for the Venom is one of my absolute favorite things my chem has ever written.

[mamawasatesttube]

the thing about media literacy is that understanding why the author chose to specify that the curtains are blue is the same skill set as understanding that the way the author characterizes all black characters as angry or all chinese characters as meek and silent is racist. it is the same skill set as being able to identify when a news source is biased or when someone is feeding you propaganda. the ability to ask "why did this person choose to present this premise in this specific way?" is a critical skill in a world full of misinformation. why are the curtains blue? maybe it's a characterization detail. maybe it's extraneous worldbuilding. why is this character written as being right all the time? maybe you're intended to disagree with them. maybe it doesn't matter. maybe you should still ask why.

[guelwaar]

people love the idea of the mean girl nurse pipeline because it problematises medical abuse as a personal perversion rather than understanding it as a product of broadly held ableist values and its like, if this was only about ontologically evil teenage girls choosing to enter a profession because of their unique sadism then you really wouldnt expect to see the exact same forms of abuse pervading all arrangements of paid, unpaid, formal, ad hoc, and familial caretaking as well -- its more comforting to believe the nurse was just a preexisting bad person than that most of the world broadly hates disabled people and will abuse, neglect, and gaslight them if given power over their care

[video-obsession]

One thing I love is that Neil perceives the Heat as this external entity that looms just “around the corner”, and he takes all necessary steps to ensure that when the Heat finally comes, he’s ready and packed to escape. Neil doesn’t have close relationships, other than the more paternal/ friendly dynamic he has with Chris, in order to not be tied down or put any potential loved ones in danger. He even asks Chris whether him being a husband and father won’t affect his rationality to make the right choice in a high tension situation.

By the end of the movie, we see the Heat not as external danger/risk, but as the core driving force of people like Neil and Vincent. Because it’s exactly that Heat, the obsession and grudge and passion, that makes Neil turn the car back around, and it’s that same force leading Vincent to Neil like a moth to a flame, ultimately killing him.

The most ironic part is that Eady (the one Neil was so adamant about letting in his life, since he believed a romantic, or any close relationship, would lead to his demise) ends up being the sole voice of reason during their car ride to, what could have been, freedom, “Is there time?”, and it’s exactly Neil making the very conscious choice towards his death, “There’s time”.

The Heat was never around the corner, it had always been right there, inside of them.

[video-obsession]

Wanted to add that this is one of the reasons I find it very very amusing when I see some viewers (usually boys/ young men) glorifying Neil’s detached and cold nature, like something one should incorporate in their own relationships. When the whole point of the movie is definitely not that and can even be a warning to adopting such an attitude in regards to relationships.

[svtvres]

If i may, Neil dodges the invisible. The Heat is like a hydra with ghostly eyes operating all around him, haunting him. While trying to escape this, Neil must live coldly, like a ghost as well. But he is still alive and that is no way to live. The ghost lifestyle cant be sustained so long as his heart audibly beats

[sailermoon]

I’m such a “yay <3” person like unironically a hip hip hooray type of personality

[video-obsession]

Please, why was the first thing I thought “Hip hip hooray YOUUU TALK TO ME”

Anyway, wanted to bring to the attention of none the wiser (such as myself yesterday) that these are actually THE three cheers. I went on for years without noticing that. Insane.

[sportsmusicsoapsmoviesfan]

[petaltexturedskies]

F. Scott Fitzgerald, The Beautiful and Damned

[video-obsession]

One thing I love is that Neil perceives the Heat as this external entity that looms just “around the corner”, and he takes all necessary steps to ensure that when the Heat finally comes, he’s ready and packed to escape. Neil doesn’t have close relationships, other than the more paternal/ friendly dynamic he has with Chris, in order to not be tied down or put any potential loved ones in danger. He even asks Chris whether him being a husband and father won’t affect his rationality to make the right choice in a high tension situation.

By the end of the movie, we see the Heat not as external danger/risk, but as the core driving force of people like Neil and Vincent. Because it’s exactly that Heat, the obsession and grudge and passion, that makes Neil turn the car back around, and it’s that same force leading Vincent to Neil like a moth to a flame, ultimately killing him.

The most ironic part is that Eady (the one Neil was so adamant about letting in his life, since he believed a romantic, or any close relationship, would lead to his demise) ends up being the sole voice of reason during their car ride to, what could have been, freedom, “Is there time?”, and it’s exactly Neil making the very conscious choice towards his death, “There’s time”.

The Heat was never around the corner, it had always been right there, inside of them.

[video-obsession]

Wanted to add that this is one of the reasons I find it very very amusing when I see some viewers (usually boys/ young men) glorifying Neil’s detached and cold nature, like something one should incorporate in their own relationships. When the whole point of the movie is definitely not that and can even be a warning to adopting such an attitude in regards to relationships.

[video-obsession]

One thing I love is that Neil perceives the Heat as this external entity that looms just “around the corner”, and he takes all necessary steps to ensure that when the Heat finally comes, he’s ready and packed to escape. Neil doesn’t have close relationships, other than the more paternal/ friendly dynamic he has with Chris, in order to not be tied down or put any potential loved ones in danger. He even asks Chris whether him being a husband and father won’t affect his rationality to make the right choice in a high tension situation.

By the end of the movie, we see the Heat not as external danger/risk, but as the core driving force of people like Neil and Vincent. Because it’s exactly that Heat, the obsession and grudge and passion, that makes Neil turn the car back around, and it’s that same force leading Vincent to Neil like a moth to a flame, ultimately killing him.

The most ironic part is that Eady (the one Neil was so adamant about letting in his life, since he believed a romantic, or any close relationship, would lead to his demise) ends up being the sole voice of reason during their car ride to, what could have been, freedom, “Is there time?”, and it’s exactly Neil making the very conscious choice towards his death, “There’s time”.

The Heat was never around the corner, it had always been right there, inside of them.