Memories & Distance

At the end of my suffering there was a door. Hear me out: that which you call death I remember. Louise Glück, The Wild Iris Profile image by shubbabang

[gemmaartertonedit]

Town & Country Magazine (2017)

[stars-bean]

The X Files | 1.17 - "E.B.E."

[horrorwomensource]

I think you're my soulmate. You're my soulmate.

CHASE SUI WONDERS & MADELYN CLINE as AVA BRUCKS & DANICA RICHARDS in I KNOW WHAT YOU DID LAST SUMMER (2025) dir. Jennifer Kaytin Robinson

[easterndaylighttime]

if I just had the presence of mind and the wherewithal and the chutzpah and the bandwidth and the executive function and the energy and the mental resources and the spoons and the right attitude and the capacity and the gumption and th

[charmedslayer]

I KNOW WHAT YOU DID LAST SUMMER (2025) dir. Jennifer Kaytin Robinson

[roadmotel]

Dean Pearson

[tolerateit]

EDITING PROMPT OF THE MONTH -> LIGHTS

[happyheidi]

𝖠𝗎𝗀𝗎𝗌𝗍𝖾 𝖱𝖾𝗇𝗈𝗂𝗋

[night-the-starfish]

Hunter and prey, markers on paper.

[littlestpersimmon]

Free Ornamentation IV. This work is dedicated to the public domain 🐌

[4nimal]

I turned them into individual transparent pngs if anyone wants those premade!

(Op lmk if you want me to take this down, I'd totally understand—on the other hand, I'd love to do it for the other public domain pieces you've done if that's ok!)

[unfamiliarsculptures]

A fancy little cat sculpture for my next shop update! It’ll be available Friday, May 22nd.

[lleyksie]

let’s be primitive horses with mama

[guangchuans]

[Image description: digital drawing of an adult horse and its foal running side by side. The design is based on the prehistoric cave painting depictions of horses. The background is solid yellow. End image description.]

[stop-entropy-lie-down]

we learned how to make tarts and now we can't stop

[zmijowka]

doe deer I saw when biking home from my classes. 05.2022 || by Zmijowka

[animationsource]

ONLY YESTERDAY (1991) dir. Isao Takahata

[mortalpractice]

& how when we left there was a white-haired lady, funny in the parking lot, feeding pigeons with the bread from her fanny pack, in front of a big truck she paid no attention to though it was waiting for her to move & my eyes caught a flood & I turned looking for someone who would understand I’d just seen my angel throwing bread down to the pigeons just kindly, slowly. & you, without my saying a thing, as if you heard the chest its joy & cardinal, you said yeah, just that. How marvelous. Ordinary. To get to see & turn around, & know somebody else was seeing, too. One day it will be otherwise. I always meant to thank you for that. Thank you. What is close to my heart is that woman, that city, you, that noon on the dry land dressed in pigeons & daylight, the dry land dressed in our brief lives, our lives brief & miraculous, as the bees.

— Aracelis Girmay, from “Central City Senior Center, New Orleans,” Kingdom Animalia

[jimmymcgill]

I'll see you tomorrow.

MIXTAPE (2026)