take your time

shall i bring you to the end of the world? (they/he)

[catcrumb]

[koiplaypen]

smoking to the thought of you

[zhukzucraft]

i cannot convey how behind on Hermitcraft i am

[sadagios]

I feel like we're home

[sproutellini]

Whatever man

[birdingbutch]

babygirl I'm avoiding things that I don't even know about

[rhinoyo]

🕰️ little 13 sentinels animatic :) 💚

[rhinoyo]

accomplices

[elatedsmiles]

they think they're being sneaky LMFAOOO

tweet it's based off!

[brushoflips]

[kindlespark]

in shock hearing people say that babel only takes a turn and becomes heart-wrenching at the end because that experience is so incomprehensible to my chinese diaspora ass that felt like their heart was being torn from their chest in the very first chapter likeeeee babel is underscored by such immense amounts of tragedy and loss and horror around colonialism and imperialism from the very beginning it's so crazy that white people can just read the first half of babel and not feel like every bone in their body was being dissolved in acid by the centuries of unspoken grief written in robin's experience SORRYYYYYYYY. average poc reading babel vs average white person reading babel truly LMFAOOOO

[onlydivinething]

this singlehandedly broke me love simply wasn't enough they loved each other so much but it wasn't enough

[kindlespark]

my brother's keeper (poem from here)

[neverbelongedtoangels]

Abandoned Son of God

1. The War of Vaslav Nijinsky Half-light: Collected Poems by Frank Bidart // Milan Pieta, Sant Alessandro Church by Benedict Cacciatori, 1887 2. Sun Bleached Flies by Ethel Cain // Ecce Homo by Guido Reni c. 1639-40 3. Head in the Wall by Ethel Cain // Waiting Room by Phoebe Bridgers // Agnus Dei "The Lamb of God", by Francisco de Zurbarán c. 1635-40 // Crucifixion by Unknown Artist 4. Long Sleeves by Gracie Abrams // The Unabridged Journals of Sylvia Plath // Motion Sickness by Phoebe Bridgers // Christ Crowned with Thorns by Unknown Artist 5. Not Strong Enough by boygenius // Ecce Homo by Bartolomé Esteban Murillo c. 1670 6. Chinese Satellite by Phoebe Bridgers // Hozier // Sometimes by Nick Lutsko // The Crucification of Jesus Christ by Wilhelm Kotarbinski 7. Swan Upon Leda by Hozier // Ptolemaea by Ethel Cain // Anguish by August Friedrich Schenk, 1878 // Pietà sculpture, Templo Expiatori 8. Strangers by Ethel Cain // A House In Nebraska by Ethel Cain // mirrorball by Taylor Swift // You're On Your Own, Kid by Taylor Swift // Christ In The Wilderness Desert by Ivan Nikolaevich Kramskoi, 1872 9. oh darling, even rome fell by @madzieloss // Unknown 10. the priest's favorite sacrificial lamb by @rollercoasterwords // Ecce Homo by Guido Reni c. 1639-40

[wrabbitx]

Quotes from the Everything Everywhere All At Once Directors’ commentary, part 2 of 2

[jimjimenezzz]

i love you media that emphasizes mundanity. i love you media that says you still matter as a person even if you don't achieve something great. i love you media that says existing and being alive is enough. i love you "we might not remember your poems, but we'd remember you." i love you "i was no hero" "perhaps. but you are a brave man." i love "in another life i would have really liked just doing laundry and taxes with you." i love you "but who's gonna watch the deer?" i love you the mundane as something to be loved for

[dcvina-claires]

i love when a character is a ghost but in a tragic way instead of a scary way. i love when a character has been dead from the beginning but is still holding on to stay in the narrative. i love when a character could choose to resent the living but ends up loving them instead. i love when a character drives the story but isn’t quite there enough to be at the center of it. i love when the ghosts are the protectors instead of the ones causing the harm. i love when a character is at the heart of the story because depending on where you began it, no matter how you told it, the story is about the ghost who struggled to keep their humanity