In 2026, the chicest thing a gay actor can do is never explicitly come out as gay but also make it abundantly clear that he is. Coming out is too modern. Staying closeted is too old fashioned. But this method merges contemporary freedom with Old Hollywood glamour and allure, and it weeds out the dumbest people who truly don’t get it. I call it the Pascal Method.
You clearly don't go here or to queer history and signaling, or both, enough to have this conversation and I'm not going to explain it to you. You could have asked questions, you could have done even a modicum of research. You didn't and you made yourself look ignorant. Goodbye.
#I'm fucking crying#this is an instant classic#this is the next meme#i can't believe I'm here to see a baby copypasta nary two hours old#I can't#lol#i laughed way too hard#iconic
a day later and i'm still crying about the fall of a sparrow
the look into genji and hanzo's past was so heart-bleedingly sad
the tragedy of hanzo trying to shield genji from their father's wrath, when we all know that not too much later, that same wrath will be hanzo's, and there will be no one to protect genji then
and like
that got me thinking about what that arguement must have looked like, for it to end the way it did
bc there's an understanding, at the end of the flashback; genji has actually seen hanzo for the first time in probably a long time
so what would lead to a fight so bad that one of them needs to die?
i think that genji asked hanzo to run away with him
their father is dead, their mother is long gone, and the rest of the family are vultures, so what reason does either of them have to stay, when this life makes them both so very miserable?
and it's a reasonable conclusion for genji to come to, it's a solution that makes sense
but to hanzo, it lands like a slap to his face
bc he has struggled so hard almost his entire life to hold everything together; sacrificing himself - his wants, his happiness, his personhood - to appease his father, to protect his brother, all while he's grieving the same loss that's tearing them both away from him
and he'd thought genji understood, finally; that genji would stand with him, would help him carry the legacy hanzo had no choice in inheriting
but genji doesn't understand
genji still wants to leave, genji wants hanzo to come with him
rather than staying and helping him, genji wants hanzo to abandon everything he's fought and suffered for
genji is asking him to have killed himself over and over and over for nearly two decades for nothing
and that is just more than he can bear
and then the horrible, horrible irony that in death, genji gets his wish; hanzo leaves, and genji's ghost haunts his every step as he runs away
I do think it's kind of funny when plot summaries are like "character A encounters the last person they expected...their ex." Idk about you guys I'd be less surprised if my new coworker/roommate/random dance partner was my ex than I would if it was, like, Megawati Sukarnoputri the first woman president of Indonesia.
Any of my exes could plausibly attend the same conference as me. But I'd be really surprised to encounter former US Secretary of State Condoleezza Rice
This poll is ambiguous if you (a) Don't have an ex or (b) Are Egyptian diplomat Hassan Gamal Ahmad Hassan, whose marriage to Megawati Sukarnoputri was anulled in 1972.
using violence to liberate people from sweatshops, unsafe mines, and grinding poverty isn't the same as using violence to impose those things on people. the idea that violence is morally repugnant regardless of context is a belief that every oppressor throughout history would love for the oppressed to hold
I am so utterly fascinated by “Saki”, the 18-year-running mahjong manga in which you, the reader, become gradually, frog-boilingly aware (over the course of nearly two decades’ worth of mahjong tournaments) that none of these girls are wearing underwear and most of their boobs are slowly expanding.
I need you to understand that I have, like, an anthropological level fascination with this comic. From the perspective of someone who is also a comic artist and writer, two things delight me about it:
the fact that I understand completely how an artist gets from “the fans can have a little hint of skirted asscheek” to “the pussy is completely out on center page” over the course of 18 years; and
the way in which the pussy being out is treated by the characters and diegesis as being utterly unremarkable.
Okay. Point 1. The frog-boiling.
Let me put this in perspective for you. There was already a meme about how the characters in “Saki” don’t wear underwear when I was in middle school. I am thirty now. Okay? And it’s still going.
In the time since, this has stopped being a joke. It is now indisputable canon. This is not because anyone outright says it at any point. It’s because the underwear ran out of places to hide. I’m obsessed with this thought: somewhere in the over 20 volumes of “Saki”, there is a panel in which underwear was objectively deconfirmed. And it would be so hard to figure out where that panel actually is. Maybe the artist didn’t even realize it when she drew it! The frog? Boiling!!
And of course there is also the breast expansion. I don’t know how to put a spin on this. They are just expanding. Like, this happens a lot with artists: you define a character as being, in your mind, “the one with the big boobs”, and over the years you emphasize that trait further and further so that the signal doesn’t get lost in the noise. It’s just that normally—in like a wildly popular manga series about mahjong published by literally Square Enix, for example—normally there would be a point at which the boobs stopped getting bigger. Like, an editor would step in or something. Or you would get to the point where you cannot draw the character in the same panel as her mahjong tiles without her breasts spilling over the tiles, and you’d go, “Well, this is now untenable.”
That did not happen. There is no ceiling. The frog is soup.
Point 2. The complete and utter mundanity of all of this.
It’s like this, okay: there’s no shortage of trashy ecchi manga out there. There’s a million other comics doing wildly bawdier things with wildly more improbable bishoujos.
The vibe with “Saki” is different.
It’s hard to explain this, but it feels like the world of the comic is fundamentally uninterested in the fanservice happening on the page. I cannot describe it as “leering”, because I cannot conceive of a person in the story from whose point of view one would leer. I think the artist is probably into it—I can’t imagine anyone is making her do this—but “Saki” the comic has no opinion on the matter.
There are essentially no male characters in “Saki”. Like, there was one guy? Kind of? At the very beginning? But he is gone now. They put him back in the toybox. He does not exist. It appears to be some level of canonical that in the world of “Saki”, almost all humans are women. Those women are sometimes romantically into each other. According to comments the artist has made on Twitter (which I cannot source), they have lesbian baby technology, so it’s no problem. It’s so much not a problem that the story is about mahjong, instead of any of that.
So, like, the fiction here appears to be this: this is the, like, meta-narrative of the fanservice of “Saki”, right: it’s just normal that they don’t wear underwear and their boobs are arbitrarily big. It’s been normal. It was normal before the story of the manga began. It’s just how things are. Nobody bats an eye about it, and if they do, it’s in sort of a lesbian kind of way so like what’s the problem, we love lesbians here. This is literally normal for girls.
The fanservice simply diffuses into this all-encompassing aura of disembodied, ambient sluttiness. The framing of the panels demands you acknowledge it, and the story demands you already be over it, because it’s mahjong time now, and we’re playing mahjong.
Do you get??? why I’m so fascinated??? Are you not a little enraptured???
Anyway, I have no idea how to end this weird post. I guess the conclusion is that women stay winning????
I have so many questions... How does one SUSPECT a manga character isn't wearing underwear? Like, sure, boobs are front and center amd you can see them get bigger panel by panel but how does this work for panties? Are there just that many upskirt shots?
Also how do you keep a manga about Mahjong going for 18 years, what??
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