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trying on a metaphor

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@vullie
Does anyone else find Caesar’s lack of women and children suspicious? Like, where are your concubines? Where are your children that will become the next Caesar and birth the next generations of legionnaires? Why is Lanius the next in line and not the first born son of the current Caesar? Where are your 5 or 6 concubines? Where are your 8 or 9 children? where are your sons that will succeed your line and become generals and commanders for your eldest? Where are your daughters that you would have gifted to your most trusted commanders and advisors? Why Lanius?! WHY IS FEMALE COURIER SUPPOSEDLY THE “FIRST” WOMAN TO ENTER THE TENT OF CAESAR?! I can only take fertility issues as an excuse for just so long before this shit starts smelling fruity fishy.
Is it that he can’t HAVE kids? Or that he threw the only one he could trust with his body, mind and soul off the jagged and twisted edge of the Grand Canyon. The only one that knew him before he became the son of mars, the only one that could take him as he was, could make him feel like a mortal man again, that could see the hate and scorn and vulnerability and loneliness in his eyes very time he looked at him. The only one that could see and remember Edward Sallow and the monster he has become and still give his essence to him. And threw him off a fucking cliff.
Does anyone else find Caesar’s lack of women and children suspicious? Like, where are your concubines? Where are your children that will become the next Caesar and birth the next generations of legionnaires? Why is Lanius the next in line and not the first born son of the current Caesar? Where are your 5 or 6 concubines? Where are your 8 or 9 children? where are your sons that will succeed your line and become generals and commanders for your eldest? Where are your daughters that you would have gifted to your most trusted commanders and advisors? Why Lanius?! WHY IS FEMALE COURIER SUPPOSEDLY THE “FIRST” WOMAN TO ENTER THE TENT OF CAESAR?! I can only take fertility issues as an excuse for just so long before this shit starts smelling fruity fishy.
Is it that he can’t HAVE kids? Or that he threw the only one he could trust with his body, mind and soul off the jagged and twisted edge of the Grand Canyon. The only one that knew him before he became the son of mars, the only one that could take him as he was, could make him feel like a mortal man again, that could see the hate and scorn and vulnerability and loneliness in his eyes very time he looked at him. The only one that could see and remember Edward Sallow and the monster he has become and still give his essence to him. And threw him off a fucking cliff.
IM.FUCKING SCREAMING I TRIED TO DRAW WIDE MR HOUSE IVE BEEN LAUGHING MY ASS OFF FOR THE PAST 5 MINUTES
@fallen-honor
I guess that’s what happens when you spoil your wasteland dog with a raw diet 😔
Suddenly struck with a need to explain to you how boat pronouns work (I work in the marine industry).
When you're talking about the design of the boat, you say "it".
When the boat is still being built, your say "it".
When the boat is nearing completion, you can say "it" or "she".
When the boat is floating in the water you probably say "she", unless there is still a lot of work to be done (e.g. no engine yet) then you say "it".
When the boat is officially launched and operating, you say "she". If you continue to say "it" at this point you are not incorrect but suspiciously untraditional. You are not playing the game.
If you are referring to a boat you don't really know anything about you may say "it" ("there's a big boat, it's coming this way"). But if you know its name, it's probably "she" ("there's the Waverley, she's on her way to Greenock").
If you are talking about boats in general, you say "it" ("when a boat is hit by a wave it heels over")
If you speak about a boat in complimentary terms, it's "she" ("she's a grand boat"). If you are being disparaging it may be it, but not necessarily ("it's as ugly as sin", "she's a grotty old tub").
If she has a boy's name, she's still she. "Boy James", "King Edward", "Sir David Attenborough"? The pronoun is she.
If it's a dumb barge (no engine), you say it. But if it's a rowing boat (no engine), you say she.
I hope this has cleared things up so that you may not be in danger of misgendering floating objects.
gender affirming engine installation
I like dachshunds
reminds me of lain in the best way possible
Just some absolutely amazing work by banksy.. hes probably my favorite street artist he is fucking up the game right now. He is the picasso of graff
‘Black room’ with frescoes inspired by Trojan war described as one of most striking discoveries ever made at site in southern Italy
Beautiful frescoes.
like no one calls it a skinny fetish when ppl reblog fuckin typical white bread skinny bitches girl twinks? no thats just finding them hot thats just liking ppl
oh but if that person is fat? and especially not "acceptable" bombshell curvy fat? then suddenly it's a kink snd a fetish and has to be something not normal and warrant ppl side eyeing you
grow the fuck up
also god is a fat fetish really the worst thing in the world? ppl harp on about dick size, tit size, ass size, ppl like getting punched, pissed on, put in cages to get off
why are all those acceptable* but when its about fat bodies somehow its the most immoral fucking crime in the world
not everyone with a fetish or preference for fat ppl is a chaser?
its an individual decision. hell i know trans girls that actually enjoy chasers unironically snd good for them I guess
hell i wish there were nore chubby chasers in the trans communities god knows us fat trannies need all the help we can get bc our fellow skinny trans siblings find us disgusting
Fat ppl are allowed to be in porn, in erotica, lusted after, desired, preferred
*I'm not saying those arent acceptable but example for the sake of the conversation idk you know what i mean
FINISHED THE MEOWSKULLS SCULPTURE FOR MY BOYFRIENDDDD!
Swank on the casino floor trying to figure out why the ceilings shaking after he sends Courier Six up to “take care” of Benny:
Fallout is great cause it's the only series that can have the tone difference between the parts of itself that deal with the post apocalypse incredibly seriously and showcase what is p much a post-post apocalyptic world with the a grim reality of war beyond war and then in the same game can go "btw your brain is gone oops, you're now in a 1970s batman comic strip, also this is all lore relevant" and this never feels too jarring to take you out of it somehow
Idk, I like the ghoul character designs in Fallout 3 & New Vegas a lot better than the ones in Fallout 4 and after. They used to look a lot more off-putting. They had peeling skin... they had faces melted out of proportion... they looked sorta asymmetrical... I liked how most of them were cross-eyed too. They had unique appearances that ranged from terrifying to goofy. Each face was a unique abstraction; a ghost of the character's former appearance. It made it really difficult to imagine what they looked like before they were disfigured (Moira could be an exception, but even then I couldn't recognize her after becoming a ghoul!) and it made it really easy to forget that they were still human. People in the wasteland having an implicit bias against them based on their appearance felt believable BECAUSE of how they looked! I could really empathize with these characters having angst toward their condition and toward being treated like they've been afflicted by something that makes them less human.
After Fallout 4 they ironically looked smoother and more... aestheticized. Proportionately, it's as if the bones, muscles and fat beneath their skin remained the same and only the surface was left... scarred? They are much more approachable than the other ghouls in comparison. Hell, they are even able to show facial expressions. To me, they feel more like regular people wearing latex masks. Were they made to be more... romanceable? I see how one could raise that they were modeled to fit the proportions of regular human characters so they could share facial animations, but I feel like that's irrelevant when it comes to texturing and topology. Even if the deformations looked weird, it could've added an uncanniness or uniqueness to their appearance (because the only thing that made them visually distinguishable was their costuming, hence why Hancock and Zao were memorable to me).
Fallout 4's ghouls don't feel as imaginative as 3's or New Vegas because I feel like their appearances are sort of based on a more general consensus on what "ghouls" are supposed to look according to Hollywood. All prior Fallout games were more aesthetically challenging to me, and that made the experience all the better because the ghouls looking a lot more "flawed" made them feel more human to me.
i also think theres something in that the discrimination of ghouls being more prevalent in new vegas and 4 because although you hear about diamond city banning ghouls and you see the bog be a ghoul-only farm , its so much more . clear ? in nv ? like you get jason bright explaining *why* they plan to exodus , hear manny vargas explain how they're a nuisance and should be wiped out . you see the ghoulified private edwards in camp searchlight grappling with the idea of going back to the ncr and coming to terms wjth the discrimination hell inevitably face .
Idk, I like the ghoul character designs in Fallout 3 & New Vegas a lot better than the ones in Fallout 4 and after. They used to look a lot more off-putting. They had peeling skin... they had faces melted out of proportion... they looked sorta asymmetrical... I liked how most of them were cross-eyed too. They had unique appearances that ranged from terrifying to goofy. Each face was a unique abstraction; a ghost of the character's former appearance. It made it really difficult to imagine what they looked like before they were disfigured (Moira could be an exception, but even then I couldn't recognize her after becoming a ghoul!) and it made it really easy to forget that they were still human. People in the wasteland having an implicit bias against them based on their appearance felt believable BECAUSE of how they looked! I could really empathize with these characters having angst toward their condition and toward being treated like they've been afflicted by something that makes them less human.
After Fallout 4 they ironically looked smoother and more... aestheticized. Proportionately, it's as if the bones, muscles and fat beneath their skin remained the same and only the surface was left... scarred? They are much more approachable than the other ghouls in comparison. Hell, they are even able to show facial expressions. To me, they feel more like regular people wearing latex masks. Were they made to be more... romanceable? I see how one could raise that they were modeled to fit the proportions of regular human characters so they could share facial animations, but I feel like that's irrelevant when it comes to texturing and topology. Even if the deformations looked weird, it could've added an uncanniness or uniqueness to their appearance (because the only thing that made them visually distinguishable was their costuming, hence why Hancock and Zao were memorable to me).
Fallout 4's ghouls don't feel as imaginative as 3's or New Vegas because I feel like their appearances are sort of based on a more general consensus on what "ghouls" are supposed to look according to Hollywood. All prior Fallout games were more aesthetically challenging to me, and that made the experience all the better because the ghouls looking a lot more "flawed" made them feel more human to me.